Thu, 7 July 2022
On episode 144 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they give out their final Emmy nomination predictions before they are announced next week.
Over the course of the last three weeks, Ryan, Erik, and Tyler have discussed the 2022 Emmy landscape, talking about what they think is going to be nominated when it is all said and done. Well, this is the moment of truth, where all their prognosticating and lineup shifting of potential nominees in their respected categories comes to a halt. They break down who they think will be nominated in the Limited Series, Drama, and Comedy categories. While they do agree on a lot on this show, there are moments where they break from the group, which could lead to some fascinating surprised come nomination morning. They also give an update on who they think is the front runner still in the categories at this stage of the Emmy race. For a full rundown of Erik and Tyler’s Emmy nomination predictions, you can check them out on the website.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.
This podcast runs 1h17m. We will have a new podcast next Monday, as the AwardsWatch podcast team talks about Thor: Love and Thunder, answer some listener questions and plays some games. Till then, let’s get into it.
Music: “Modern Fashion” used by permission from AShamaleuvmusic
Thu, 23 June 2022
You know what’s better than two podcasts in one week…three! On episode 141 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they breakdown the Drama Series categories for the 2022 Emmys.
Unlike the comedy series categories, which were discussed on episode 140, the majority of the winners from last year’s categories are not in the race this year, given that The Crown has taken this year off to fill its final two seasons with a brand new cast. Many assume that this is the time for previous Best Drama Series winner Succession to come back and dominant the Emmy categories like it did two years ago. But a lot of great television has come out in that time, leaving a lot of uncertainty as to if the HBO drama has what it takes to take back its crown.
Ryan, Erik, and Tyler break down the directing, writing, acting, and series categories, and the various challengers like Ozark, Squid Game, Severance, Yellowjackets, Better Call Saul, Stranger Things, Yellowstone, and more that plan on taking on the Roy family come Emmy nomination morning and the night of the ceremony. While these predictions, like the previous Emmy episodes, aren’t set in stone, it was a fascinating conversation to see where the race is currently at, and what potential spoilers and dark horses lie in the weeds waiting to make their presence known.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.
This podcast runs 1h34m. The final predictions episode will land around a week ahead of the Emmy nominations announcing on July 12. Till then, let’s get into it.
"Modern Fashion" by AShamaluevMusic used with permission.
Tue, 21 June 2022
Two podcasts in one week, what a treat. On episode 140 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, TV Editor Tyler Doster, as well as AwardsWatch contributor, host of the And The Runner Up Is podcast, and the new Content Update Editor for Entertainment Weekly Kevin Jacobsen, as they break down the Comedy categories at this year’s Emmys.
On episode 137, it was alluded to how the Limited or Anthology Series or Movie portion of the Emmy race seemed to be a little lacking in competition. Well, have no fear because the Comedy Series races are chock full of recent winners, old favorites that are looking to come back strong, and new series looking to capitalize on their freshmen season success. Last year saw the Apple TV+ darling Ted Lasso and the HBO Max smash hit Hacks take home the majority of the awards, and with very strong second seasons, they look to continue their winning streaks.
But not so fast, as Barry season three has just wrapped up with one of the best season of television of the year, leading many to think it could be the one to beat when it comes to Emmy night. The Marvelous Mrs. Maisel, and Atlanta also returned with stellar efforts and have been previous winners in multiple categories. And there are newcomers in Only Murders in the Building, that led by a spectacular comedic trio, and Abbott Elementary, which could be stealing Lasso’s title as the most charming show on television, and showing one of the best ensembles of the year.
With also shows like What We Do in the Shadows, Russian Doll, The Flight Attendant, Reservation Dogs, Insecure, Julia, Curb Your Enthusiasm, black-ish, Our Flag Means Death, Peacemaker, and many more trying to compete for limited nomination spots, this is the most stacked Comedy Series categories we’ve had in years. Thus, Ryan, Erik, Tyler, and Kevin have tons to break down, with plenty of fantastic insight into how they see each category and show shaping out, and a lot of painful omissions from their new wave of predictions.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.
This podcast runs 1h40m. The Drama Series Categories episode will be released sometime soon, but in the meantime, please check out all of our Emmy nomination predictions and interviews on the website. Now, let’s get into it.
"Modern Fashion" courtesy of AShamaluevMusic and used by permission
Tue, 14 June 2022
Interview: Elisabeth Moss talks about 'Shining Girls,' having a women-led crew and the deep affection for her co-stars Wagner Moura and Jamie Bell
That was two-time Emmy winner Elisabeth Moss invoking the iconic Maggie Smith line from Downton Abbey as we began our chat on a Sunday morning. Reminding ourselves that we aren't in chosen industries where phrases like 'weekends' and 'business hours' are non-existent, it's a funny icebreaker before diving into talking about her work.
Moss may play some of film and television's most taunted and tormented characters but she as opposite of that in possible in real life. Jovial and effervescent (I don't think I've interviewed someone who laughs as much), our conversation digs into her new role and new show Shining Girls, which recently finished airing on AppleTV+. Moss plays Kirby Mazrachi, an archivist for a Chicago newspaper in the mid-90s who was savagely attacked six years prior. When a recent murder is discovered to have a similar calling card to her own assault, she forges a bond with a reporter (played by Wagner Moura) to find and nab the killer (Jamie Bell).
We jump right into the fact that the show throws the audience into this story, one of split personalities, time shifting and time travel, and gives them just enough information to stay afloat, much like Kirby herself. Often as an audience we're one step ahead of our protagonist but in Shining Girls, based on the novel by Lauren Beukes and from showrunner Silka Luisa, the viewer is a part of the unfolding mystery and sharing in the suspense.
Moss received the script back in 2018 ("I just thought it was the coolest thing") to act in and produce, but her time behind the camera on The Handmaid's Tale more than prepared her to helm this new project that features all women directors; Moss is joined by Michelle MacLaren (Game of Thrones, Breaking Bad) and Daina Reid (The Handmaid's Tale) as well as a crew largely comprised of women ("It was just the natural thing to do...and all the best people for the job were women") and talk about the ever-important penultimate episode, .
We of course dive into working with her co-stars Wagner Moura, aka "Wag," who Moss says is "so unbelievably alive, he's so facile. He has a presence that is absolutely electric." On Bell, playing heavily against type as the series bad guy, she remarks, "This is the best performance he has ever given. I think that man is going to be somebody who is going to win an Oscar."
This is AwardsWatch so I would be remiss if I didn't take a look at how Moss is poised to make Emmy history if she's nominated for her performance in Shining Girls. She is currently tied with 10 women who have earned Lead Actress in a Drama Series Emmy nominations for two different shows, including Glenn Close, Connie Britton and Barbara Stanwyck. Moss earned lead actress nominations for Mad Men and The Handmaid's Tale, winning for the latter. She would be in a place all her own if she can nab a nom this year for a third show.
Listen to our conversation below. Major spoilers of the series in the last third of the interview so if you haven't seen the show, I recommend it.
Fri, 10 June 2022
A change of pace for this special edition of the AwardsWatch Podcast as it's not only all about the Emmys, it's dropping on a Friday. Don't worry, we'll still have the Monday edition, too.
The first of many Emmy podcast to come this season, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and TV Editor Tyler Doster take on the top categories in the Limited or Anthology Series or Movie section, which has some very contentious and tough races as we enter the nomination voting period next week.
Hulu is a dominant factor in this year's races with Dopesick, The Dropout, Pam and Tommy, The Girl from Plainville, Candy, WeCrashed and Under the Banner of Heaven (FX on Hulu) all fighting several networks, streamers and programs, as well as with itself.
As is often the case, Lead Actress in a Limited or Anthology Series or Movie is proving to be the most competitive. While a few names feel locked in like Amanda Seyfried (The Dropout), Best Actress Oscar winner Jessica Chastain (Scenes from a Marriage) and Margaret Qualley (Maid), the rest of the field is packed with previous Emmy winners like Viola Davis (The First Lady), Gillian Anderson (The First Lady), Claire Foy (A Very British Scandal), Julia Garner (Inventing Anna) and Toni Collette (The Staircase) as well as Oscar winners (a category Davis also falls under) Anne Hathaway (WeCrashed) and Julia Roberts (Gaslit). But with only six spots, who's in and who's out?
This podcast runs 1h 4m. Let's get into it.
Wed, 7 July 2021
The last in our 2021 Emmy predictions video podcasts ends with the Drama categories, covering writing, directing, guest acting, supporting and lead acting.
With the Emmy sliding scale of number of nominees based on submissions in full swing, that effect is made clear in the drama categories which see some with six, some with seven and supporting acting getting a whopping eight each (due to the parity rule). Even more fascinating is that my TV Awards Editor Tyler Doster and I did not consult each other on our predictions before the podcast and found ourselves eerily closely aligned in some categories we thought we would see huge differences.
There are three shows that seem poised to really dominate the Emmy nominations when they're announced on Tuesday, July 13 and they are: Netflix's The Crown, Hulu's The Handmaid's Tale and The Mandalorian from Disney+. Both Tyler and I are expecting huge numbers from these shows in writing, directing and acting, with the first two possibly set to utterly dominated supporting actress.
With so few other returning shows due to COVID-related delays, we're also going to see an influx of new shows like Amazon Prime Video's The Boys, HBO's (now canceled) Lovecraft Country and Netflix's Bridgerton all staking claims are major Emmy nominations. We'll also see the farewell of FX's Pose (can they finally get an acting nomination outside of Billy Porter?) and several Apple TV+ hopefuls searching for a spots.
This podcast runs 48m 19s.
Thu, 24 June 2021
We hope you enjoyed our first Emmy podcast of the season, The Limited Series Categories, because now it's time for comedy.
Comedy is a section that feels both packed with competition yet also surprisingly slim. We know the latter part of that because of the Emmys' new sliding scale of nomination slots based on submissions by category. While it seemed like we all did nothing but consume massive amounts of television during 2020, we ended up with fewer slots this year than last, with some back down to just five, including Outstanding Comedy Series and Outstanding Lead Actress in a Comedy Series.
Much of the conversation revolves around just three shows: Ted Lasso from Apple TV+ and Hacks and The Flight Attendant, both from HBO Max. Each are expected to rack up a boatload of nominations and in the case of Ted Lasso, two or three in the supporting categories.
But several shows could also find themselves with strong numbers on nomination morning including Hulu's PEN15, Netflix's The Kominsky Method and even a bit of a comeback for network television with ABC's black-ish, plus Kenan and Mr. Mayor from NBC.
In just 45 minutes, AwardsWatch TV Awards Editor Tyler Doster and I manage to take on Comedy Series, all acting categories (including guest) plus writing and directing.
Fri, 11 June 2021
In this first in a series of 2021 Emmy podcasts, AwardsWatch TV Awards Editor Tyler Doster and Erik Anderson, AwardsWatch Editor-in-Chief, break down the contenders in the Limited Series, Anthology Series or Movie categories. For now, we're just sticking with the series and acting categories until the official Emmy nominating ballots are revealed on June 17 (the first day of Emmy nomination voting) that will tell us who's competing for directing and writing slots. That said, many of this season's limited series' are singular visions, meaning one director took on the entire show. Whether it's The Queen's Gambit, Small Axe, The Underground Railroad or Mare of Easttown, this season has been about sole showrunner vision.
We started with Limited Series simply because it's the most competitive and by far the most interesting section of the Emmys this year. While the Television Academy expanded the Drama and Comedy series and acting categories, Limited Series stayed the same with just five nominee slots.
Tue, 21 July 2020
It's been a minute.
The AwardsWatch Emmy podcast return and at the top asking how my guests, Kevin Jacobson and Amanda Spears, have been coping as we enter the 5th month of sheltering in then out then in place and how it's changed or altered their lives. We then go into the realistic chance of what the Primetime Emmy telecast might actually look like with the Television Academy already canceling the Governor's Balls and turning the two-night Creative Arts Emmys into virtual events.
We tackle the Comedy, Limited Series and Drama categories (about an hour each) including all acting. So much to unpack here with the newly expanded categories (eight in series and supporting roles for drama and comedy) and how the the loss of Game of Thrones opens up the race tremendously. Does that mean a long-standing bystander like Rhea Seehorn (Better Call Saul) finally gets in or was she never that close to begin with? What does Lead Actor in a Drama Series look like, which has been on a clear path of rewarding only first and last season performances with wins? How will Apple fare in its first Emmy season with The Morning Show and Defending Jacob?
Watch out for full written predictions including writing and directing throughout this week.
There is a slight glitch between 1:54:00-1:54:15 while Amanda is doing her Supporting Actor in a Drama Series predictions that couldn't be fixed in editing.
This podcast runs 3h 5m 50s with intro and outro.
Opening: Pose opening (FX)
Closing: Schitt's Creek main and end title medley (by Maribeth Solomon and Geek Music)
Thu, 18 June 2020
What if you had the chance of opting into a second life after death? In the Amazon original series Upload, Robbie Amell plays computer programmer Nathan Brown, a handsome but self-centered computer programmer who dies under suspicious circumstances and finds himself in Lake View, a utopian virtual after-life. As Nathan acclimates himself to his new existence, he befriends Nora Antony (Andy Allo), his virtual handler. Nathan and Nora grow closer as they work to solve the mystery surrounding Nathan’s untimely demise. Upload is a sweet and whimsical comedy, with profound observations about technology, love, class and the meaning of life.
Amell, who’s made the sci-fi genre his playground with roles on Netflix's Code 8 and the CW series' The Tomorrow People and The Flash was immediately drawn to creator Greg Daniel’s futuristic vision in Upload. Amell shares "When Greg and I talked about the script and the show he said if this digital after-life was created by people then it would have the same problems the real world has with division of wealth and income inequality.”
Amell also shares his audition process in landing the role of Nathan, why fans are rooting for Nora and Nathan to be together and why the idea of a virtual afterlife appeals to him.
Thu, 2 April 2020
In this era of quarantine it's time for some levity.
Kevin Jacobsen and Amanda Spears return for this podcast, covering the Comedy categories and it's a bit of a Schitt fest. With so many contenders not in the race this year, like Veep, Barry and Russian Doll, everything is much more open than usual. Plus, how will the extended Emmy voting period and inability to host FYC events impact this year's awards?
We cover Supporting Actor, Supporting Actress, Lead Actor, Lead Actress and Comedy Series where, in many races, looks like Schitt's Creek vs The Marvelous Mrs. Maisel in nearly all but Lead Actor. Dan Levy vs Tony Shalhoub, Alex Borstein vs Annie Murphy and Catherine O'Hara vs Rachel Brosnahan. But what about Merritt Wever in Run? Is the final season of Modern Family rearing its ugly head?
We close with an interesting conversation on the theory of 'vote-splitting,' which I generally don't believe is a real thing, or at least used correctly as a descriptor. But between Kevin, Amanda and myself - and using last year's Drama Directing race as an example - I think we land on a mutual understanding.
This podcast runs 1h 29 with music.
Opening: Theme from The Good Place by Geek Music/Symphonic Distributor
Closing: End theme from Schitt's Creek by Maribeth Solomon
Thu, 26 March 2020
Last week, Kevin Jacobsen, Amanda Spears and I tackled the Limited Series categories for the year's Emmys but today it's all about the DRAMA.
Starting with Supporting Actor first, we look at the likely returning nominees like Jonathan Banks (Better Call Saul), Bradley Whitford (The Handmaid's Tale) and David Harbour (Stranger Things) as well as who could break in for the first time like Josh O'Connor for The Crown, Kieran Culkin for Succession and Tom Pelphrey for Ozark.
With Game of Thrones gone, that opens up a whopping four spots in Supporting Actress, which finds HBC (Helena Bonham Carter) as HBIC for The Crown, with the newest winners here - Julia Garner in Ozark, Thandie Newton in Westworld and Ann Dowd in The Handmaid's Tale - ready to give her chase. Plus, Big Little Lies is now here so you know what that means: Meryl Streep and newly minted Oscar winner Laura Dern. Can Better Call Saul's Rhea Seehorn finally catch a nom here?
Lead Actor could be a wild set of nominees with two of its most recent winners - Billy Porter in Pose and Sterling K. Brown in This Is Us - on weirdly shaky ground. Could Succession pull double duty and get both Brian Cox and Jeremy Strong in? Perennial nominee Bob Odenkirk is in for Better Call Saul, Jason Bateman is surely a lock for Ozark and b's Tobias Menzies seems safe too. Can Al Pacino break in for the critically divisive Hunters? Is there a world were former winner and Oscar winner Rami Malek makes one final nomination for Mr. Robot?
There isn't going to be a more bloody fight this season than Lead Actress in a Drama Series (which Kevin breaks down here) with Oscar winner Olivia Colman in The Crown, previous Emmy and new SAG winner Jennifer Aniston in The Morning Show and last year's surprise winner here, Jodie Comer in Killing Eve (which premieres late in April). Then you still have Emmy favorite Laura Linney (in her best season of Ozark), previous winner here Elisabeth Moss in The Handmaid's Tale (and having a great year in film). What about previous winners in their final seasons like Viola Davis (How to Get Away with Murder) and Claire Danes (Homeland)? Can Sarah Snook sneak in for Succession or is this the wrong category for her?
We end with Drama Series, another category looking for a brand new winner now that four-time champ Game of Thrones is gone (check out Amanda's breakdown here). Will HBO's Succession take the crown or will it be, well, The Crown? How will previous nominees like Pose and Westworld fare here? Can Big Little Lies make the jump from Limited Series to Drama Series successfully and will Apple TV+ score its first series nod with The Morning Show?
All of these questions and more are answered in this 33rd Emmy podcast, which runs 1h 23m 45s with music.
Opening: Theme to Succession by Nicholas Britell
Closing: Theme to The Crown by Hans Zimmer
Thu, 19 March 2020
Podcasting in the time of corona.
The AwardsWatch Emmy Podcast returns and this week I am joined by Kevin Jacobsen and Amanda Spears to talk about the Limited Series categories and the state of television in the ever-changing landscape the coronavirus pandemic has created.
We open by talking a bit about our own personal experiences with the outbreak, the lockdowns and our existential thoughts. My sincere apologies for any of my coughing that comes through, I've been battling a severe dry cough (no fever!) and did the best I could to stifle it.
Even with the new season of Fargo out of the mix (production had to halt because of the virus and it won't make its April debut), the Limited Series races are jam packed with great content, most especially the lead actress and supporting actress categories. Full of Oscar winners and nominees, Emmy winners and nominees, both are set to be the most exciting of the season.
This podcast runs 47m 15s with intro and outro.
Opening: The trailer for HBO's Watchmen
Closing: "New York City By Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan
Wed, 18 September 2019
With the Creative Arts swinging big for Game of Thrones, The Marvelous Mrs. Maisel and Chernobyl, will the Primetime Emmys follow suit?
In this final Emmy winner prediction podcast, Amanda Spears and I delve into all Drama, Comedy and Limited Series categories with our winner predictions plus the spoiler in those categories.
Even with Game of Thrones as the obvious winner for Drama Series (can you imagine the upset if it lost?) where else will it win? It's at 10 Emmys from the Creative Arts, just two away from the all-time record of 12 for a single season (a record owned by GOT itself, twice) so breaking that record should happen. But, by how much?
Comedy is a fight between Barry, Fleabag, The Marvelous Mrs. Maisel and Veep. Barry picked up two wins at the Creative Arts (yet lost stunts and sound editing, strangely), Fleabag snagged the casting award (a huge get) and Veep went 0/4. Its chances of taking the crown back from Mrs. Maisel seem like a pipe dream at this point.
Limited Series categories at the Creative Arts loved Chernobyl, giving it seven big wins. When They See Us, only managed a single win but it was for casting, a good bellwether for Sunday. There is a lot of history to be made if the series and its creator/director Ava DuVernay win. She's the frontrunner for writing and directing right now, making her first African-American woman to achieve that if she does.
This podcast runs 1h 14m with music.
Opening: Main title of Game of Thrones
Closing: Trailer for season two of The Marvelous Mrs. Maisel featuring the song "Get Happy"
Wed, 11 September 2019
The Creative Arts Emmys, a two-night affair celebrating the technical achievements of the television season such as lighting, editing and cinematography, are this weekend - September 14th and 15th. I am joined by returning champ Amanda Spears on the Creative Arts Emmy winner prediction podcast.
The Creative Arts Emmys are also the home of five of the biggest awards of the Emmys: the four Guest Acting categories and Reality/Competition Host. We start the podcast analyzing the guest categories (Can Bradley Whitford win again? Will Adam Sandler be an Emmy-winning actor? Will Phylicia Rashad finally take it?) and that Reality/Host contest. RuPaul Charles stands a very good chance of tying Survivor's Jeff Probst for a 4th win here for RuPaul's Drag Race.
We also tackle categories that are often bellwethers for what is going to happen the week after at the Primetime Emmy Awards. Namely, the Casting categories. Casting for a Limited Series is going to be a tough fight between Chernobyl, Fosse/Verdon and When They See Us, one of many between these three nomination giants. Casting for a Drama Series should easily go to Game of Thrones as part of its inevitable sweep (keep an eye out for a GOT article from Amanda, who correctly predicted it would hit 32 nominations, on its potential wins). But it's Casting for a Comedy Series that gives us trouble. Veep won this three times in a row on its way to Comedy Series wins. In its absence last year, The Marvelous Mrs. Maisel won. But we also have huge Emmy hits Barry and Fleabag. Who will win and will that win correlate to a Comedy Series win?
The four costume categories (Contemporary, Period, Fantasy/Sci-Fi/Variety, Reality or Competition) and several music categories (Music & Lyrics, Main Title Theme, Score for Series and Limited Series) make up the rest of our Creative Arts Emmy winner predictions.
We'll be doing a Primetime Emmy winner predictions podcast just after the Creative Arts Emmys are held this weekend.
This podcast runs with music.
Opening: HBO's Chernobyl, episode "Please Remain Calm"
Closing: "Mein Herr" from FX's Fosse/Verdon
Mon, 19 August 2019
The top three nomination getters - Chernobyl, Fosse/Verdon and When They See Us - take up quite a bit of oxygen in every race, going up against each other in virtually every category. Will there be a sweep or will the three split categories across the board? Will Ava DuVernay make Emmy history?
What to do with Supporting Actress. Will it be Patricia or...Patricia? Amanda and I go toe to toe on whether Arquette or Clarkson will be triumphant here. But maybe there's a spoiler lurking...
This podcast runs 1h 21m 55s with music.
Opening: "Big Spender" from Fosse/Verdon (FX)
Closing: Trailer for When They See Us (Netflix)
Thu, 8 August 2019
After a spirited debate on the Drama categories for this year's Primetime Emmy Awards, Amanda Spears and I return to tackle Comedy and it's a much more open race across the board than their more serious counterparts.
While Game of Thrones is the clear frontrunner and runaway winner in many categories over in Drama, the Comedy side is rich with major contenders and no clear shot at who's going to end up on top. The return of Veep, for its final season, is surely a serious threat to take the crown back from The Marvelous Mrs. Maisel, who triumphed during Veep's hiatus and sits at a field-best 20 nominations, but we also have Barry, a big winner last year with double the noms this year, and the return of Fleabag, the cult hit that turned into a pop culture phenomenon this spring.
While it doesn't seem to leave much room for the other nominees, there stands a chance for Schitt's Creek stars Eugene Levy or Catherine O'Hara to surprise - especially O'Hara who, back in the tape-based era, could probably run away with this with her submission "The Crowening." Veep's Julia Louis-Dreyfus stands in her way though, looking for her 9th career win, which would break her tie with Cloris Leachman as the female actor with the most Emmy wins. JLD has never lost here for Veep yet, a six-year streak.
Speaking of Schitt's Creek, late in the podcast (just before we reveal out Comedy Series winner predictions), Amanda has a special announcement to share.
With music this podcast runs
Opening: Theme to Veep by Rupert Gregson-Williams
Closing: Ending theme to Schitt's Creek (composer unknown)
Mon, 5 August 2019
With all of the episodes submissions in for Drama Series and individual performers, the first Emmy winner prediction podcast is here, tackling the guest, supporting and lead acting acting categories as well as the big one itself.
I am joined once again by Amanda Spears, who correctly predicted the path for Game of Thrones to earn its historic and record-breaking 32 Emmy nominations this season. While it's kind of a forgone conclusion that the incest and dragons page-turner will triumph in Drama Series, there's a lot of room for spoilers, upsets and surprises in the acting categories.
Can Peter Dinklage make history and win his fourth? Will Pose's Billy Porter be the first out, queer, black man to win Lead Actor in a Drama Series? Will Lead Actress go to Killing Eve's Jodie Comer or Sandra Oh? Or is Emilia Clarke going to fly in destroy their chances? All these questions and more get answered.
With music, this podcast runs 1h 16m 38s with music.
Opening: Into to FX's Pose
Closing" "Home," sung by Mj Rodriguez, Billy Porter and featuring Our Lady J from FX's Pose
Sun, 16 June 2019
Is Game of Thrones running away with the Drama Series Emmy win? All signs point to yes but that doesn't mean there isn't a conversation to be had about this year's drama races.
I am joined once again by Amanda Spears to break down Drama Series, Lead Actor and Actress and Supporting Actor and Actress (guest, writing and directing categories will be tackled later).
In this podcast we tackle if GOT can break NYPD Blue's all-time record for most nominations by a show in a single season, how the acting races could play out for Killing Eve's Jodie Comer, Pose's Billy Porter and the Emmy fate of This is Us and House of Cards and much more.
This podcast runs 56m 30s with music.
Opening: The theme from Game of Thrones by Ramin Djawadi
Closing: "New York City By Day,' by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan
Sun, 16 June 2019
We're right in the middle of the Emmy voting period for the 2019 Primetime Emmy Awards, making it high time for an Emmy podcast.
Returning champion Amanda Spears and I discuss the likely nominees, if When They See Us can dominate the acting categories, how Deadwood, Chernobyl, Fosse/Verdon and Sharp Objects will fare and if there's any room for major surprises.
This podcast runs 57m 10s with music.
Opening: Trailer for When They See Us (Netflix)
Closing: "New York City By Day," by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan
Mon, 6 May 2019
In our first Emmy podcast of the 2018/2019 season, I am joined by Amanda Spears, who has been detailing her Emmy predictions here over the last few weeks.
In this episode we tackle the Comedy Series categories and the battle that seems to be between Veep's final season and the second season of the history-making winner from last year, The Marvelous Mrs. Maisel. Will this focus on only these two shows (and their acting components like Julia Louis-Dreyfus vs Rachel Brosnahan and Alex Borstein vs Anna Chlumsky) make room for a surprise third to come in and shock?
We look at the possible demise of the regular networks in the top category, with ABC's black-ish barely hanging on and NBC's The Good Place possibly coming in to take its place in the final lineup of seven shows.
Netflix has been enormously successful at the Emmys...with nominations. With so many comedies, new and previously established for it to push, how many can it realistically get in? 2? 3? 4?? And can it ever win?
I know I say at the beginning of the podcast that we'll be doing both Comedy and Drama categories but I decided to split them up so Drama cats will be coming soon.
This podcast runs 1h 7m 45s with music.
Opening: "Change for the World" by Charles Bradley from HBO's Barry
Closing: "New York City by Day" by Thomas Newman from the original motion picture soundtrack of Desperately Seeking Susan
Mon, 9 July 2018
Buckle in, kids, this is a doozy.
On this FINAL Emmy nominations prediction podcast, I am joined by Awardsdaily TV's Joey Moser. The shade will be deep and the tea is steeped.
Starting off with the Drama categories, working our way up from Guest to Lead to Supporting and Drama Series itself, Joey and I debate if Westworld can hold its own against the return of Game of Thrones and how both will do in the face of The Handmaid's Tale's second season after a first season domination at last year's Emmys.
Comedy gets into how the absence of Veep could find its replacement with up to three freshman shows (The Marvelous Mrs. Maisel, GLOW and Barry) looking for a spot in Comedy Series against the reboot of Will & Grace, Silicon Valley and frontrunner Atlanta.
Limited Series and TV Movie closes the podcast and, as is often the case, we find it the most difficult to predict.
Watch for my full list of final Emmy predictions today.
This epic podcast run 2h and 30m with music and is worth every moment.
Opening music: Theme from Black Mirror
Closing music: Theme from Will & Grace
Tue, 12 June 2018
It's Emmy season and in podcast #22 I am joined by GoldDerby contributing editor and Emmy super sleuth Riley Chow.
The Emmy nominating ballots were revealed yesterday and Riley and I begin the podcast by discussing any anomalies in the submission list and the Guest vs Supporting categories and new(ish) 50% rule.
Westworld and The Handmaid's Tale will likely make up a large portion of guest and supporting acting nominations and Riley and reveal our thoughts on where we think each show will land now that they both will face Game of Thrones.
We venture into the writing and directing categories of drama, talking at length about The Americans, Game of Thrones, The Handmaid's Tale, The Crown, Stranger Things and This Is Us. I also try and make the case for Killing Eve.
In comedy we focus on Atlanta, GLOW, Barry, The Marvelous Mrs. Maisel, Silicon Valley and how the absence of Veep and Master of None opens the door for an interesting lineup.
We close on the Limited Series and TV Movie categories, as bleak as they are this year, finding similar predictions with The Assassination of Gianni Versace: American Crime Story, The Tale, Twin Peaks: The Return and Godless and more.
Stay tuned for more podcasts before the July 12th announcement of the 70th Primetime Emmy Awards and check in with my 2018 Emmy write-ups here.
This podcast runs 1h 14m with music.
Opening: Theme to Mindhunter
Closing: Theme to Twin Peaks: The Return
Wed, 4 April 2018
Emmy Podcast #21: Talking Westworld, The Handmaid's Tale, Roseanne and One Day at a Time with Vox.com's Todd VanDerWerff
In the first Emmy podcast of the 2017-2018 television season I am joined by a familiar voice - Vox.com's critic-at-large Todd VanDerWerff.
The first hour of this 90-minute podcast focuses heavily on the Outstanding Drama race which sees the return of Game of Thrones after taking a year off and now going up against last year's winner The Handmaid's Tale. How will that affect the return of Westworld? Its 22 nominations last year are likely to take a hit with Game of Thrones competing directly with it in multiple categories.
Delving into comedy finds a lot of talk about Roseanne's ratings-bonanza return, the chances for One Day at a Time to stake its Emmy claim and whether or not reboot fever (that also includes Will & Grace) will find its way to nominations. With Veep out of contention this year, the door opens for Amazon's The Marvelous Mrs. Maisel (and Amy Sherman-Palladino into the Emmy conversation) as well as HBO still having four comedies to choose from in Silicon Valley, Curb Your Enthusiasm, Insecure and their freshman show Barry. We also talk about how FX could position Pamela Adlon and Better Things to have a much-needed conversation about Louis C.K. from one of the people closest to him.
Finally, Todd makes a desperate plea for...well, I'll just let you listen and hear for yourself.
This podcast runs 1h 32m with opening and closing music.
Opening music: Westworld theme by Ramin Djawadi
Closing music: "This Is It," by Gloria Estefan - theme song for One Day at a Time
Direct download: Emmy_Podcast_21-_Talking_Westworld_The_Handmaids_Tale_Roseanne_and_One_Day_at_a_Time_with_Vox.mp3
Category:Emmys -- posted at: 11:51am PDT
Thu, 24 August 2017
This 20th Emmy Podcast, I am joined by fellow Emmy Expert Jonathan Boehle to give our predictions in Variety Series, Variety Talk Series, Variety Sketch Series, Special Class Program, Reality-Competition Program and Host for a Reality or Reality-Competition Program.
While it feels some categories have clear frontrunners (how is Saturday Night Live not winning Variety Series?), others seem like closer races.
Will Stephen Colbert or Samantha Bee triumph in Variety Special for their election themed specials? Will the (Hamilton) Tonys beat the (Moonlight) Oscars?
What about Reality Host? Will RuPaul Charles triumph again or will Emmy magnet Alec Baldwin find a match?
Check out the full predictions for this year's Emmy Awards from the Emmy Experts as they're updated live until next month's Creative Arts and Primetime Emmys.
Keep an eye and ear out for upcoming Emmy podcasts covering Comedy, Drama and Limited Series/TV movie categories.
This podcast runs a tight 51 minutes with opening and closing elements.
Fri, 7 July 2017
In this 19th Emmy podcast I am joined by AwardsWatch's Peter Cioth and Jonathan Boehle to discuss our final predictions for the 69th Emmy nominations.
Our focus this podcast is on Drama and Comedy Series and the Lead and Supporting categories in both. In Drama, much discussion surrounds what new shows will find themselves with nominations with Game of Thrones and Downton Abbey not in contention (This Is Us, The Crown, Westworld, Stranger Things, The Handmaid's Tale) and what could be left off this year (Homeland, House of Cards, Mr. Robot). Same goes for Comedy, will this be the year Modern Family is dropped? Will Atlanta be the only new show nominated or can Dear White People or Fleabag get in?
We end with the Variety and Special Class Program predictions.
With music this podcast runs about 2h 9m.
Intro music: Stranger Things opening theme by Survive (Kyle Dixon and Michael Stein)
Outro music: Atlanta opening music by Childish Gambino
Wed, 14 June 2017
This 18th Emmy podcast I am joined by former and current Emmy Experts Peter Cioth and Chris Pepper to break down the newly revealed nomination ballots to discuss the writing, directing and guest acting categories.
This podcast runs 1h 45m.
Opening music: the theme from 'The Crown'
Closing music: "Alla luce del giorno" by Ennio Morricone used in the opening sequence of 'Master of None' season two, episode one
Mon, 27 March 2017
In our first Emmy podcast of the 2016-2017 Emmy season, Chris Pepper and I focus on the Limited Series and TV Movie categories.
Starting with Supporting Actress and Actor, we debate if American Horror Story can still muster nominations for Emmy winners Kathy Bates and Sarah Paulson or will Ryan Murphy's new venture, Feud: Bette and Joan, gobble up those spots for Judy Davis and Catherine Zeta-Jones. Category placement is still up in the air for many performances right now so we could see a different lineup in the coming months.
Lead Actor is next with debate about Ewan McGregor in a double role for Fargo making it in or possibly getting the Patrick Wilson treatment. And, are both Riz Ahmed and John Turturro (The Night Of) getting in?
We hit the top categories, Limited Series and TV Movie, which feel much more locked than they should be at the moment.
We end on the most competitive Emmy category in many years, Actress in a Limited Series or TV Movie. Jam packed with Oscar winners and nominees, this category has 10 legitimate contenders vying for six spots. Nicole Kidman, Reese Witherspoon, Jessica Lange, Susan Sarandon, Michelle Pfeiffer, Carrie Coon, Felicity Huffman, Regina King, Oprah Winfrey, and Viola Davis will battle it out here. There will be snubs.
Intro music: Opening theme to Feud: Bette and Joan by Mac Quayle
Outro music: Opening theme to Big Little Lies: "Cold Little Heart," by Michael Kiwanuka
Fri, 15 July 2016
The 2016 Emmy Nominations were yesterday and on this 16th Emmy Podcast, Chris and I break down the good, the bad and the ugly in what was, overall, a pretty good set of nominees. We talk about the breakthrough for The Americans and Mr. Robot, why Horace and Pete failed and how the Television Academy treated the final seasons of The Good Wife and Downton Abbey. We also talk about the diversity of nominees in terms of people of color, a bit of trivia and what our favorite nominations of the day were.
Don't worry, this isn't a 2 hour listen, it's only about 45 minutes.
Sat, 9 July 2016
As promised, part two of our final Emmy predictions find their way into Emmy Podcast #15 (check out Emmy Podcast #14 here) where we talk exclusively about the incredibly competitive Limited Series acting categories, most especially just how many acting nominations can The People v. O.J. Simpson: American Crime Story get and will Fargo and/or American Crime be left in its wake? Plus, will Hotel be the nail in American Horror Story's nomination coffin or will Lady Gaga nudge her way in? American Crime, which earned 10 nominations last year, could find itself on the outside of the behemoth of The People v. O.J. Simpson this year, or we could see it reap nominations in multiple acting categories. Same with Fargo; a strong second season could see a good fight and it appears Supporting Actor in a Limited Series or TV Movie is going to be ground zero for that battle.
Next we tackle the Guest categories in Drama and Comedy and wonder if The Good Wife's final salvo will see a boatload of nominations here. It seems like these categories could see a lot of previous winner name-checking (Allison Janney, Margo Martindale) but there's also a lot of room for some surprises (like Octavia Spencer or Vanessa Williams).
Finally, Chris, Jonathan and myself all give up our Emmy wishes for nomination morning that include BoJack Horseman, Rectify, You're the Worst, Allison Wright (The Americans), Constance Zimmer and Shiri Appleby (UnREAL), T.J. Miller (Silicon Valley), Connor Jessup and Joey Pollari (American Crime) and more.
Wed, 6 July 2016
In part one of two final Emmy prediction podcasts before the nominations are announced on July 14th, I am joined by AwardsWatch Emmy Experts Chris and Jonathan to go over Drama and Comedy Series and their respective Lead and Supporting categories as well as Limited Series, TV Movie, Variety Talk, Variety Sketch, Variety Special and Special Class Program. With so many categories and Limited Series alone being one of the best and most competitive in decades, we're going to save that (and the Writing, Directing and Guest predictions) for the next one.
We delve deep into why I think The Americans will break big this year with multiple acting nominations as well as the big one, Drama Series. Also, is Homeland still back on track and can anything upset Game of Thrones from repeating?
In Lead Actress in a Comedy Series Jonathan offers his reasons for predicting Rachel Bloom from Crazy Ex-Girlfriend to score the CW's first major nomination, while I think Ilana Glazer has a good shot for Broad City and Chris makes the case for the return of Lena Dunham (Girls).
We discuss the 3rd season of Orange is the New Black being lighter in tone and can it still make it into Drama Series or will it just be Uzo Aduba repeating? Horace and Pete, Billions, Better Call Saul and Mr. Robot all find their way into the discussion and Jonathan and I defend dropping Modern Family in Comedy Series in favor of Mom. We wonder if black-ish will be the breakout we think it's going to be (hint, it totally is) hope that Samantha Bee can break the boys club of Variety Talk Series with Full Frontal.
This podcast runs 2h 15m (without intro/outro music) so get a snack. Or maybe a drink.
Sun, 19 June 2016
The submission ballots for the 2016 Emmys are in and voting has begun. This podcast I have brought back Vox.com culture editor Todd VanDerWerff and AwardsWatch Emmy Experts Jonathan Boehle to break down some of the submission list, concentrating on the Guest, Writing and Directing categories since those give us actual episodes before the nominations are announced.
We also talk a bit about how/if the new rules enacted this (and last) year will affect the upcoming batch of nominees and dig a bit deeper into categories like Lead Actor in a Drama Series as well as venture into the issue of race and awards. After two years of #OscarsSoWhite, are the Emmys much farther ahead on this? Will the Emmy success of black-ish, Roots and The People vs O.J. Simpson: American Crime Story be the story of the day come nominations next month?
All this and much more on this issue of the AwardsWatch Emmy Podcast.
Sat, 21 May 2016
In our last Emmy Podcast, Vox.com's Todd VanDerWerff and I broke down the TV Movie and Limited Series predictions and got a little bit into the Drama and Comedy but here, on this 12th Emmy Podcast I am joined by fellow Emmy Expert Federico Artico for a deeper dive.
We discuss how open the Lead Actress in a Comedy Series category is with three of last year's nominees out of the running, the rise of black-ish and possibly Mom in Comedy Series and if Silicon Valley can break through in the acting categories. Plus, can anyone possibly beat Veep's Julia Louis-Dreyfus?
In drama we talk about if Mr. Robot can really get nominated or if it will end up like Orphan Black and we discuss who we think is winning Drama Series this year. Will Game of Thrones continue to reign or will this election year see one (or possibly two) White House-based shows win the top prize.
Plus, The Americans. Always, The Americans.
Fri, 25 March 2016
In our first Emmy podcast for the 2015/2016 television season, I am joined by Vox.com's Culture Editor Todd VanDerWerff for a deep dive into this year's Emmy predictions.
With TV Movies, Miniseries and Limited Series dominating the attention and airwaves for the last couple of years (this year in particular) the majority of our conversation circulates around these categories. American Crime, American Horror Story Hotel, The People v O.J. Simpson: American Crime Story, Fargo, Roots, Show Me a Hero...all worthy contenders vying for spots.
We end with the state of Drama and Comedy Series and how streaming has become the norm for nominations and could it keep going? Will Hulu join Netflix and Amazon to continue pushing out network and cable?
Will the Emmys FINALLY embrace The Americans outside of Margo Martindale? The Leftovers? What about Better Call Saul - was the first season nom haul just Breaking Bad runoff or will its second season earn them on its own?
Find out, on the AwardsWatch Emmy Podcast.
Tue, 14 July 2015
In this final Emmy predictions podcast before the nominations are revealed on Thursday by So You Think You Can Dance's Cat Deeley and Orange is the New Black's Uzo Abuda (an Emmy winner in Guest last year), Awardswatch Emmy Experts Chris Pepper and Peter Cioth join me, Erik Anderson, to continue on from last week's podcast (with Vox.com's Todd VanDerWerff) to dig into the TV Movie/Limited Series, Variety and Reality categories.
Not satisfied there, we go back into the Drama and Comedy categories for some deeper analysis.
Don’t forget to follow us on Twitter at @awards_watch and head over to our Emmy Predictions pages for full predictions on all major categories in Drama, Comedy, TV Movie/Limited Series, Variety and Reality.
Tue, 23 June 2015
In the first Emmy prediction podcast of the 2014/2015 season (I know, I know...), Awardswatch Emmy Experts Chris Pepper and Jonathan Boehle and myself, Erik Anderson, are honored to have AW alum and Vox.com Culture Editor Todd VanDerWerff join us as we deconstruct the Emmy submission ballots released last week and figure out if Orange is the New Black will suffer or benefit from its category switch from Comedy to Drama. We also take a look at the Guest categories in both Drama and Comedy and see how the 50% rule will affect those categories.
Later on we talk about the rise and fall of Netflix from last year to this year and how its Emmy season could end up and discuss the campaign games of HBO, Showtime and FX as well as if Mad Men will go out with a bang or a whimper. Todd makes his case for FX's The Americans to have a breakthrough year and I commit that Amazon's Transparent will be an Emmy nomination juggernaut.
Don't forget to follow us on Twitter at @awards_watch and head over to our Emmy Predictions pages for full predictions on everything from Variety Series, Reality Host and TV Movie/Limited Series acting categories.
Mon, 18 August 2014
Emmy Podcast #8: FINAL Winner Predictions feat. Breaking Bad, Orange is the New Black, The Good Wife and True Detective
Settle in folks, this Emmy winner prediction podcast clocks in at 2h 30m. I know, I know, but we tried! Emmy Experts Chris, Peter and myself dig deep into the TV/Miniseries categories (Fargo or The Normal Heart? Sherlock?!), Comedy (Will Orange is the New Black unseat Modern Family?) and Drama (an epic battle between Breaking Bad and True Detective).
As per usual for AwardsWatch, the Lead Actress (Drama) category becomes a fight as Erik fights for his #1 placement of Robin Wright against the slings and arrows of Chris and Peter.
So, grab a cocktail or go for a long drive for this epic podcast that you'll need to hear before the Emmys next Monday!
Sun, 6 July 2014
Despite Chris and Erik being members of the Getalong Gang of similar Emmy predictions, there's still a lot of conversation to be had and even some votes changing mid-podcast! How poorly will Mad Men do? Can Showtime pull off a big haul for Masters of Sex? Will Orange is the New Black be the one to topple Modern Family?
Find out, on the AwardsWatch FINAL Emmy Prediction podcast.
Sat, 21 June 2014
In this podcast Chris, Peter and Erik discuss the Emmy Drama categories in full (Series, Writing, Directing, Lead, Supporting and Guest Performances) as well as Miniseries and the Writing and Lead categories within the TV Movie/Miniseries section.
With so many categories up for grabs and a finite amount of nominations (or are there?) someone will be snubbed. Will former Best Drama Series winners Mad Men and Homeland lose their hold on nominations in favor of newbies True Detective and Masters of Sex? What about The Good Wife? Have they really blundered their campaign to return to a Drama Series nomination?
The Lead Actress in a Drama Series seems to be the category giving us (and most Emmy predictors) the most grief. With last year giving us seven nominees, will we see that again? Or will it be six with someone left off the list? We talk about Tatiana Maslany's chances, who's on the outs and was Scandal's Kerry Washington a one-and-done nomination.
Sat, 14 June 2014
In this podcast, Erik, Jonathan and Nicole discuss their predictions in the Comedy categories as well as TV Movie, TV Movie/Mini Directing and Supporting categories. Any more and you'd be listening for three hours. We'll be breaking the Emmy prediction podcasts into two parts, next week will be Drama categories, Miniseries, TV Movie/Miniseries Writing and Lead categories.
Today we discuss whether Modern Family can be toppled and kept from a record-tying five wins in Comedy Series and by whom? Orange is the New Black? Veep? Brooklyn Nine-Nine? Does Showtime's move of Shameless from Drama to Comedy help or hurt it and can the network get THREE Lead actors in Comedy?
Sat, 29 March 2014
In this podcast, recorded March 29, 2014, Awardswatch Emmy Experts Erik, Chris and Jonathan discuss their early predictions for the 2013/2014 Emmy season. How will HBO's decision to put True Detective into Drama Series affect its chances? Will The Good Wife see an Emmy renassiance? All that and more right here on the Awardswatch Emmy Podcast.
Mon, 16 September 2013
On the morning before the Creative Arts Emmys, Erik, Peter and Eoin hash over who will win Emmys and why.
Direct download: AwardsWatch_Emmy_Podcast_3_-_Winner_Predictions_91513.mp3
Category:Emmys -- posted at: 8:54am PDT
Fri, 19 July 2013
In this Emmy podcast, Erik, Matthew, Nathaniel and Jonathan discuss the 2012/2013 Emmy nominations announced on Thursday, July 18th and offer our thoughts on the good, the bad and ugly as well as immediate thoughts on who will win. The opening and closing music is the main title theme of Netfilx's House of Cards by Jeff Beal.
Mon, 1 July 2013
In AwardsWatch's first podcast, Erik, Peter, Dennis and Michael discuss the upcoming Emmy nominations with their thought and predictions.