On episode 285 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Karen Peterson and Mark Johnson to preview the films coming during the 2025 Summer.

Summer movie season is upon us. As Sinners and A Minecraft Movie dominate the Spring box office, we’re heading into the time of the year where everyone is going on vacation, out of school, and looking to cool off from the heat by going to see some of the biggest films of the year. The AW team opts out of a Summer Movie Draft this year, and instead, breaks down the titles coming out over the course of the next four months, with extensive conversations over their box office potential as well as the groups anticipation for the live action Lilo and Stitch, Mission: Impossible – The Final Reckoning, Jurassic World Rebirth, the live action How to Train Your Dragon, Superman, The Fantastic Four: First Steps, F1, Pixar’s Elio, Thunderbolts, Weapons, Materialists, M3GAN 2.0, The Naked Gun, and more. Stay tuned to the end to hear what they think will be the Top 3 highest-grossing films of the summer.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h45m. We will be back in next week for a review of the latest film from Marvel, Thunderbolts. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 96 of the Director Watch Podcast, the boys discuss the first film in their Peter Jackson series, Braindead (1992).

The journey for the boys to talk about Peter Jackson has taken a long road, winding road to get here, much like the director’s acclaimed trilogy. But in one of the more fascinating careers of the last thirty years, Peter Jackson saw a rise to fame after years of making scrappy, independent horror-leaning films that landed him a couple of big checks that became some of the most known films of the 21^st century. By 1992, Jackson had already made two films; lesser known titles Bad Taste and Meet the Fables (which the guys give their brief thoughts on at the beginning of the episode). But it was his third film, Braindead, that was his breakout; a zombie comedy splatter film about a son’s relationship with his needy mother that turns gory when she is bitten by a hybrid rat-monkey creature and begins to transform into a zombie. In the vein of the Evil Dead franchise, Jackson goes all out with the gore and mayhem to allow for a unique, memorable horror experience like no other. Ryan and Jay breakdown their thoughts on the film, the level of gore and blood in Braindead, ponder how this guy went on to make the films that he did, discuss their favorite kills in the film, preview the rest of the Jackson series and explain why this was the right time to finally do this series.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h48m. The guys will be back next week to continue their series on the films of Peter Jackson with a review of his next film, Heavenly Creatures. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 284 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Dan Bayer to review the latest film from director Ryan Coogler, Sinners, and talk about their favorite horror films of the century so far.

The film world has been buzzing the last two weeks in the anticipation for Ryan Coogler’s Sinners, a Southern gothic vampire musical that in one of the most original, authentic studio films released in sometime. After a strong opening box office and even stronger word of mouth from audiences, receiving an “A” CinemaScore this past weekend, Sinners is being considered one of, if not the best film of 2025 released so far. Ryan and Dan breakdown their extensive thoughts on the film, avoiding spoilers yet diving deep into the complex, exciting world Coogler has built. After they are done reviewing the film, they dive into a discussion over the horror genre for the last 25 years, and how it has evolved and changed over the course of the last two and a half decades. Films mentioned in their conversation ranged from Get Out, Saw, The Ring, The Cabin in the Woods, The Conjuring, Drag Me to Hell, The Others, American Psycho, The Witch, Midsommar, It Follows, Green Room, The Substance, Nosferatu, Suspiria, Titane, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h17m. We will be back in next week for an extensive 2025 Summer Movie Preview. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 95 of the Director Watch Podcast, the boys discuss the final film in their Elaine May series, Ishtar (1987).

It had been a few years since Elaine May had been behind the camera, and her return to the big screen was likely her most talked about film, as Ishtar was considered by many at the time to be one of the worst films of all time, and a financial calamity. Following two down on their luck singers who take a gig in the Middle East and get caught up in international espionage, on paper, these films had two big movie stars in a what could be comedy gold. But the behind-the-scenes turmoil mixed with studio interference caused the film to be a disaster, and thus became the final film the director has ever directed. But is it as bad as history made it out to be? Ryan and Jay give their thoughts on the film, the music sung throughout the runtime, Dustin Hoffman and Warren Beatty’s careers, why May hasn’t been able to make another film, and give out their rankings of her films within the series and how they rank against her pal, Mike Nichols.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h. The guys will be back next week to begin their series on the films of Peter Jackson with a review of his film, Braindead. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 283 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Josh Parham to breakdown the 2025 Cannes Film Festival lineup and then review the latest film from A24, Warfare.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 48m. We will be back in next week to review the latest film from director Ryan Coogler, Sinners, and talk about their favorite horror films of the century so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 94 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Trace Sauveur to discuss the next film in their Elaine May series, Mikey and Nicky (1976).

Just a few years after the second film, Elaine May set out to make her follow-up to The Heartbreak Kid, and in doing so, made one of the most memorable films of the 1970s in Mikey and Nicky. While the movie was another step forward for the director as a visual storyteller and featured to dynamite performances from Peter Falk and John Cassavetes, its journey to the big screen was wild, as it took May years to hand the studio a finished edit of the film, as she tinkered with it until she was forced to hand it over. Even after its release, she still wasn’t fully satisfied with the final film, reworking on it some when it got into the Criterion Collection. In the end, what she gave us is an intense, heartbreaking looking into a crumbling friendship set over the course of one night. Ryan, Jay, and Trace breakdown their thoughts on the film, May’s direction, the behind the scenes stories of the making of the film, their thoughts on the main character’s friendship, the harsh ending, and the fall of auteur driven cinema of the 1970s. 

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h53m. The guys will be back next week to conclude their series on the films of Elaine May with a review of her final film, Ishtar. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 282 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Associate Editor Sophia Ciminello as well as AwardsWatch contributors Dan Bayer, Jay Ledbetter, Josh Parham, and Karen Peterson to go back 10 years and take a look at the 88^th Academy Awards, covering the films of 2015.

The team take a trip back to just a decade ago where the Oscars were at a moment of reflection as the #OscarsSoWhite movement rang loudly as the nominations didn’t fully show the diverse, talented artists that made the year in film so strong. Chris Rock (whose jokes this night would spark the later controversy for “The Slap” at the 2022 ceremony) hosted the ceremony and highlighted perfectly that the Academy had a long way to go to show the world that they can change and allow everyone the chance to be nominated and win an Oscar. For the telecast, it was a night dominated by Mad Max: Fury Road and The Revenant in the technical categories, Leonardo DiCaprio finally winning an Oscar, a cool, shocking upset in Best Visual Effects, and Spotlight winning the top prize, along with just Best Original Screenplay, making it the first film since The Greatest Show On Earth to win Best Picture while only winning one other award.

In their in-depth discussion, the AW team talked about the film year of 1980, briefly discuss talk about Spotlight as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h14m. We will be back next week for a review of the new A24 drama, Warfare, as well as talk about some of the best war films of the decade/century so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 93 of the Director Watch Podcast, the boys are joined by film critic Jake Tropila to discuss the next film in their Elaine May series, The Heartbreak Kid (1972).

It didn’t take long for Elaine May to make her second feature, as she released The Heartbreak Kid just a year after A New Leaf was released. But much like her longtime friend and collaborator Mike Nichols, May elevated just about every aspect of her skills from behind the camera to make one of the greatest comedies of all time; a film that follows a newly married salesman who falls in love on his honeymoon with another woman, and will do whatever it takes to fix the “mistake” he has made. Written by great Neil Simon, May’s sophomore feature is a great mirror to Nichol’s The Graduate, and represents the same determination but ultimate sadness found within the decisions of the heart found within the younger generation of the 1970s. Ryan, Jay, and Jake break down their feelings on this masterpiece, how they were able to few this film given its copyright issues, the hilarious dialogue, the performance from Charles Grodin, the film’s ending, the 2007 remake feature Ben Stiller, who would Hollywood cast as Lenny if The Heartbreak Kid was made today, and the importance of pecan pie.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h2m. The guys will be back next week to continue their series on the films of Elaine May with a review of her film, 1976's Mikey and Nicky. You can rent it via YouTube in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).