Wed, 28 February 2018
It's all down to this.
Oscar voting is now over and the big show is on Sunday. In this 65th podcast I am thrilled to be joined by Vanity Fair's Joanna Robinson.
This podcast focuses quite a bit on the race itself, how this season has gotten us to three possible Best Picture winners, the obstacles it took to get there and how our predictions were led by passion and gut versus simple statistics.
Will it be Three Billboards? The Shape of Water? Get Out? Or possibly something else?
With the acting categories seemingly locked up, we talk about the divergence of early critics wins versus the televised awards, the possible importance of Original Screenplay telling us something early in the show and close with the categories that always end up making or breaking your Oscar pool predictions: the shorts.
Take a peek at the Gold Rush Gang's Final Oscar predictions here before tomorrow's publication.
This podcast runs 1h 13m with music
Intro: "And the Oscar goes to..."
Outro: "New York City by Day," by Thomas Newman from the Original Motion Picture Soundtrack to Desperately Seeking Susan
Mon, 19 February 2018
In this 64th Oscar podcast, I am joined by Gold Rush Gang member Matt Dinn the day after the BAFTA awards where Three Billboards outside Ebbing, Missouri won Best Film and the four acting frontrunners - Gary Oldman (Darkest Hour), Frances McDormand (Three Billboards outside Ebbing, Missouri), Sam Rockwell (Three Billboards outside Ebbing, Missouri) and Allison Janney (I, Tonya) all repeated their wins from the Critics' Choice, Golden Globes and Screen Actors Guild awards in an historic sweep.
But, is Three Billboards actually the frontrunner to win the Best Picture Oscar? Over the course of just over an hour, Matt and I make the cases for why it can and why it won't. Same for The Shape of Water. The Critics' Choice, DGA and PGA winner seems like a good bet. Or is it? Digging deeper, we discuss the path for a Get Out win in the face of seemingly insurmountable statistical odds. How much will the preferential ballot impact these three films and which stands the best odds with it? Will Original Screenplay be a deciding factor?
With every Best Picture nominee facing one obstacle or another, stats and history start to fall by the wayside and let gut feeling and instinct and the impact of social relevance to take over.
This podcast runs 1h 16m with music.
Outro music: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan.