On episode 172 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Sophia Ciminello break down the winners of the 2023 SAG awards and where the Oscar race is at before the start of voting.

We are down to the final two weeks of the Oscar season, and it has become clear that we are heading towards a historic night at the 95th Academy Awards for A24’s Everything Everywhere All at Once. After it’s win last Saturday night at the Producers Guild of America (PGA), the little movie that could took home the most SAG awards in the Screen Actors Guild history on Sunday, with three acting prizes and Best Cast. This is a big change from the BAFTA awards the week before, and the perfect scenario for the film going into Oscar voting. Ryan, Dan, and Sophia break down the winners, what they mean for the overall race, the chaos of Best Supporting Actor, and tease a very long show next week with our final predictions.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h10m. We will be back next week to give our final Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

There is more than one queen that reigns over Wakanda. That queen is costume designer Ruth Carter, a 4-time Academy Award nominee (Black Panther: Wakanda Forever, Black Panther, Amistad and Malcolm X), and winner for 2018’s Black Panther. She is also an Emmy nominee for Roots, a 3-time Costume Designers Guild Award winner (Coming 2 America, Black Panther, Career Achievement Award), a 3-time Critics’ Choice Award winner (Black Panther, Dolemite Is My Name, Black Panther: Wakenda Forever), and so much more. 

Carter is responsible for the iconic outfits that Marvel favorites like Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), Nakia (Lupita Nyong’o) wear. She was also tasked with creating the outfits for the newly-introduced world of Talokan, like Namor (Tenoch Huerta) and Namora (Mabel Cadena). Carter continues to raise the bar higher and higher, not only for the Marvel Cinematic Universe, but for any individual in the profession. In result, Carter was honored with her fourth individual Academy Award nomination for the film, where the film itself garnered five nominations (Best Supporting Actress, Best Original Song, Best Makeup and Hairstyling, Best Costume Design, Best Visual Effects).

When asked about The Hollywood Reporter article that was penned by The Woman King director Gina Prince-Bythewood around omissions of Black women for Academy Award nominations, Carter responded, “It’s not myopic representation. It’s global and I find representation in Bardo. I find representation in Everything Everywhere All At Once. I find representation in Pinocchio. I find representation in Camille Friend, in Angela Bassett, in myself, in Ludwig Göransson. There is a lack of representation of black voices and black images, and for that, I feel sad. Women directors, for that, I feel very sad. I do hail the efforts of those who have films that do speak to the Black community and such. I cannot turn my back on that type of representation as well this year.” 

We will find out the winners of the Academy Awards on Sunday, March 12.  

What’s next for Ms. Carter? She will continue to stay in the Marvel Cinematic Universe by designing for the reboot of Blade. While tight lipped, she did reveal that, “Mahershala [Ali] has been training for weeks… months. I think we are going to see another Mahershala that I haven’t seen yet because he is dedicated.” Blade will be directed by Yann Demange and will be released on September 6, 2024. 
Black Panther: Wakanda Forever stars Letitia Wright, Lupita Nyong'o, Critics’ Choice and Golden Globe winner Angela Bassett, Danai Gurira, Michaela Coel, Martin Freeman, and Julia Louis-Dreyfus. The film is currently streaming in the Academy screening room and on Disney+.

On episode 171 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer break down the winners of the 2023 BAFTA Film Awards and DGA Awards and give their predictions for the upcoming SAG Awards.

With less than a month before the Oscars, the awards race has shifted its focused to the industry, where on Saturday night, The Daniels took home the top prize at the DGA and continued the storybook run for Everything Everywhere All at Once. But the Sunday came and the BAFTA chose to go a very different route, with Netflix’s All Quiet on the Western Front taking home seven awards including Best Feature. Alongside this came some pretty big upsets by the hands of The Banshees of Inisherin, leaving a lot of questions to be answered about what this means going forward in the race.

After a lengthy discussion on BAFTA, Ryan, Erik and Dan broke down who they think are going to win the SAG Awards next Sunday and if any of the BAFTA winners will carry over, thus placing some contenders in perfect position to win. Mix in some listener questions and you got the receipt of another jammed backed, fun show from the AW crew.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back next week talk about some new releases and potentially another game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 170 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman, Sophia Ciminello and Dan Bayer review James Cameron’s Titanic and take a look back at the 1998 Oscars.

Over the past weekend, the epic, billion-dollar love story from director James Cameron returned to theaters for its 25th anniversary, and finish in the top five of the box office. Now as modern audiences are going back to Titanic again, the AW crew review the film, their history with it, and what it was like to see it on the big screen again.

Once the review is over, the team moved on to talking about the 1998 Oscars, where Titanic dominated the night with 11 Oscar wins, with Big Jim Cameron claiming he was “the king of the world.” But as the team look back, they talk about the other films that were nominated from the 1997 film year, answer trivia questions about the ceremony and then play a game called “Should’ve, Would’ve, Could’ve,” in which each host say which of the nominees they would pick as the winner, and then who they would replace in the category alongside which film/performance they would replace it with. It was a lot of fun hearing all the fascinating answers selected by all the AW team on the show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. We will be back next week to talk about the BAFTA and DGA winners plus SAG predictions. Till then, let’s get into it.

Music: "My Heart Will Go On" (Love Theme from Titanic sung by Celine Dion) via Columbia/Sony Music Entertainment Canada Inc. (intro) and "Hymn To The Sea" (Music From The Motion Picture music by James Horner) via Sony Soundtracks (outro).

On episode 169 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham review the latest film from director M. Night Shyamalan, Knock at the Cabin, and talk about their favorite twist endings.

Jumping right into things, the crew jump into Knock at the Cabin, the first film to take down Avatar: The Way of Water at the box office. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, and follows a gay couple and their daughter vacationing at a remote cabin, but things take a turn for the worse when they are held hostage by four strangers, who demand they sacrifice one of their own to prevent the apocalypse. In the follow up to Old, Shyamalan adapts the best-selling novel by Paul G. Tremblay, and based on the reception on the podcast and audiences around the world, the film has garnered a mixed reception, thus leading to a very detailed, SPOILER-FILLED discussion. Josh also wrote the review for the film, which you can read on the site right now.

After the review of the film, Ryan, Erik and Josh talked about some of their favorite films that featured a twist ending. They also discussed the various degrees a twist is used in a film, the various genres that use them well, directors who are known for them, and which films also had some pretty bad twists the ruined the whole experience. As they signed off the week, they gave a little prediction for next week’s Super Bowl and picked which films from the 2023 slate they would like to see a trailer drop for during the big game.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h16m. We will be back next week talk about the re-release of Titanic and to do a retrospective on the 1998 Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).