Tue, 15 October 2024
On episode 257 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello talk about some of our favorite (and not so favorite) films we saw at 62nd New York Film Festival and then look at them through the lens of the pending Oscar race.
Kicking things off we start with The Brutalist, Brady Corbet's sprawling epic about a Hungarian architect, played by Adrien Brody, who emigrates to the United States post-World War II. Corbet won the Best Director award at the Venice Film Festival. You can read Sophia's review of that film here. Next we go into the Venice Golden Lion winner for Best Film, Pedro Almodóvar's The Room Next Door, starring Tilda Swinton and Julianne Moore, the director's first major festival top film win. Ryan's review of the maestro's festival favorite can be found here. The conversation here, about older directors creating films now that stand up against their best early work, moves to what we felt as a far less successful version of that, Francis Ford Coppola's Megalopolis (read Ryan's review here) but then we're back to the festival high of Luca Guadagnino's Queer, his adaptation of the 1985 William S. Burroughs short novel starring Daniel Craig and Drew Starkey, a drug-induced story of gay love and longing set among the lives of American expats in Mexico City in the late 1940s. You can read my review of Queer here. We also venture into some quick talk of other films we saw and loved at the festival, including Mike Leigh's Hard Truths and David Siegel and Scott McGehee's The Friend, starring the biggest attention getter of the fest, Bing the great Dane.
From there we look at how looks at these films have shaped or changed our earlier Oscar predictions, what's out in front, what is falling off and the complete unknown entities coming up that could change race completely.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.
This podcast runs 1h16m. We will be back in two weeks to discuss AFI FEST and update our Oscar predictions. Till then, let’s get into it.
Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro). |
Fri, 23 August 2024
Ep. 249: 2024 Telluride Film Festival Preview and Predictions with Guest Christina Birro of Pop Culture Confidential
On episode 249 of the AwardsWatch Podcast it's another all editors edition as yours truly, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello are packed and ready to head to mountains of Colorado for the 51st Telluride Film Festival with special guest Christina Birro of Pop Culture Confidential.
As Telluride famously does, the actual lineup of films isn't released until the day of the festival (August 30) but with Venice, Toronto and New York announcements and designations of films as a 'world premiere,' 'international premiere,' 'North American premiere' or 'Canadian premiere' we have a pretty good idea of many of the films we'll be seeing, with all important world premiere titles that we'll likely be seeing before anyone like Edward Berger's papal thriller Conclave (Focus Features) starring Ralph Fiennes, John Lithgow and Stanley Tucci, Michael Gracey's Robbie Williams biopic Better Man (Paramount Pictures) with the UK star playing himself, Jason Reitman's Saturday Night (Sony Pictures), telling the story of the first night of SNL in 1975 with Gabriel LaBelle, Dylan O'Brien, Rachell Sennott, Cory Michael Smith and Willem Dafoe, Malcolm Washington's adaptation of August Wilson's Pulitzer Prize-winning The Piano Lesson starring Samuel L. Jackson, Danielle Deadwyler and John David Washington and RaMell Ross's Nickel Boys (Amazon MGM), adapting Colson Whitehead's Nickel Boys with Aunjanue Ellis-Taylor, Hamish Linklater and more.
We also expect a healthy selection of Sundance and Cannes features to make their way to Telluride for a fall resurgence like A Real Pain, Emilia Pérez, Anora, The Seed of the Sacred Fig and more. Telluride medallions are also a topic of conversation with three traditionally up for grabs. Based on the expected lineup we think it will be Jason Reitman, Angelina Jolie and Samuel L. Jackson but there's a handful of possible contenders here.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.
This podcast runs 1h10m. We will be back the week after next to recap the 2024 Telluride Film Festival. Till then, let’s get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro). |
Wed, 14 August 2024
Ep. 247: New TIFF and NYFF Announcements, New Gotham Awards Categories and International Feature Film Submissions Begin
On episode 247 of the AwardsWatch podcast, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello take a look at the newest announcements from the Toronto International Film Festival and New York Film Festival, changes to the Gotham Awards and the kickoff of International Feature Film Oscar submissions.
Beginning with the TIFF announcements of new Gala and Special Presentations, we look into the heavy Venice to TIFF crossover with titles like Babygirl, Queer and The Brutalist (all skipping Telluride) as well as the 'Canadian Premiere' of Jason Reitman's Saturday Night, detailing the 90 minutes leading up to the first ever episode of NBC's Saturday Night Live's debut in 1975. Toronto will also get the world premiere of On Swift Horses, with Jacob Elordi, Daisy Edgar-Jones and Diego Calva, which appears to be its sole major fest showing. We then venture into today's NYFF Spotlight additions, including A Real Pain, Emilia Pérez and Maria. We talk about studio strategies and the paths festivals can create for determining awards contenders and how flying a bit under the radar, like Netflix is doing this year, becomes a vehicle for audience discovery. Next we move to the 2024 Gotham Awards, which announced this week the introduction of two new categories (Best Director and the return of Breakthrough Performer) as well as the rules that come with each of them. Finally, the submissions for the International Feature Film Oscar have started to roll in with Ireland's Kneecap, Austria's The Devil's Bath and Latvia's animated film Flow as the first out of the gate.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.
This podcast runs 45m. We will be back next week on this show for our Telluride Film Festival preview and predictions and on the main show to talk about Alien: Romulus, the state of blockbusters and more. And keep your eyes out for the Thursday drops of Director Watch episodes, which kicks off its Terence Malick series this week. Till then, let’s get into it.
Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro). |
Tue, 6 August 2024
On episode 245 of The AwardsWatch Podcast, we're doing things a little different. Splitting off from the main pod that drops on Mondays, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello focus on the fall festivals and the awards contenders that will potentially come from them. A leaner, shorter conversation, we'll be sharing hosting duties and digging into how important these festival plays, and which ones, can be a crucial part of the awards campaign. Looking at the Venice, New York and Toronto film festivals (which was recorded ahead of yesterday's TIFF's Centerpiece and NYFF main slate announcements), we talk about New York's Opening, Centerpiece and Closing films with RaMell Ross's Nickel Boys, Pedro Almodóvar's The Room Next Door and Steve McQueen's Blitz, respectively. NYFF is also a great playground for Cannes winners, which we expect to see show up. We also have a few potential outliers, Jason Reitman's Saturday Night and James Mangold's A Complete Unknown, that haven't been announced for any festival yet that could pop up later. We talk a bit about Telluride (we'll do a singular pod on that soon), where the Reitman film could debut, and even earning the director a medallion on the mountain. We have a lot to say about Pablo Larraín's Maria and Luca Guadagnino's Queer, both premiering at Venice in a matter of weeks, still not having any U.S. distribution. While Maria, based on the date it's hitting the Lido, is likely to show up at Telluride, Queer definitely won't. Where else could it be this season? We talk about the strange reveal of Edward Berger's Conclave earning a PG rating from the MPA. The buzzy papal thriller beach read could be reverse appealed by Focus Features to up it to a PG-13 to give the film more adult gravitas (the only recent Best Picture nominee rated PG has been Greta Gerwig's Little Women). Searchlight Pictures dropped news that Jesse Eisenberg's Sundance winner A Real Pain will move off its original October 18 bow to November 1, opening the door for a much bigger fall festival run right before it premieres. We close with BAFTA revealing a host changes to voting and eligibility in nearly all categories (including getting rid of the way the juries decide nominees) and introducing a whole new category, Best Children's and Family Film. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.
This podcast runs 51m. We will be back next week on the main show to do another Oscar retrospective episode over the 52nd Academy Awards and the films of 1979. Till then, let’s get into it. |
Mon, 30 January 2023
On episode 168 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Kevin L. Lee give their reactions to the best and worst films they saw for the 2023 Sundance Film Festival.
Before the guys get into their Sundance discussion, they briefly give their thoughts on the ongoing conversations surround last week’s Oscar nominations. It was announced that the Academy would be doing an investigation into the campaign practices surrounding Andrea Riseborough’s nomination. We will know more in the coming days, but until then, Ryan, Erik and Kevin take a little time to talk about all the angles of this story and what could potentially happen.
Moving on from there, the crew talk about the Sundance Film Festival, were there over 110 films featured across the in person and virtual programs. In our first look at the independent films releasing in 2023, there were a ton of fine films they may have not hit the mark entirely, but enough gems for a great discussion. First up is a discussion of a Sundance selection that just released in Brandon Cronenberg’s Infinity Pool, which led to a balanced conversation of the positives and negatives of the film (you can read Kevin's review here). From there over a dozen of films are mentioned, there is plenty to look forward to within the next couple of months.
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.
This podcast runs 1h44m. We will be back next week talk about some new releases and potential a game. Till then, let’s get into it.
Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro). |
Wed, 9 November 2022
AwardsWatch Podcast #157: 2022 AFI FEST wrap-up on receptions to 'Bardo,' 'Pinocchio,' 'The Fabelmans' and more
On episode 157 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson to break down the films they saw at the 2022 AFI Film Festival.
Located in beautiful Los Angeles, California, the AFI Film Festival marks the end of the Fall film festival season, and has a lineup of films expected to enchant audiences as well as be real players within the awards race. Ryan and Erik break down their thoughts on titles like Bardo, Pinocchio, Devotion, "Sr.," The Fabelmans, and more, as well as give a little bit of insight in how they can see some of these titles play out above and below the line at the Oscars this year.
2022 AFI FEST reviews
You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.
This podcast runs 55m. We will be back next week with the AW team as we talk about Black Panther: Wakanda Forever. Until then, let’s get into it.
Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission. |
Fri, 27 July 2018
Oscar Podcast #66: What's in and what's out of the Venice and Toronto Fest lineups with guest Daniel Joyaux
This week gave us the lineups of two of the fall's biggest festivals, Venice and Toronto. On this 66th Oscar podcast, I am joined by freelance film writer (you can find his work at Vanity Fair, Moviemaker magazine and more) and publications editor for the Sundance Film Festival, Daniel Joyaux. While these festival announcements always give us great intel on how studios are positioning their fall and winter awards releases, it's often the films that are missing that give us even bigger clues. Where are Bohemian Rhapsody, Boy Erased, Destroyer and Mary Queen of Scots? Some may show up at Telluride, others may be added to Toronto's lineup next month (there are still three Gala spots and 30 Special Presentation slots open). Venice will give us premieres of Damien Chazelle's First Man, while Toronto will world premiere Steve McQueen's Widows and If Beale Street Could Talk from Barry Jenkins. Alfonso Cuarón's Roma looks set to hit every major festival - Venice, Toronto, NYFF and Telluride. All eyes will be on the follow-ups of these Oscar-winning directors. The Cannes/Netflix kerfuffle earlier this summer proved to be the gain of both Venice and Toronto as each festival is flush with debuts from the streaming service. The Coen brothers' anthology series (which will apparently compete as a feature film for the Oscars) The Ballad of Buster Scruggs, Paul Greengrass's 22 July and the final film from Orson Welles, The Other Side of the Wind are all set to kick off at Venice. I will be at the Toronto International Film Festival this year for the first time. Keep your eyes and ears open for more podcasts leading up to, at, and after TIFF. With music this podcast runs 1h 27m. Opening song: "Sulk" by TR/ST Closing song: "New York City by Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan |