On episode 173 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributor Sophia Ciminello give out their final predictions for the 2023 Academy Awards.

Well, there is no backing away now. We are in the final week of the Oscar season, leading up to the Oscars being handed out in just six days. As we stand, we are looking at what could be a history making night for A24’s Everything Everywhere All at Once, and the biggest question remains, how many Oscars do we think the film is going to go home with? There also are plenty of categories still wide open, making this one of the most exciting finishes to an Oscar season in years. Ryan, Erik, and Sophia break it all down and give out their final predictions, though they still have the right to change one or two things at the last second.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h42m. We will be back next week to wrap up the 95^th Academy Awards. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 170 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman, Sophia Ciminello and Dan Bayer review James Cameron’s Titanic and take a look back at the 1998 Oscars.

Over the past weekend, the epic, billion-dollar love story from director James Cameron returned to theaters for its 25th anniversary, and finish in the top five of the box office. Now as modern audiences are going back to Titanic again, the AW crew review the film, their history with it, and what it was like to see it on the big screen again.

Once the review is over, the team moved on to talking about the 1998 Oscars, where Titanic dominated the night with 11 Oscar wins, with Big Jim Cameron claiming he was “the king of the world.” But as the team look back, they talk about the other films that were nominated from the 1997 film year, answer trivia questions about the ceremony and then play a game called “Should’ve, Would’ve, Could’ve,” in which each host say which of the nominees they would pick as the winner, and then who they would replace in the category alongside which film/performance they would replace it with. It was a lot of fun hearing all the fascinating answers selected by all the AW team on the show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. We will be back next week to talk about the BAFTA and DGA winners plus SAG predictions. Till then, let’s get into it.

Music: "My Heart Will Go On" (Love Theme from Titanic sung by Celine Dion) via Columbia/Sony Music Entertainment Canada Inc. (intro) and "Hymn To The Sea" (Music From The Motion Picture music by James Horner) via Sony Soundtracks (outro).

On episode 167 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and special guest Mark Johnson (Editor, film critic, and Oscar prognosticator at Awards Daily) give their reactions 2023 Oscar nominations.

Well they are finally here, the nominations for the 95^th Academy Awards. All the buildup and anticipation led to the nominations announced on the morning of January 24, and there were plenty of great, history making moments from these batch on nominees as well as a lot of misses, snubs, and one wild nomination that has sparked a massive conversation. Ryan, Erik, and Mark leave no stone unturned and break down all the aspects of these nominations, who came out looking the best, and who is the strongest going into the next phase of the Oscar season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h24m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 166 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Josh Parham and Dan Bayer give their final 2023 Oscar nomination predictions.

With the final pieces of the puzzle announced this week with the BAFTA nominations, the AW crew have come together to the longest episode to date to discuss all of the predictions for the feature length categories for the Oscar. Everything Everywhere All at Once, The Banshees of Inisherin, and The Fabelmans look to be the three leading contenders to lead the nominations tally come next Tuesday, January 24, 2023. But will another film emerge to take the top spot with the most nominations? Who are going to get into all the acting categories? Who is the fifth spot in Director and Original Screenplay going to be? What are the team’s ‘no guts, no glory’ picks? All of the answers to these questions and more are broken down category by category with plenty of reason and details to support each team member’s answers. It’s the must listen episode of the season so far.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 4h 9m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 156 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello, Dan Bayer, Kevin L. Lee, Nicole Ackman and Josh Parham to do the Winter Movie Draft and answers some listener questions.

Back in the summer, on the first episode of the newly vamped AwardsWatch podcast, the AW gang divided up into two teams to do the Summer Movie Draft, trying to predict which team will have pick the highest grossing, best reviewed films of the summer. In doing so, Ryan’s team beat out Erik’s team thanks to Tom Cruise saving cinema with Top Gun: Maverick. Now with two months left in the film calendar, and tons of cinema left to see, Erik’s team looks for revenge in the new Fall Box Office draft while Ryan’s team looks to continue their winning ways from the summer. Lots of fun picks, including some hilarious “bomb” picks by each team.

Once the draft was over, the team moved over to some listener questions covering the above the line chances for The Whale and the overall Oscar chances for mid-budget films like The Woman King. They also discuss what are some changes to the Oscars ceremony they would make to make it more celebratory of the nominated films, which modern actors they would like to see in a rom-com, what classic, older films they would pair in a double feature with this year’s awards contenders, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h15m. Good to be back and we should have a new episode from Ryan and Erik live at the AFI Film Festival. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 154 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, and Josh Parham to have an extensive conversation over the 2022 Best Actor and Actress races, as well as answer listener questions and play a fun new game.

Before the group get into their Oscar conversation, the results of the 2022 Summer Box Office Draft were announced, as well as the film the losing team will be watching as a ‘reward.’ There will be another draft in two weeks, as well as a review of the film selected for the losing team.

Jumping from there, Ryan, Erik, Nicole, Dan, and Josh gave their updated views on the ever-changing races for Best Actor and Actress. With a thin crop to pick from, the Best Actor race is looking to have a ton of new faces, with many surprises coming along the way. As for Actress, it is the most competitive, stacked category of the year with ten to fifteen performances vying for the five Oscar spots. These conversations were filled with tons of great insight, as we trek forward into another wild award season. [NOTE: this podcast was recording a day before the official announcement that Apple will release Emancipation, starring Oscar winner Will Smith, in December]

Moving along, the crew answered listener questions, starting with what they think Netflix should prioritize with their awards campaign. They also discuss what makes movies an important art, their early thoughts on the 2022 DGA nominees, what the Best Adapted Screenplay looks like, and what their favorite horror performances are. Lastly, they mention some contenders for the Best Original Score and Song categories for this year, as well as the influences of Golden Globes, who should host the Oscars, and many more questions.

And before they signed off, they played a new game called ‘This is NOT 40’ where they each take a turn in naming all the acting nominees that are under 40 years old. This went over really well and will be played in other iterations in the coming weeks.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h10m. It’s a long one but it needed to be after not having a show last week. So, without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 149 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Sophia Ciminello to talk about their pre-fall festival Best Picture predictions and answer some listener questions.

The fall movie season is upon us, as the Venice Film Festival and the Telluride Film Festival are in less than two weeks and will kick off the new Oscar season. With this, Ryan, Erik, and Sophia dive deep into what they think the race for Best Picture will look like, and which films they think will make the line-up. This is a fun exercise in an evolving race that we will look back on and see if our group were right about their predictions, or if just how far off they were. Again, it is just August and most of these films haven’t been screened just yet, but it is also a good time to overview what will most likely be in competition for Hollywood’s biggest prize.

Before they leave, the trio answers some listener’s questions. They talk about the films that might end up on their Top Ten of the year list that have a zero percent, what films they are looking forward to at the Toronto International Film Festival, and name their favorite Oscar nominees that didn’t win or weren’t nominated for their best work.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h9m. We will be back next week with our final Emmy predictions. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 133 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Sophia Ciminello and Josh Parham, as they dive deep into the website’s first Oscar Predictions for the 2022-2023 season.

In the wake of the news that the 2023 Oscars will be held on Sunday, March 12, 2023, it was only right for the first predictions of the Oscar season to go live on the site this week. Ryan, Erik, Sophia, and Josh breakdown the Best Supporting Actor and Best Supporting Actress races, who the early contenders are, who they would like to see make it into the race, and which performances they are a little skeptical about already. It is a long way till the nominations on January 24, 2023, and with most of these performances as of yet unscreened, it will be fascinating to take a look back on this conversation to see how spot on everyone was, as well as how far off some of these predictions might be.

Then they transitioned over to listener questions, where they discussed what the Academy needs to do to attract younger viewers to the watch the Oscars next year, as well as which films from the beginning of the year can sustain their momentum into the fall. They also talked about the film from Cannes they are most interested in based on first reactions, as well as talk a little about if one or both of Hirokazu Kore-eda or Park Chan–Wook could be an international director to break into the Best Director lineup. Lastly, they mention what debut directional efforts they are looking forward to in 2022 and if they think Top Gun: Maverick has any chance in Best Picture. A wide range of listener questions, but we thank everyone who sent in their questions in.

In the final segment of the show, the gang played two games. The first game was another round of AwardsWatch or Not, this time pitting the top ten lists of 2020 and 2021 against each other to see which film year was better. The first round of lists consisted of Erik’s favorite films, while round two focused on Ryan’s taste in film. Then they played a new game titled Call Me by Your Tagline, in which Erik, Sophia and Josh had to match the poster tagline of an Oscar–winning or nominated film to its respected title. It got a little competitive but it was a lot of fun.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h47m, and it’s blast. Let’s get into it.

It's almost Christmas but the real gift for awards watchers is the Oscars shortlist announcement!

On this 84th podcast, I'm joined by Will Mavity of Next Best Picture to talk about Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Sound, Documentary Feature and International Feature Film and who we think is getting in when the official list comes in on December 21.

Throughout the podcast we highlight how categories like Original Score and Song often nominate well known names and the challenges of being a new name here as well as break down one of the most competitive - and most Eurocentric - International Feature Film competition in years.

2022 Oscar Shortlist predictions: Expect love for ‘Dune,’ ‘Don’t Look Up,’ ‘The Harder They Fall’ and more

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s LICORICE PIZZA – a film written and directed by Paul Thomas Anderson. LICORICE PIZZA tells the story of Alana Kane and Gary Valentine growing up, running around, and falling in love in the San Fernando Valley, 1973. Named Best Film of 2021 by the National Board of Review, and nominated for eight Critics Choice Awards including Best Picture. Now playing in select theaters in seventy millimeter. Everywhere Christmas day. For Your Consideration in all categories including Best Picture of the Year.

This podcast runs 1h 7m with music.

On this 83rd podcast I am joined by the fabulous Sophia Ciminello and fantastic Nick Ruhrkraut of the Oscar Wild Podcast (like and subscribe!).

After a brief razzing of Nick over The Power of the Dog, we settle into looking at how the National Board of Review and New York Film Critics Circle kicked off the critics awards season and what it all means. We dive into the NBR and NYFCC Best Actress wins for Rachel Zegler (West Side Story) and Lady Gaga (House of Gucci), respectively, and the stat that favors at least one of them to get in.

We also take a look at how the Top 10 Films lists from NBR and AFI, especially where they crossover, and how those lists might end up looking like a Best Picture 10. That takes us to a sojourn about the differences between initial critics social responses to films (like Being the Ricardos, Don't Look Up and House of Gucci) vs what the reviews end up looking like. We also dig into the Best Actor category, packed full of previous winners and nominees and wonder if the 41-year stat of a first-time nominee will hold this year or finally fall. In that conversation we look at the two main contenders to keep it going: Peter Dinklage in Cryano and Clifton Collins, Jr. in Jockey.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s CYRANO. From Joe Wright, the award-winning director of PRIDE & PREJUDICE, ATONEMENT, and DARKEST HOUR. A lush, musical retelling of the timeless tale of Cyrano de Bergerac set against a baroque cityscape, CYRANO is a symphony of romance and beauty that belies a heartbreaking love triangle. Starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr., critics are calling CYRANO “one of the best films of the year.” 

For Your Consideration in all categories including Best Picture. Opens in select cities in January. Everywhere February 4.

This podcast runs 57m 56s with music.