On episode 202 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Josh Parham, and Zach Laws to give out their Top 5 Directorial Debuts of all time.

2023 has been a pretty great year of films so far, based on what has been released and what most of the team as already seen at the fall film festivals from earlier in the month. With that there has been some standout directorial debuts, most notable Chloe Domont's Fair Play, which debuted at the Sundance Film Festival earlier this year and also screened at the Toronto International Film Festival. With it set to release in theaters this upcoming weekend (with a streaming date of October 13 on Netflix), the AW team got together for a Top 5 list inspired by the highly acclaimed debut to talk about some of the best first time features to ever be release. In breaking down their lists, Ryan, Sophia, Josh, and Zach talked about a wide range of debuts that were both meaningful to them personally, as well as shaped the course of cinema history when they arrived to audiences around the world. Some of the titles discussed on this episode were Who's Afraid of Virginia Woolf?, The Night of the Hunter, Badlands, The Parent Trap, Thief, Ordinary People, Bound, The Virgin Suicides, Citizen Kane, and so many more, as the list of honorable mentions were long and full of films everyone should catch up with.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h27m. We will be back next week to talk about our Top 5 sci-fi films in honor of the release of The Creator. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 11 of the Director Watch Podcast, the boys are joined by fellow AwardsWatch contributor Zach Laws as they discuss the next film in their Denis Villeneuve series, Arrival (2016).

Following the critical and commercial success of Sicario, Villeneuve returned a year later with his first stab into the sci-fi genre, making a film about a linguist who is tasked with the job of finding a way to communicate with extraterrestrials who have landed in twelve different spacecrafts around the Earth. But beyond the film, Villeneuve unexpectedly delivered a healing vessel for audiences who felt a sense of hopelessness with the results of the 2016 election. Lead by a career best performance from Amy Adams and the best work of Jóhann Jóhannsson career, Arrival is considered not just one of the best films of 2016, but one of the most important films of the last decades, and what many consider Villeneuve’s finest work of his career. In this episode, Ryan, Jay and Zach talk about where they were when they saw it in 2016, Zach’s star-studded screening story, why Amy Adam’s was subbed for a Best Actress nomination, the morality of the film’s ending, the fantastic supporting work from Jeremy Renner, Forest Whitaker and Michael Stuhlbarg, as well as one or two Tim Allen impressions.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h17m. The guys will be back next week to continue their Denis Villeneuve series with a look at Blade Runner 2049. You can rent Blade Runner 2049 via iTunes and Amazon Prime rental (no streaming options) in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

On episode 201 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Kevin L. Lee to give their reactions to the films they saw at the 48^th edition of the Toronto International Film Festival.

A couple of weeks back, Ryan and Erik gave their reactions to the Telluride Film Festival, one of the first film festivals to start of the fall festival season. After they left the mountains of Colorado, they got their passports ready and headed north to Canada for the annual Toronto International Film Festival. Known for having big Oscar contenders premiere and star-studded red carpets, because of the ongoing SAG-AFTRA and WGA strikes, TIFF was not as glamorous as years past. But with close to 300 movies from around the world screening across a week and a half, there was still plenty of good films that the gang saw that they were able to share their opinions on.

 Before getting into the films, Ryan, Erik, Dan, and Kevin talk about their TIFF experience in terms of what it is like to attend the festival, the ticketing system, and how the screenings work for press and general audiences going to the festival. Then they went on to discuss the three films that won the TIFF People’s Choice Awards: American Fiction, The Holdovers, and The Boy and the Heron. After giving their thoughts on TIFF winners, they went on to gives thoughts on tons of films that included Next Goal Wins, Monster, Dumb Money, Sing Sing, Rustin, His Three Daughters, Woman of the Hour, Dream Scenario, Evil Does Not Exist, Hitman, Origin, Wicked Little Letters, and more.

 You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h38m. We will be back next week to talk about our Top 5 Directorial Debuts, in honor of the stellar year of debuts that have come out in 2023. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 10 of the Director Watch Podcast, they discuss the next film in their Denis Villeneuve series, Sicario (2015).

After releasing Prisoners and Enemy back to back, Villeneuve returned the following year with his most confident film to date. Set around the U.S and Mexico border, Sicario dives deep into the murky waters of the ongoing fight to stop the drug cartels from moving their product into the U.S. Lead by an all-star cast that includes Emily Blunt, Josh Brolin, and Benicio Del Toro, and stellar cinematography from Roger Deakins, Sicario ranks highly within Villeneuve’s filmography, showcasing a true sense of tension throughout each from of the film. Ryan and Jay break down the politics of the film, the rise of screenwriter Taylor Sheridan, Blunt and Del Toro’s magnetic chemistry, and even talk a little about the sequel, Sicario: Day of the Soldado. 

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h38m. The guys will be back next week to continue their Denis Villeneuve series with a look at Arrival. You can stream Arrival on Netflix as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it. 

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 9 of the Director Watch Podcast, they discuss the next film in their Denis Villeneuve series, Enemy (2014).

Following up the successful of Prisoners didn’t take long, as Villeneuve’s next film was actually shot just before it and was released to high acclaim in the spring of 2014. Enemy unites the director with Gyllenhaal again, this time playing a duel role about a two men who look the exact same but are completely different. In what would be the last small indie film for Villeneuve in his filmography to date, it has also led to problem the most discussed ending of any of his films with the reveal of the GIANT SPIDER. Ryan and Jay break down what they think the spider imagery means, Gyllenhaal’s double performance, the Canadian Screen Awards, Mélanie Laurent’s career, and if they think Villeneuve wants to ever make another film like this. 

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h31m. The guys will be back next week to continue their Denis Villeneuve series with a look at Sicario. You can stream Sicario on Paramount Plus as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it. 

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 200 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by journalist and host of the Pop Culture Confidential podcast, Christina Jeurling Birro, to give their reactions to the films they saw at the 50^th edition of the Telluride Film Festival.

Two weeks ago on the podcast, Ryan, Erik, Sophia and Christina came together to preview the 2023 Telluride Film Festival. Flash forward to now where the gang arrived at the festival and spent five glorious days watching some of the biggest films of the year that we will be talking about throughout award season. Recorded on the last night of the festival, they breakdown some of the major world premieres that the lineup offered like The Bikeriders, Saltburn, All of Us Strangers, The Holdovers, NYAD, Rustin, as well as a couple of titles that premiered at previous film festivals like The Zone of Interest, Poor Things, and Anatomy of a Fall. The gang also discuss their experience at the festival, as this was Sophia and Christina’s first time in Telluride. They also briefly mention how the overall vibe of the festival was as the WGA and SAG-AFTRA strikes are still on-going during the festivities. 

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h40m.We will be off next week as most of the AW podcast team will be at the Toronto International Film Festival. We will be back in two weeks to recap the show. Till then, let’s get into it. 

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 8 of the Director Watch Podcast, they are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the next film in their Denis Villeneuve series, Prisoners (2013).

After breaking through on the festival circuit in America with Incendies, as well as receiving an Oscar nomination for Best International Feature, Villeneuve took some time off riding the success of his acclaimed film. He returned to cinemas in 2013, directing his first Hollywood studio project, Prisoners, a story involving the search for two missing young girls in Pennsylvania. Focusing on two perspectives, one being the father of one of the missing girls (Hugh Jackman) and the detective trying to solve the case (Jake Gyllenhaal), this bleak mystery thriller was a surprise hit back in 2013, as well as considered by many of his fans to be Villeneuve’s best. In this episode, Ryan, Jay and Erik break down the symbolism shown throughout the film (SNAKES, PUZZLES), Jackman and Gyllenhaal’s performances, Paul Dano’s punchable face, Melissa Leo’s wig, Roger Deakin’s cinematography, the film’s ridiculous logic, and if it is a David Fincher knockoff.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h35m. The guys will be back next week to continue their Denis Villeneuve series with a look at Enemy. You can stream Enemy on Cinemax on Demand as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

On episode 199 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Jay Ledbetter to give out their Top 5 Sports Movies.

With just days before the fall festivals begin, the AwardsWatch podcast takes a left turn before all the madness begins. As one of the final films of the summer, Gran Turismo, finally made its way into theaters, giving the podcast team a chance to do a Top 5 Sports Movies episode inspired by the newest racing release. While not everyone is a sports fan, sports movies can be films made for all audiences, with some popular themes and messages that are larger than life, making audiences connect with the characters on their athletic journeys, thus becoming inspiring in the process. But not every film about sports is uplifting, as they can also be a looking glass into the soul of a human being, as well as examination of the time we live in and the dangers that the sporting world could bring to those who participate. Ryan, Nicole and Jay examine what makes a great sports film, what they love about them, and even stretch out the idea of what even qualifies as a sports movie in a fun episode featuring conversations over films like A League of Their Own, Bull Durham, Speed Racer, I, Tonya, The Color of Money, He Got Game, Warrior, Bend it Like Beckman, and many more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h34m. We will be back next week to the films that premiered at the Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 7 of the Director Watch Podcast, the guys discuss the first film in their Denis Villeneuve series, Incendies (2010).

As Ryan and Jay said goodbye to Todd Haynes on the last episode, so begins another series talking about one of the biggest directorial names in modern cinema. Over the last fifteen years, Denis Villeneuve has risen the ranks to be compared alongside the names of big budget directors with the likes of Christopher Nolan and Ridley Scott. While he is a fairly recent director, his filmography has led to massive discussions by film fans around the world, and in anticipation for his latest film, Dune Part 2, it made sense for the guys to tackle his work. But before he was making sci-fi spectacles, he made heart wrenching, celebrated indie dramas, which leads us to Incendies, which is a tale about a mother (a deeply committed performance from Lubna Azabal), whose devastating trauma from her past life must be dealt with by her children before she is firmly laid to rest. In this episode, the boys set up their relationship with Villeneuve and his films, their thoughts on this bleak breakout film, the morality and construction of the film’s finale, and whether Radiohead’s music should be used in any film.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h2m. The guys will be back next week to continue their Denis Villeneuve series with a look at Prisoners. You can stream Prisoners on Netflix as well as rent via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 198 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by journalist and host of the Pop Culture Confidential podcast, Christina Jeurling Birro, to predict and preview the upcoming 50^th edition of the Telluride Film Festival, whose official lineup will be announced on August 30.

We are less than ten days till the beginning of the fall film festivals, and thus the start of a brand new award season. While the Venice Film Festival is happening on the other side of the world, in the mountains of Colorado lies the small town of Telluride that will be the host of its 50^th annual film festival that has been the launching pad for dozens of films Oscar chances. The Telluride Film Festival is known for being a director focused festival, taking titles from all around the world in it’s lineup, with plenty of world premieres of some of the biggest films of the fall. Erik and Ryan went last year, and talked about their experience at the 49^th annual festival in a previous episode, and how that Labor Day weekend was the part of the award season momentum for titles like Women Talking, TÁR, Bardo, Aftersun and many more.

With this being Sophia and Christina’s first time going to the festival, the crew get together to talk about their festival expectations, how everyone is going to have to step up with festival outfit game compared to Erik, the films that won’t be at the festivals, the world premieres we expect to be there and the films from other film festivals that could and should be part of the lineup. The episode is full of laughs and insights into the start of another busy award season. Expect to hear back from the same crew in two weeks to wrap up the festival and see how many of the lineup shacked out.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 6 of the Director Watch Podcast, they are joined by AwardsWatch contributor Nicole Ackman to discuss the final film in their Todd Haynes series, Dark Waters (2019).

On the surface, Dark Waters may seem like an odd choice for Todd Haynes to direct, making the project almost seem like a “director for hire” situation. But once you dive into this legal thriller, the more of Haynes you will find. In a story about an environmental lawyer who puts everything on the line to expose DuPont, one of the world’s largest chemical companies, of a lengthy history of pollution, Haynes dives into not just how the danger threatens everyone in the local small towns that are being poisoned by DuPont, but the millions of people around the world using their products. In doing this, Haynes makes a visually striking, cynical drama about one man’s endless such for accountability.

Led by Haynes’s excellent direction, Ryan, Jay, and Nicole discuss Mark Ruffalo’s performance, Ed Lachman’s bold cinematography, which character actors stand out in the cast, if Anne Hathaway’s performance is underwritten, and if Dark Waters is the most underrated gem from 2019 film year. 

Warning, the audio to this episode was damaged but that still shouldn’t stop you from listening to this fantastic, fun conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. The guys will be back next week to begin their Denis Villeneuve series with a look at Incendies. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 197 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Zach Laws, and Josh Parham to discuss their 2024 pre-Fall festival Oscar predictions.

In less than three weeks, the Fall film festivals will be in full swing around the globe, as dozens and dozens of films premiere with great optimism that they will have what it takes to carry over in the award season conversation. While we know most of the film festival lineups and where everything will be playing, no one can predict at this exact moment in time what the nominations and winners will be come March 2024. With this in mind, we are at the start of a brand new Oscar season, thus the AW team has come together to give their first podcast Oscar predictions before the world premieres at the Venice, Telluride, and Toronto Film Festivals.

Erik has been covering the monthly Oscar predictions on the site, but these predictions are the first chance for Ryan, Josh, and Zach to talk with Erik as a group and see where everyone is right now, who are the early frontrunners, and which films have what it takes to make it all the way to Hollywood’s biggest night. Their conversation covered the Best Picture category, as well as Best Director, both Original and Adapted Screenplay, and all four of the acting categories. Among the several films that were highlighted the most in the team’s conversation include Oppenheimer, Killers of the Flower Moon, The Zone of Interest, Barbie, Past Lives, The Holdovers, Dune Part Two, Maestro, May December, Anatomy of a Fall, Air, Saltburn, The Killer, Ferrari, Nyad, Priscilla, The Iron Claw and Poor Things, with a hand full of other titles like Asteroid City, Dumb Money, Spider-Man: Across the Spiderverse, The Color Purple, Long Day’s Journey into Night and Rustin also getting some consideration.It was a detailed, exciting podcast that we hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h16m.We will be back next week to preview the 2023 Telluride Film Festival. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 5 of the Director Watch Podcast, they are joined by AwardsWatch contributor Zach Laws to discuss the latest film in their Todd Haynes series, Wonderstruck (2017).

Two years after Carol was released with worldwide acclaim, Haynes took a rather unpredictable turn in his filmography by crafting a multi-generational family drama aimed for young audiences. Working off a script from writer Brian Selznick (based on his novel of the same name), Haynes takes two time periods, the 1920s and 1970s, and melds two stories of two young deaf children who are searching for their parents in New York City. Working alongside actresses he’s worked with before in Julianne Moore and Michelle Williams, and discovering the breakout talents of Millicent Simmonds and Oakes Fegley, Haynes is able to takes us on an emotional ride through fifty years of family, as well as human history, to tell an earnest story about togetherness and sincerity. Ryan, Jay, and Zach dive into the right turn for Haynes, the look of each time period shot by Haynes’s regular cinematographer Edward Lachman, the child performances, and if a less cynical approach for a Todd Haynes films makes this stand out in a good or bad way for his filmography.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. The guys will be back next week to conclude their Todd Haynes series with a look at 2019's Dark Waters. Till then, let’s get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 196 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Zach Laws, and Josh Parham to discuss their Top 5 Modern Directors.

With Greta Gerwig and Christopher Nolan’s films dominating the box office, having audiences racing to see Barbie and Oppenheimer over and over again, we thought that it would be a good idea to do a list inspired by two of the biggest directors working in movies today. For the Awards Watch team, directors and their filmographies are the backbone of why they are the writers and film enthusiasts they are. In do this list, Ryan, Sophia, Zach and Josh dive head first into the directors that speak to them during our modern era of filmmaking. In doing so, the gang set an age requirement of 60 or below and the director had to have at least three films to their filmography to qualify. In doing this, some of the biggest, most influential filmmakers of our time were mentioned, including Barry Jenkins, Steve McQueen, David Fincher, Sofia Coppola, Céline Sciamma, David Lowery and Wes Anderson, alongside some names that were new discoveries for the group, and many more.

NOTE: The audio to this episode was damaged but that still shouldn’t stop you from listening to this fantastic, fun conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. We will be back next week talking about our pre-fall festival 2024 Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 4 of the Director Watch Podcast, they are joined by Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, to discuss the latest film in their Todd Haynes series, Carol (2015).

After making I’m Not There, Haynes stepped away from feature films for a lengthy eight years to focus on other projects, most notably the 2011 Mildred Pierce mini-series for HBO. But in 2015, Haynes returned to the big screen with a dazzling, romantic period drama that is considered to be one of the best films of the last decade, Carol. Working off a script written by Phyllis Nagy adapted from Patricia Highsmith’s groundbreaking novel, the film follows two women, a young inspiring photographer (Rooney Mara) and an older housewife (Cate Blanchett) going through a divorce, who begin a forbidden affair that forms into a beautiful, heartbreaking love story over the course of the film. On this episode, Ryan, Jay, and Kevin dive into these two fascinating performances by Mara and Blanchett, Nagy’s perfect screenplay, the expert work by everyone in the crafts departments, why the film was nominated for Best Picture, and most importantly, Haynes’s evolution as a director as a filmmaker who specializes in making memorable period pieces.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h26m. The guys will be back next week to continue their Todd Haynes series with a review of Wonderstruck. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 195 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, Sophia Ciminello, Zach Laws, and Josh Parham conduct a classic Academy Awards retrospective for the 66^th Oscars, covering the films of the year 1993.

Right now, while the world is still in the middle of the phenomenon that is Barbenheimer, the AW team go back thirty years to when director Steven Spielberg was the king of Hollywood. In 1993, Spielberg made two of what many people believe to be his best films in Jurassic Park and Schindler’s List, the latter being the film that would win the director his first Best Director Oscar and win Best Picture of the year. Alongside this success for one of cinema’s best artists, the year was a banner year for cinema all around, with a great variety of films celebrated at the Oscars that had massive cultural and critical success like The Fugitive, Philadelphia, The Piano, In the Name of the Father, The Remains of the Day, In the Line of Fire, The Firm, The Age of Innocence, and many more.

In this retrospective, the AW team take a look at the year as a whole, talk about the Oscar ceremony, any trends they see in the year, and the legacy of Schindler’s List and its Oscar wins. Throw in some Oscar trivia and an extensive version of “Should’ve, Could’ve, Would’ve”, where the team highlight what they think the real winners and nominees should be, and you’ve got a fun look back as the gang cover dozens of titles, filled with plenty of juicy hot takes.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h47m. It is a big episode but worth the time to talk about this milestone year in cinema. We will be back next week talking about our Top 5 Modern Film Directors. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 3 of the Director Watch Podcast, they are joined by AwardsWatch contributor Sophia Ciminello discuss the latest film in their Todd Haynes series, I’m Not There (2007).

Following up his most successful film to date, Todd Haynes pivoted from the Douglas Sirk inspired world of Far From Heaven to tackle a music biopic about one of the greatest American figures in music history, Bob Dylan. Unlike Velvet Goldmine, where he wasn’t granted access to use the songs of the iconic singer David Bowie, Dylan gave his blessing to Haynes for this project, which explore the multiple personas of the legendary singer songwriter performed by six different actors of various age, gender and race. With this, Haynes made a film that is now celebrated amongst the other outstanding films of the vastly rich year that was 2007. On this episode, Ryan, Jay and Sophia breakdown if Haynes was able to stick this landing for this ambitious film, if it does right by Dylan’s legacy, why more modern biopics aren’t made this way, they aren’t looking forward to the new Bob Dylan biopic from director James Mangold, and which other music genius could get a similar I’m Not There style of film made about their life and career.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h37m. The guys will be back next week to continue their Todd Haynes series with a look at Carol. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 194 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Zach Laws, Kevin L. Lee and Jay Ledbetter to review the two biggest movies of the year, Barbie and Oppenheimer.

Barbenheimer is upon us! As audiences are selling out theaters around the world, it has become one of the most successful weekends in history of cinema. With this, the AW team takes a deep dive into the two most hyped films in a long time, starting with Greta Gerwig’s Barbie followed by Christopher Nolan’s Oppenheimer. A candy color dreamscape comedy and a three-hour historical epic about the making of the atomic box take center stage as Ryan, Erik, Zach, Kevin, and Jay go into what the liked about each film and if they struggled with any aspects of the film.

After the teams very in-depth and length reviews, they take a look at the 2023 Summer Box Office Draft and notice that Team Erik has gain some ground on Team Ryan, as we make our way into the final month of the summer. Moving on from there, the team answer some listener questions that included what they thought the Oscar chances were for both films, who the hottest Barbie and Ken was in the film, which Gerwig film was their favorite, and a fun game involving which director-actor pair they would’ve love to have seen taken on the story of Oppenheimer like Christopher Nolan and Cillian Murphy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 3h12m. It is a long episode but worth it to talk about the cinematic event of the decade. We will be back next week doing an Oscar retrospective over the 66th Academy Awards that covered the films of 1993. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this brand new AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 2 of the Director Watch Podcast, they are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the latest film in their Todd Haynes series, Far from Heaven (2002).

Right off at the top of the show, we address that there won’t be an episode on Velvet Goldmine, as an error was made, and the episode has been lost forever. But Ryan, Jay and Erik give some brief thoughts on the 1998 film before diving into Haynes’s 2002 follow up. In a pivot away from the glam rock drama, he found his way back into the cinematic world with another look at the domestic life of a wife played by Julianne Moore. Unlike Safe, Far From Heaven takes place in the 1950s, and explores a traditional 50’s family crumbling due to sexual and racial relationships the married couple form in the film that were taboo for the time. Known for being one of the best films of the year 2002, Ryan, Jay, and Erik breakdown the film from every angle, from the brilliant score, Moore’s performance, Haynes’s screenplay, the homages to the genius director Douglas Sirk, and so much more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h31m. The guys will be back next week to continue their Todd Haynes series with a look at I’m Not There. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 193 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Catherine Gonzales and Zach Laws to review the latest action packed epic Mission: Impossible - Dead Reckoning Part One and give out their Top 5 Tom Cruise films.

Before the team gets into the review, there was big news out of Hollywood this week, as SAG-AFTRA announced that they would be joining the WGA strike, joining forced in a strike for the first time since 1963. This historic move set a clear and loud message around the world and the AW team not only wanted to comment on the ongoing strike, but wanted to also share their full support in the fight for a fair deal for the writers and actors, whom without, none of this would exist.

Transition into the rest of the show, the number one film in the world finds Tom Cruise back in the saddle again as IMF agent Ethan Hunt in Mission: Impossible - Dead Reckoning Part One. The team talk at length about the latest Mission adventure, what they like and don’t like about it, and try to figure out how much longer Cruise will keep making these movies before he ends up killing himself. After the review, they transitioned to talking about Cruise’s Top 5 films of his career. In a career that spans decades, and close to fifty films, this length conversation spanned multiple films that showed Cruise’s range not just as a movie star, but an incredible actor. Titles included Eyes Wide Shut, Magnolia, Legend, Collateral, A Few Good Men, Mission Impossible: Fallout, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h49m. We will be back next week to review the two biggest films of the year, Barbie and Oppenheimer. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 192 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade and Editor-In-Chief Erik Anderson are joined by Griffin Schiller of FilmSpeak to discuss the filmography and legacy of director Christopher Nolan.

There have not be many writer-directors over the last twenty plus years who has become one of the bigger names in Hollywood than Christopher Nolan. From starting off with small indie thrillers, he morphed overnight into one of the most well-known names in the business, making countless box office hits, landing critical success, and dozens of accolades along the way. So with the release of his latest film, Oppenheimer, coming out next week, Ryan and Erik invited Griffin on to talk about Nolan, and what the director has meant to the landscape of modern cinema and what their relationship is with his films. They also discuss his greatest strengths and weaknesses as a filmmaker, his influence (good or bad) on cinema, and talk about some of the favorite scenes from his films. They also give out their Nolan film rankings and give out their expectations going into not just his newest project, but what they would like to possibly see him do next.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h42m. The AwardsWatch Podcast will be back next week to discuss Mission: Impossible – Dead Reckoning Part One and talk about our Top 5 Tom Cruise performances. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this brand new AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 1 of the Director Watch Podcast, they discuss the first film in their Todd Haynes series, Safe (1995).

After introducing the show, Ryan and Jay go into a review as to why Safe, Haynes’s second feature, is one of the most remarkable indie films of the 1990s. Released four years after his debut feature film Poison, Haynes makes a startling examination on a housewife slowly losing herself to a mysterious illness caused by the daily environment she lives in. Led by an all-time performance from Julianne Moore, Safe was a film that not only brought together this iconic director-actor duo for the first time, but both were brought to the attention of audiences around the world and would set the stage for their incredible careers going forward. We dive into the film’s themes, its lingering questions, the impeccable blocking by Haynes and his cinematographer Alex Nepomniaschy, if Julianne Moore is the greatest actress of the last thirty years and a whole lot more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h39m. We will be back next week to continue their Todd Haynes series with a look at 1998's Velvet Goldmine. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 191 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster to discuss our predictions for the 2023 Emmy nominations.

Taking a break from movies for this week, the Television Academy will announce the nominations for the 75th Emmy Awards on July 12^th. The AW team, led by Erik and Tyler, have put together an amazing season so far of coverage on the site, with reviews, interviews and prediction pieces that cover the wide range of television that is up for this year’s Emmys. A lot of shows said goodbye this year – like Succession, Better Call Saul, and Ted Lasso - but there are a ton new shows that have become popular, some just within the time of voting. It will be very interesting to see which shows and artists get nominated and which will be snub in this massive fields of talent.

In a lengthy but spirited and informative episode, Ryan, Erik, and Tyler break down who they think will get nominated in the major, televised categories for Limited or Anthology Series or Movie, Comedy Series, and Drama Series. While they agreed on a lot, there were some deviations in their predictions that led to an entertaining conversation as to what each editor thinks will be considered by the voters this year.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h30m. We will be back next week to discuss Mission: Impossible – Dead Reckoning Part One and talk about our Top 5 Tom Cruise performances. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 190 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Zach Laws to review Indiana Jones and the Dial of Destiny and talk about their favorite films of 2023 so far.

With the upcoming 4^th of July holiday this week, families are usually trying to beat the heat and heading for the movies, with the big release this year being the latest entry in the beloved Indiana Jones franchise. Though the film received a mixed reception coming out of the Cannes Film Festival, our critic Ben Rolph was overall positive on the film in his review, stating that the film is a “thrilling joyride down memory lane as Ford puts the hat on for one last time.” And while audiences seem to be enjoying the film, it is on course to be yet another box office disaster this summer, and potential the first big bomb in our AW Summer Movie Draft of the films selected. Our podcast team break down the 5^th entry, which finds Ford working alongside the always sensational Phoebe Waller-Bridge in the current day of the film's setting (1969) and with director James Mangold (Ford v Ferrari) utilizing some questionable de-aging technology to send Ford back to 1944 to play the character at a younger age, battling Nazis once again. You can also see Zach's breakdown and ranking of all five Indiana Jones films here.

After the Indy talk, since we are at the half point of the year, the AW team discussed some of their favorite films and performances of the year, and why you should catch up on them if you haven’t seen them already. Around twenty titles were mentioned including Past Lives, Air, Are You There God? It’s Me, Margaret, Asteroid City, John Wick: Chapter 4, Spider-Man: Across the Spider-Verse, and many more. Then the team briefly moves on to mentioning a couple of titles they are still looking forward to in 2023. Summer is going by fast and before you know we’ll enter in the Fall movie season; it’ll be here before we all know it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h50m. We will be back next week to give out our final 2023 Emmy nomination predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 189 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Zach Laws to discuss Wes Anderson’s latest film, Asteroid City, and then talk about the director’s top 5 films of his career so far.

Before the group go down the Wes Anderson rabbit hole, with June coming to a close, it was time to give another update in the AW Summer Movie Draft. While Team Ryan still holds the lead over Team Erik, it is all going to come down to a busy July and August at the movies to decide the winner. What can be seen though are some interesting domestic and international trends that could benefit or fail both teams going down the wire. Should lead to an exciting finish.

Moving on to the main portion of the show, Wes Anderson’s Asteroid City hit theaters wide this past weekend and has garnered critical and commercial acclaim yet again for the highly celebrated career of the talented writer-director. In our review out of Cannes from earlier this year, our writer Ben Rolph called the film “a wonderfully rousing and whimsical ride of idiosyncrasies,” and our podcast team couldn’t agree more, proclaiming one of the best films of the year so far. After talking about Asteroid City, they then broke down Anderson’s filmography by giving out their picks for their top five Wes Anderson films, which included Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Rushmore, and more. You can also read Zach's piece ranking all 11 Wes Anderson films, Everything in its right place: Ranking the films of Wes Anderson from ‘Bottle Rocket’ to ‘Asteroid City’.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h14m. We will be back next week to review Indiana Jones and the Dial of Destiny and talk about our favorite films of 2023 so far. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 188 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman to review Pixar’s Elemental and take their first look at the 2024 Oscar Season.

Before getting into the meat of this episode, big news out of Hollywood this past week as the Golden Globes were bought out by Dick Clark productions and the HFPA has been dispensed. It is a big revelation as the Globes are still in an ongoing struggle to move on from their checkered past. The team discuss what this could all mean going forward for this year’s telecast as well as the future of their voting body.

After that, they moved on to talk about this weekend’s releases, with Nicole giving brief thoughts on WB’s The Flash, and the group at large talking about Elemental, both which underperformed at the box office. While the DCEU seems to be crumbling before our very eyes with each new entry in the franchise, Pixar seems to be at a crossroads as Elemental received good reviews but had the lowest opening weekend box office returns in the studio’s history. Part of it could be the film, or Pixar’s recent decisions to put their films on Disney+. Either way, the team talk about what they liked and didn’t like from the film and the studio’s future.

Usually when a Pixar film releases, this means we could talk about its Oscar chances or even potential win in the Best Animated Category. But since Elemental underwhelmed and Across the Spider-verse has exceeded expectations, it seems like we have our animated frontrunner that also has a small chance to get into Best Picture. Speak of that, since we are closing in at the halfway point of the year, and we are living in a post Cannes Film Festival world, the team take a look at the films that have been released so far that could make it into the Best Picture lineup, followed by the films this fall that they think will be the ones to look out for to win the Oscar’s top prize.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back next week to review Asteroid City and give out our Top 5 Wes Anderson films. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 187 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws and Josh Parham conclude their tier ranking of the 95 Best Picture winners from the Academy Awards.

AwardsWatch Podcast #186: Tier Rankings of all Best Picture Oscar Winners – Part 1

In the second part of the Best Picture tier rankings, the AW team start in the 1960s and go all the way to the most recent winners of Best Picture. This is where our hosts and audience are able to talk about the films they have most likely seen the most, and see the expansion of the limited “S tier,” where compromise and sacrifices of some member’s favorites are placed lower than you would be expected. But there are plenty of surprises amongst the team, leading to a fascinating final ranking of these 95 films. A truly fun exercise getting to talk about some of the best (and not so great) winners of all time.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h21m. We will be back later next week to talk about Pixar’s Elemental and take an early look at the 2024 Oscars. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 186 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws and Josh Parham to tier rank the 95 winners for Best Picture from the Academy Awards.

While this summer has provided some good films and the team has given out some fun top 5 lists inspired by them, the heart of AW is always the awards season, specifically what will win the Best Picture prize at the Oscars. So in a fun change of pace, the AW podcast team set out to tier rank the 95 films the Academy has handed out the prize of Best Picture to over their celebrated history. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place the films in the S (all time winner), A, B, C, D, or F tier and explain the ranking. The episode was so much fun that it had to be split into two parts, with this episode covering all the films up to 1960, placing a couple of classic in the S tier early on.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h13m. We will be back later this week with Part 2 of the Best Picture Tier rankings. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 185 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman and Josh Parham to review Spider-Man: Across the Spider-Verse and give out their Top 5 Non-Disney/Pixar animated films.

Before diving into the Spider-verse, the gang went over the first month’s results of the 2023 Summer Movie Draft. After four titles released, Team Ryan has taken the lead, scoring more the 300 million dollars at the box office so far than the films selected by Team Erik. But there is still plenty of time for Erik’s team to come mount a comeback, as this summer’s box office seems to be rather unpredictable.

Moving over to the main review, it’s been five years since Spider-Man: Into the Spider-Verse debuted and not only became known as one of the best films of 2018, but is considered by many to be the best Spider-Man film ever released and an absolute masterpiece. So Across the Spider-Verse had a lot to live up to but based on the groups conversation, and our review on the website by Sophia Ciminello, this is a sequel you aren’t going to want to miss and sets up the potential of what could be one of the greatest trilogies of the 21^st century.

After the review, the team gave out a list of their Top Non-Disney/Pixar animated films, inspired by the release of Across the Spider-Verse. It was a difficult list to make given that there are so many titles to choose from, thus the selection varied amongst the group, with selected titles including Fantastic Mr. Fox, The Iron Giant, Wolfwalkers, The Lego Movie, Your Name. Listen to the show to find out the full lists given by the AW team.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. We will be back next week to do something new, a tier ranking episode where the podcast crew will rank each Best Picture winner. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 184 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello to discuss the series finales for HBO’s Barry and Succession.

Before getting into the main part of the episode, the 2023 Cannes Film Festival wrapped up with the winners announced this past Saturday. For the fourth Cannes in a row, NEON took home the Palme d’Or, the top prize of the festival for Justine Triet’s Anatomy of a Fall, with the runner up Grand Prize award going to Jonathan Glazer’s The Zone of Interest from A24. Other films of notable interest included Fallen Leaves, The Pot-au-Feu, and Monster. Expect a lot of these titles and more from the festivals make the rounds at Venice, Telluride and TIFF later this fall with upcoming podcasts to anticipate and follow.

Moving on, the last two months of television have brought audiences together for two of HBO’s recent flagship programs with Barry and Succession. After weeks of speculation, and years of episodes and awards, the two shows come to an end in epic fashion with what the panel believes might be two of the best finales in years. Ryan, Erik, Tyler, and Sophia break down what they love about these episodes, the shows at large, and give a look at how the 2023 Emmy season will look like with these two final seasons included.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h51m. We will be back next week to discuss the latest animated superhero film, Spider-Man Across the Spider-Verse. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 183 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributors Zach Laws and Catherine Gonzales to review Fast X and discuss the Fast and the Furious franchise as a whole.

Before the gang gets behind the wheel of their Fast conversation, a big trailer dropped this past week for Martin Scorsese’s Killers of the Flower Moon, which will be released in theaters later in October. To put it mildly, it’s one of the best trailers of the year, and in light of the film’s premiere at the Cannes Film Festival, there was a lot to discuss.

Moving on, the team got to dive deep into the latest entry in the Vin Diesel led action packed extravaganzas, Fast X. The franchise hits the home stretch, as this film alongside the eleventh and twelfth installment look to close out the long running story for Dom and his family, and there is plenty to talk about including, a fantastic new bad guy, tons of cameos, moments of absolute nonsense, and insane, over the top set pieces. Ryan, Erik, Zach and Catherine break it all down as well as give out their rankings for the franchise as a whole, say who their favorite and least favorite characters are, what is the dumbest moment in this franchise, and more.

Shut up and drive: ‘The Fast and the Furious’ franchise ranked

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h46m. We will be back next week to discuss the series finales of Barry and Succession, and take a look a little at the 2023 Emmys. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 182 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by TV Editor Tyler Doster and AwardsWatch contributor Sophia Ciminello to give out their Top 5 Romantic Comedies.

Coming off last week’s episode about Guardians of the Galaxy Vol. 3 and the groups Top 5 Comic Book Movies, the AW podcast switches over to talk about the latest entry in the romantic comedy genre, Book Club: The Next Chapter. Sophia was able to catch up with it and gave her brief thoughts on the film, which quickly turned into a side conversation on which streaming platform it would go onto and the news that Disney + and Hulu might be merging. Once off the side tangent, Ryan, Sophia, and Tyler delivered their Top 5 romantic comedies, with films ranging from About Time, Bull Durham, Roman Holiday, Something’s Gotta Give, Up in the Air, and so many more. If you love these movies just as much as they do, you aren’t going to want to miss this wonderful conversation.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h39m. We will be back next week to discuss the latest entry in the Fast and Furious franchise, Fast X. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 181 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer to talk about the latest film in the MCU, Guardians of the Galaxy Vol. 3, give out their Top 5 Comic Book Movies.

Coming off the heels of last week’s Summer Box Office Draft, a major trailer release that shifted the focus for film fans this week as the first trailer for Dune Part Two. The gang talked about it, what they liked and didn’t like about it, then shifted their focus to the Tony nominations, which were announced earlier in the week. Dan, with a little help from Sophia, broke down the nominations, their favorites of the nominees and who were the biggest snubs.

After that, Ryan and Sophia reviewed Guardians, talking about why they think it was a good time a theater, while also discussing a little why it underperformed at the box office domestically this past weekend. Once they are done talking about the film, the team gives out their Top 5 Comic Book Movies, which included not just comic book superhero films, but films that originated from graphic novels and mangas. Some of these titles included The Dark Knight, The Rocketeer, Josie and the Pussycats, Road to Perdition, X2, Edge of Tomorrow, and so many more, making for a fantastic conversation.  

Tell us in the comments and on our social media pages what you think of each team’s picks and who you think is going to win.

Don't forget to subscribe for the new AwardsWatch Newsletter, a twice a week roundup of AW reviews, interviews, news, predictions, podcasts and more. Sign up here!

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h10m. We will be back next week to discuss our Top 5 romantic comedies, in honor of the release of Book Club: The Next Chapter (review by Sophia Ciminello here). Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 180 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello, Dan Bayer, Zach Laws, Josh Parham, Nicole Ackman, and Catherine Gonzales to take part in the 2023 Summer Box Office Draft.

Returning for the second year in a row, the AW podcast team comes together to draft what they think will be the highest grossing films at the worldwide box office. Last year, Team Ryan came out on top, mostly due to the surprise box office hit that was Top Gun: Maverick. In the fall, Team Erik came back with a blowout victory in large part because of the other biggest film of 2022, Avatar: The Way of Water. With a new year comes new teams and an extra pick, along with a couple of surprises announced during the show, this summer season looks to be stacked with plenty of films for everyone to pick, as well as a lot of uncertainty in the selections.

For any first-time listeners, here is how the game goes. The two teams are comprised of our AW podcast crew – Team One: Ryan, Sophia, Zach, Josh, and Kevin (who couldn’t make it on the show) vs. Team Two: Erik, Tyler, Nicole, Dan, and Catherine. Each team built a strategy of what films we think will be the biggest summer hits of the year worldwide as well and factoring in what films will be the most critically lauded. For a fun bonus, each team presented the other with a ‘bomb’ pick; a film they think will tank and negatively impact the other team’s score.

Tell us in the comments and on our social media pages what you think of each team’s picks and who you think is going to win.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h28m. We will be back next week to discuss the latest film in the MCU, Guardians of the Galaxy: Volume 3. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 179 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Zach Laws to give their thoughts Beau Is Afraid and Evil Dead Rise, as well as answer some listener questions.

Director Ari Aster has become one of the most popular directors of the last ten years, creating his own brand of horror films with hits like Hereditary and Midsommar. With his third feature, he has made an anxiety filled dark comedy that is three hours long and packed with just about anything that can come from the director’s mind. By doing this, Aster has made the most divisive film of the year, one that team dive fully into with not just a discussion of the context of the film, but the discourse that has followed since its release. Once they are done, they give their brief reactions to the latest entry into the Evil Dead franchise.

Towards the end of the episode, the team answer some listener questions, with topics including movies that they ‘hate,’ going into detail as to what point of their viewing experience did they realize that didn’t like the movie. They also talk about their favorite films about ‘nature’ and what are some of their favorite needle drops in films.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h03m. We will be back next week the 2023 Summer Movie Draft. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 178 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributor Nicole Ackman, Dan Bayer, Zach Laws and Josh Parham to dive deep into another AW Oscar retrospective, covering the 2003 season which awarded The Lord of the Rings: The Return of the King the Best Picture of the year.

20 years ago, the Academy Awards were viewed by almost double the eyeballs of a modern telecast, and across the world people gathered to see Peter Jackson’s epic trilogy get awarded Hollywood’s top prize. Not only did Return of the King win Best Picture, but it went on that night to win ten more Oscars for a grand total of eleven, a clean sweep, and tying it with 1997’s Titanic and 1959’s Ben-Hur for the most Oscar wins ever by a single film.

Ryan, Nicole, Dan, Zach and Josh break down the year 2003 as a whole, see if Return of the King holds up as a good to great Best Picture winner, and talk about some of the best and worst nominations from the lineup. Throw in Oscar trivia and some “Should’ve, Could’ve, Would’ve” rounds to highlight who they would give the Oscar to and it's an extensive yet fun look back as the gang covers dozens of titles, filled with plenty of hot takes.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h27m. We will be back next week to review Ari Aster’s latest film, Beau Is Afraid. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 177 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributor Nicole Ackman and Dan Bayer give their thoughts Ben Affleck’s latest film, Air, as well as their Top 5 films that are ‘based on a true story.’

Since its premiere at SXSW, the buzz has been building for Ben Affleck’s Air, which is the story about how Nike was able to get the deal done with Michael Jordan to get the Air Jordan shoe deal done. With being a little box office surprise as well as being a critical success, the AW crew give their thoughts on the film overall and what they think works and doesn’t work. After the review, in a Top 5 list inspired by the Affleck’s latest directorial effort, as Ryan, Nicole and Dan breakdown their favorite films that are ‘based on a true story,’ speaking about a variety of films that include Moneyball, Dog Day Afternoon, The Last Duel, Malcolm X, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h29m. We will be back next week to do an Oscar retrospective episode covering the 76th Academy Awards, the films of 2003.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 176 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello, Josh Parham and Zach Laws review The Big Lebowski for its 25^th anniversary, and give their Top 5 Coen brothers movies.

At the top of the episode, the AW crew welcome Zach to the team, and he shares a little bit about himself before everyone goes right into their review of the Joel and Ethan Coen's LA-based, noir inspired comedy that is considered to be one of the best film of the 90s and an influential film from its time. Turning 25 years old, the team go into what makes the film so special after all these years and why it might be on their Top 5 list. And speaking of lists, with 18 films to choose from, and being among the most popular directors of all time, Ryan, Erik, Sophia, Josh and Zach count down their choices and examine which films they think are the Coen brothers' best.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, iHeartRadio and more.

This podcast runs 2h05m. We will be back next week to review Ben Affleck's Air and talk about our Top 5 ‘Based on a True Story’ films.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 175 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Kevin L. Lee give their thoughts on the latest film in the John Wick franchise, John Wick: Chapter 4, and discuss their Top 5 Action Movie Sequels.

After a week off due to the end of the Oscar season and SXSW, the AW podcast is back and ready to talk about the number one film in the world, John Wick: Chapter 4. In a spoiler free review, Ryan, Sophia and Kevin talk about their thoughts on the film overall, the action sequences, and where they want to see the franchise going forward.

‘John Wick: Chapter 4’ review: The operatic fourth edition of the action series proves that too much is never enough

In the second half of the show, in a Top 5 list inspired by the latest action vehicle from star Keanu Reeves, the team talk about their favorite action movie sequels. Some big titles were put in the penalty for each member of the team but overall, even with some crossover picks, there were plenty of titles mentioned and a great discussion over tons of great action movie sequels.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h59m. Next week we'll be doing a retro review of The Big Lebowski and talk about our Top 5 Coen Brothers movies. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 174 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Kevin L. Lee and Josh Parham to breakdown their thoughts on the 95th Academy Awards. 

Well, the 2023 Oscar season has ended and it resulted with a historic night for A24’s Everything Everywhere All at Once winning seven Oscars including Best Picture. A day after its one-year anniversary at SXSW, the film carried its momentum a full year and landed the most above the line wins in Oscar history, as well as historic wins for the Daniels, Michelle Yeoh and Ke Huy Quan. But they weren’t the only ones who has a big night, as Netflix walked away with another impressive haul, including four wins for All Quiet on the Western Front. Recorded shortly after the telecast, Ryan, Dan, Kevin, and Josh cover every moment and stat the night have to offer and put a bow on another long but rewarding award season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h43m. We will be back next week to talk about the films that premiered at SXSW. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 173 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributor Sophia Ciminello give out their final predictions for the 2023 Academy Awards.

Well, there is no backing away now. We are in the final week of the Oscar season, leading up to the Oscars being handed out in just six days. As we stand, we are looking at what could be a history making night for A24’s Everything Everywhere All at Once, and the biggest question remains, how many Oscars do we think the film is going to go home with? There also are plenty of categories still wide open, making this one of the most exciting finishes to an Oscar season in years. Ryan, Erik, and Sophia break it all down and give out their final predictions, though they still have the right to change one or two things at the last second.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h42m. We will be back next week to wrap up the 95^th Academy Awards. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 172 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer and Sophia Ciminello break down the winners of the 2023 SAG awards and where the Oscar race is at before the start of voting.

We are down to the final two weeks of the Oscar season, and it has become clear that we are heading towards a historic night at the 95th Academy Awards for A24’s Everything Everywhere All at Once. After it’s win last Saturday night at the Producers Guild of America (PGA), the little movie that could took home the most SAG awards in the Screen Actors Guild history on Sunday, with three acting prizes and Best Cast. This is a big change from the BAFTA awards the week before, and the perfect scenario for the film going into Oscar voting. Ryan, Dan, and Sophia break down the winners, what they mean for the overall race, the chaos of Best Supporting Actor, and tease a very long show next week with our final predictions.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h10m. We will be back next week to give our final Oscar predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

There is more than one queen that reigns over Wakanda. That queen is costume designer Ruth Carter, a 4-time Academy Award nominee (Black Panther: Wakanda Forever, Black Panther, Amistad and Malcolm X), and winner for 2018’s Black Panther. She is also an Emmy nominee for Roots, a 3-time Costume Designers Guild Award winner (Coming 2 America, Black Panther, Career Achievement Award), a 3-time Critics’ Choice Award winner (Black Panther, Dolemite Is My Name, Black Panther: Wakenda Forever), and so much more. 

Carter is responsible for the iconic outfits that Marvel favorites like Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), Nakia (Lupita Nyong’o) wear. She was also tasked with creating the outfits for the newly-introduced world of Talokan, like Namor (Tenoch Huerta) and Namora (Mabel Cadena). Carter continues to raise the bar higher and higher, not only for the Marvel Cinematic Universe, but for any individual in the profession. In result, Carter was honored with her fourth individual Academy Award nomination for the film, where the film itself garnered five nominations (Best Supporting Actress, Best Original Song, Best Makeup and Hairstyling, Best Costume Design, Best Visual Effects).

When asked about The Hollywood Reporter article that was penned by The Woman King director Gina Prince-Bythewood around omissions of Black women for Academy Award nominations, Carter responded, “It’s not myopic representation. It’s global and I find representation in Bardo. I find representation in Everything Everywhere All At Once. I find representation in Pinocchio. I find representation in Camille Friend, in Angela Bassett, in myself, in Ludwig Göransson. There is a lack of representation of black voices and black images, and for that, I feel sad. Women directors, for that, I feel very sad. I do hail the efforts of those who have films that do speak to the Black community and such. I cannot turn my back on that type of representation as well this year.” 

We will find out the winners of the Academy Awards on Sunday, March 12.  

What’s next for Ms. Carter? She will continue to stay in the Marvel Cinematic Universe by designing for the reboot of Blade. While tight lipped, she did reveal that, “Mahershala [Ali] has been training for weeks… months. I think we are going to see another Mahershala that I haven’t seen yet because he is dedicated.” Blade will be directed by Yann Demange and will be released on September 6, 2024. 
Black Panther: Wakanda Forever stars Letitia Wright, Lupita Nyong'o, Critics’ Choice and Golden Globe winner Angela Bassett, Danai Gurira, Michaela Coel, Martin Freeman, and Julia Louis-Dreyfus. The film is currently streaming in the Academy screening room and on Disney+.

On episode 171 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer break down the winners of the 2023 BAFTA Film Awards and DGA Awards and give their predictions for the upcoming SAG Awards.

With less than a month before the Oscars, the awards race has shifted its focused to the industry, where on Saturday night, The Daniels took home the top prize at the DGA and continued the storybook run for Everything Everywhere All at Once. But the Sunday came and the BAFTA chose to go a very different route, with Netflix’s All Quiet on the Western Front taking home seven awards including Best Feature. Alongside this came some pretty big upsets by the hands of The Banshees of Inisherin, leaving a lot of questions to be answered about what this means going forward in the race.

After a lengthy discussion on BAFTA, Ryan, Erik and Dan broke down who they think are going to win the SAG Awards next Sunday and if any of the BAFTA winners will carry over, thus placing some contenders in perfect position to win. Mix in some listener questions and you got the receipt of another jammed backed, fun show from the AW crew.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h47m. We will be back next week talk about some new releases and potentially another game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 170 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Nicole Ackman, Sophia Ciminello and Dan Bayer review James Cameron’s Titanic and take a look back at the 1998 Oscars.

Over the past weekend, the epic, billion-dollar love story from director James Cameron returned to theaters for its 25th anniversary, and finish in the top five of the box office. Now as modern audiences are going back to Titanic again, the AW crew review the film, their history with it, and what it was like to see it on the big screen again.

Once the review is over, the team moved on to talking about the 1998 Oscars, where Titanic dominated the night with 11 Oscar wins, with Big Jim Cameron claiming he was “the king of the world.” But as the team look back, they talk about the other films that were nominated from the 1997 film year, answer trivia questions about the ceremony and then play a game called “Should’ve, Would’ve, Could’ve,” in which each host say which of the nominees they would pick as the winner, and then who they would replace in the category alongside which film/performance they would replace it with. It was a lot of fun hearing all the fascinating answers selected by all the AW team on the show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h22m. We will be back next week to talk about the BAFTA and DGA winners plus SAG predictions. Till then, let’s get into it.

Music: "My Heart Will Go On" (Love Theme from Titanic sung by Celine Dion) via Columbia/Sony Music Entertainment Canada Inc. (intro) and "Hymn To The Sea" (Music From The Motion Picture music by James Horner) via Sony Soundtracks (outro).

On episode 169 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Josh Parham review the latest film from director M. Night Shyamalan, Knock at the Cabin, and talk about their favorite twist endings.

Jumping right into things, the crew jump into Knock at the Cabin, the first film to take down Avatar: The Way of Water at the box office. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, and follows a gay couple and their daughter vacationing at a remote cabin, but things take a turn for the worse when they are held hostage by four strangers, who demand they sacrifice one of their own to prevent the apocalypse. In the follow up to Old, Shyamalan adapts the best-selling novel by Paul G. Tremblay, and based on the reception on the podcast and audiences around the world, the film has garnered a mixed reception, thus leading to a very detailed, SPOILER-FILLED discussion. Josh also wrote the review for the film, which you can read on the site right now.

After the review of the film, Ryan, Erik and Josh talked about some of their favorite films that featured a twist ending. They also discussed the various degrees a twist is used in a film, the various genres that use them well, directors who are known for them, and which films also had some pretty bad twists the ruined the whole experience. As they signed off the week, they gave a little prediction for next week’s Super Bowl and picked which films from the 2023 slate they would like to see a trailer drop for during the big game.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h16m. We will be back next week talk about the re-release of Titanic and to do a retrospective on the 1998 Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 168 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Kevin L. Lee give their reactions to the best and worst films they saw for the 2023 Sundance Film Festival.

Before the guys get into their Sundance discussion, they briefly give their thoughts on the ongoing conversations surround last week’s Oscar nominations. It was announced that the Academy would be doing an investigation into the campaign practices surrounding Andrea Riseborough’s nomination. We will know more in the coming days, but until then, Ryan, Erik and Kevin take a little time to talk about all the angles of this story and what could potentially happen.

Moving on from there, the crew talk about the Sundance Film Festival, were there over 110 films featured across the in person and virtual programs. In our first look at the independent films releasing in 2023, there were a ton of fine films they may have not hit the mark entirely, but enough gems for a great discussion. First up is a discussion of a Sundance selection that just released in Brandon Cronenberg’s Infinity Pool, which led to a balanced conversation of the positives and negatives of the film (you can read Kevin's review here). From there over a dozen of films are mentioned, there is plenty to look forward to within the next couple of months. 

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h44m. We will be back next week talk about some new releases and potential a game. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 167 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and special guest Mark Johnson (Editor, film critic, and Oscar prognosticator at Awards Daily) give their reactions 2023 Oscar nominations.

Well they are finally here, the nominations for the 95^th Academy Awards. All the buildup and anticipation led to the nominations announced on the morning of January 24, and there were plenty of great, history making moments from these batch on nominees as well as a lot of misses, snubs, and one wild nomination that has sparked a massive conversation. Ryan, Erik, and Mark leave no stone unturned and break down all the aspects of these nominations, who came out looking the best, and who is the strongest going into the next phase of the Oscar season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h24m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 166 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Josh Parham and Dan Bayer give their final 2023 Oscar nomination predictions.

With the final pieces of the puzzle announced this week with the BAFTA nominations, the AW crew have come together to the longest episode to date to discuss all of the predictions for the feature length categories for the Oscar. Everything Everywhere All at Once, The Banshees of Inisherin, and The Fabelmans look to be the three leading contenders to lead the nominations tally come next Tuesday, January 24, 2023. But will another film emerge to take the top spot with the most nominations? Who are going to get into all the acting categories? Who is the fifth spot in Director and Original Screenplay going to be? What are the team’s ‘no guts, no glory’ picks? All of the answers to these questions and more are broken down category by category with plenty of reason and details to support each team member’s answers. It’s the must listen episode of the season so far.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 4h 9m. We will be back next week to give our reactions to the 2023 Oscar nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 165 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman and Dan Bayer discuss the biggest week of the Oscar season so far with SAG, PGA, and DGA nominations released.

Before they get into the guilds, the team circle back to the beginning of the week with their reactions to the Golden Globes. Between the speeches, winners, and overall vibes of the show, the Globes were everything they said it would be, even if the winners were a little more predictable than they thought they would be.

Going to the news of the week, the Screen Actors Guild (SAG) announced not only their 2023 nominations, but they announced that they will be streaming exclusively on Netflix for the foreseeable future, starting on their YouTube page this year before making it to the full platform next year. Ryan, Erik, Nicole and Dan break down this news, as well as the shocking misses and inclusions in their crop of nominations, as well as some interesting scenarios that could possible happen on Oscar nomination morning. They moved on to talk about the Producer Guild (PGA) and Directors Guild (DGA) nominations, and who they think might be in right now and which films or filmmakers are on the outside looking in.

This conversation serves at the appetizer to this week, as the Critics Choice winners and BAFTA nominations will be announced by the time they record next for the final episode before Oscar nominations.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h52m. We will be back next week to give our Oscar Nomination predictions. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 164 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Dan Bayer and special guest, Kevin Jacobsen (host of And the Runner Up Is) give their predictions for the 2023 Golden Globes

Before the gang get into their predictions, Ryan, Erik, Sophia and Dan give their thoughts on the first major release of 2023, the horror-comedy M3GAN. Talked about already as a new camp classic, they go through their brief reactions to this wild little film, which they all can’t wait to see the next film featuring the new horror icon.

Moving on from there, the full group talks about their Golden Globe predictions. While they are a wild, controversial bunch, this will be marked as the first big televised event of award season, and could be big for many films that need to keep up or get some momentum in the race. First up were the television categories, followed by the film categories. The group picks were a mixture of safe plays and big swings, leading to a fun conversation. Stay tuned for the end of the episode, as everyone gives their wild prediction for what might come on SAG nomination morning.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h31m. We will be back next week to give our reactions to the Golden Globe winners, as well as PGA and DGA nominations. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and the Original Motion Picture Soundtrack of The Banshees of Inisherin by Carter Burwell used with permission.

This podcast is sponsored by Searchlight Pictures presenting The Banshees of Inisherin – one of the best reviewed films of the year with a 97% on Rotten Tomatoes, a Metacritic “Must See” film, and named one of the top 10 films of the year by the National Board of Review. Now nominated for nine Critic’s Choice Awards including Best Director Martin McDonagh, Best Actor Colin Farrell, Best Screenplay, and Best Feckin’ Picture of the Year. For your consideration in all categories.

On episode 163 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer and Kevin Lee to talk about their favorites of 2022.

In the first episode of 2023, the AW crew takes a look back at their favorite movies, performances and theater going experiences of the past year. Lots of love for Aftersun, RRR, TÁR, The Fabelmans. Nope, and more as they also talked about their favorite scenes of the year, favorite opening/endings, and what it means when a movie moves you emotionally over others you see throughout the year. At the end of the conversation, they also mentioned the movies they are looking forward to seeing the most in 2023 too.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.This podcast runs 2h. We will be back next week to give our Golden Globe predictions and talk about M3GAN! Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and "Speak Up" by Hildur Guðnadóttir from Original Motion Picture Soundtrack of Women Talking used by permission.

This podcast is sponsored by the United Artists Releasing film Women Talking. Critics hail Sarah Polley’s Women Talking as “Unlike Any Film You’ve Seen Before” and “One of the Cinematic Events of the Year,” and it is now nominated for 6 Critics’ Choice Awards including Best Picture. 

Starring Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand, Women Talking has also been named one of the 2022 AFI AWARDS Movies of the Year, one of the Top Films of the Year and winner of Best Ensemble by the National Board of Review, and is nominated for Three Independent Spirit Awards, Including Best Feature.  For Your Consideration in all categories including Best Picture.

On episode 162 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Dan Bayer to give their Oscar Shortlist predictions.

Before they get into the main show, the guys break down the 2023 Golden Globe, Critics Choice, and Hollywood Critics Association nominations that were announced this week, including the films and performances that got snubbed, and which films had the strongest showings. After that brief discussion, Ryan, Erik and Dan dive into their Oscar shortlist predictions, which will be announced on Wednesday, December 21, 2022. The shortlists are always a good glimpse into what the voters are considering for the overall nominations that will be revealed on January 24, 2023. The categories include Documentary Feature, International Feature, Makeup and Hairstyling, Visual Effects, Sound, Original Score, and Original Song.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs a zippy 1h15m. We will be off next week for the holiday but will be back at the start of the new year! Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 161 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Josh Parham to talk about the latest critic’s awards winners including NBR and AFI and answers some listener questions.

Another busy week within the latest phase of award season, as the National Board of Review (NBR), American Film Institute (AFI), and various critic’s voting bodies including Los Angeles Film Critics (LAFCA) announced their winners this week, with Everything Everywhere All at Once, The Banshees of Inisherin, TÁR, and RRR have very strong showings across the week. The team breakdown these wins and what they mean for the Oscar race.

After this discussion, which was recorded Sunday before Golden Globe nominations (see full noms here), the gang move on to listener questions that cover Brendan Fraser’s nomination status with the Hollywood Foreign Press Association, what they would love to see nominated for Best Comedy/Musical at the Globes, and their favorite moments in Globes history. They also talk about TÁR’s Oscar chances, if Michelle Williams would’ve swept the season if she was in the Best Supporting Actress race, and the state of the race for Netflix’s Best Picture chances.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h17m. We will be back later this week with our reactions to the Golden Globe nominations. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

This podcast is sponsored by Amazon Studios presenting Thirteen Lives from director/producer Ron Howard, and starring Viggo Mortensen, Colin Farrell, and Joel Edgerton. Thirteen Lives recounts the effort to rescue a Thai soccer team trapped in a cave during an unexpected storm. Vanity Fair calls it "a pulse-pounding, incredibly detailed recreation of a remarkable global event" Thirteen Lives is streaming now on Prime Video.

On episode 160 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer to talk about the first wave of awards and nominations handed out this award season and answer listener questions.

Right at the start of the show, the AW crew discuss the trailer to the horror-comedy Cocaine Bear, which looks like a new camp classic in the making. Once that discussion was over, they moved on to talking about the Gotham Award and New York Film Critic Circle winners that were announced this week, and the Independent Spirit Award nominations that were released last week. A lot of love for titles from A24, especially Everything Everywhere All at Once, which managed wins and nominations across all of these three events. The same goes for Todd Field’s TÁR, which is looking like it could become the critical darling of the year. It was a lively conversation, covering all the aspects of how the beginning of the race is playing out so far.

As that discussion wrapped up, the gang tackled some listener questions which talked about the evolving Best Actor race, film they can’t wait to show their families over the holidays, and who got a major bump from the nominations and wins over the last two weeks. They also gave some early predictions for who they think will be nominated for Best Stunt Ensemble for the SAG Awards.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h44m. Good to be back and we will be back next week. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 159 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined AwardsWatch contributors Dan Bayer and Josh Parham to discuss the Grammy nominations and Thanksgiving related topics.

The 2023 Grammy nominations were announced this past week, with some of the biggest artists in music making history with their nominations. The top nominees included Beyoncé, Kendrick Lamar, Adele, ABBA, Brandi Carlile. The guys talk (to the best their ability) about the nominations and who some of the Best New Artists are.

Next up, the crew speak about their favorite Thanksgiving traditions they do with their families as well as their favorite food item to eat during their Thanksgiving meal. They also discuss what movie related plans they have for the holiday and what they are most thankful for as a film critic.

Lastly, the AW gang answer some listener questions, ranging from which artist from this current Oscar season would they bring to Thanksgiving to who they think will be the next person to complete the EGOT. They also discuss the Best Picture chances for Guillermo del Toro's Pinocchio and what are their current top 3 in their current Best Picture rankings.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h27m. We will be off next week due to the Thanksgiving weekend. Without further ado, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 158 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined AwardsWatch contributors Dan Bayer, Kevin L. Lee, and Nicole Ackman to discuss the latest film in the MCU, Black Panther: Wakanda Forever, and talk about their favorite sequels of all time.

The second to last big budget spectacle on the 2022 calendar has released with Marvel’s Black Panther: Wakanda Forever, the sequel to the 2018 Oscar winning, global sensation. Following the death of actor Chadwick Boseman, director Ryan Coogler and company had an enormous task on their hand in crafting this film, with many other obstacles other than just Boseman in their way in the process of bringing this film to screen. With all of this said, Coogler has delivered a film many critics and audiences believe to be the strongest film in Phase 4 of the MCU, and another great installment in the overall franchise. But do our hosts feel the same way? Listen and find out, it is a fascinating, well rounded discussion. After this review, do a fun segment talking about some of their favorite sequels of all time. Lots of fun variety in their choices.

Lastly, the AW gang had some time for listener questions covering their biggest annoyance so far in this award season, as well as what films they would be happy to see a sequel to. They also talked about the best costumes they’ve ever seen in a movie, if John Williams will miss a Best Original Score nomination for The Fabelmans, and what their current outlook on the Best Supporting Actor race looks like right now.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, YouTube and more. This podcast runs 2h21m. Bit on the long side but it was a lot of fun recording this one. Without further ado, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 157 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson to break down the films they saw at the 2022 AFI Film Festival.

Located in beautiful Los Angeles, California, the AFI Film Festival marks the end of the Fall film festival season, and has a lineup of films expected to enchant audiences as well as be real players within the awards race. Ryan and Erik break down their thoughts on titles like Bardo, Pinocchio, Devotion, "Sr.," The Fabelmans, and more, as well as give a little bit of insight in how they can see some of these titles play out above and below the line at the Oscars this year.

2022 AFI FEST reviews

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 55m. We will be back next week with the AW team as we talk about Black Panther: Wakanda Forever. Until then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 156 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributors Sophia Ciminello, Dan Bayer, Kevin L. Lee, Nicole Ackman and Josh Parham to do the Winter Movie Draft and answers some listener questions.

Back in the summer, on the first episode of the newly vamped AwardsWatch podcast, the AW gang divided up into two teams to do the Summer Movie Draft, trying to predict which team will have pick the highest grossing, best reviewed films of the summer. In doing so, Ryan’s team beat out Erik’s team thanks to Tom Cruise saving cinema with Top Gun: Maverick. Now with two months left in the film calendar, and tons of cinema left to see, Erik’s team looks for revenge in the new Fall Box Office draft while Ryan’s team looks to continue their winning ways from the summer. Lots of fun picks, including some hilarious “bomb” picks by each team.

Once the draft was over, the team moved over to some listener questions covering the above the line chances for The Whale and the overall Oscar chances for mid-budget films like The Woman King. They also discuss what are some changes to the Oscars ceremony they would make to make it more celebratory of the nominated films, which modern actors they would like to see in a rom-com, what classic, older films they would pair in a double feature with this year’s awards contenders, and more.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h15m. Good to be back and we should have a new episode from Ryan and Erik live at the AFI Film Festival. Till then, enjoy the show.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 155 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by TV Editor Tyler Doster and AwardsWatch contributors Dan Bayer, Sophia Ciminello and Kevin Lee to talk about their Top 5 Horror films of all time and answer some Halloween themed listener questions.

Since we have entered the month of October, the AW crew thought it would be a fun time to talk about some of the best films that have scared them over the years. The range of films mentioned within this extensive conversation span over multiple decades, directed by some of the best directors over all time, and are considered some of the best films ever made. Personal, passionate stories fill each pick by the five podcasters, making this top five conversation one of the best ones covered on the podcast so far.

Transitioning over to the listener questions, the team talk about their favorite Halloween candy and what movie themed costumes they have worn over the years, or could be wearing this year. They also talked about which films would be best to recommend for someone who isn’t into horror movies, the scariest films they have seen that aren’t in the horror genre, favorite horror creature, and the first horror movie that made each of them scared to go to sleep.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h23m. Lots of spooky talk on this week’s show, so without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission.

On episode 154 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, and Josh Parham to have an extensive conversation over the 2022 Best Actor and Actress races, as well as answer listener questions and play a fun new game.

Before the group get into their Oscar conversation, the results of the 2022 Summer Box Office Draft were announced, as well as the film the losing team will be watching as a ‘reward.’ There will be another draft in two weeks, as well as a review of the film selected for the losing team.

Jumping from there, Ryan, Erik, Nicole, Dan, and Josh gave their updated views on the ever-changing races for Best Actor and Actress. With a thin crop to pick from, the Best Actor race is looking to have a ton of new faces, with many surprises coming along the way. As for Actress, it is the most competitive, stacked category of the year with ten to fifteen performances vying for the five Oscar spots. These conversations were filled with tons of great insight, as we trek forward into another wild award season. [NOTE: this podcast was recording a day before the official announcement that Apple will release Emancipation, starring Oscar winner Will Smith, in December]

Moving along, the crew answered listener questions, starting with what they think Netflix should prioritize with their awards campaign. They also discuss what makes movies an important art, their early thoughts on the 2022 DGA nominees, what the Best Adapted Screenplay looks like, and what their favorite horror performances are. Lastly, they mention some contenders for the Best Original Score and Song categories for this year, as well as the influences of Golden Globes, who should host the Oscars, and many more questions.

And before they signed off, they played a new game called ‘This is NOT 40’ where they each take a turn in naming all the acting nominees that are under 40 years old. This went over really well and will be played in other iterations in the coming weeks.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h10m. It’s a long one but it needed to be after not having a show last week. So, without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer, and Kevin Lee to talk about the best films from the 2022 Toronto International Film Festival, as well as give out their predictions for the TIFF Audience Award.

Over the past week, the Toronto International Film Festival has been shaping out the Oscar season with plenty of World premieres and North American premieres. Some of the big titles included Steven Spielberg’s The Fabelmans, Rian Johnson’s Glass Onion, the Viola Davis led The Woman King, and the Billy Eichner-led Bros. Other notable films included My Policeman, The Menu, The Inspection, Pearl, All Quiet on the Western Front, The Whale, The Son, Broker. These films and more were discussed by our panel, who were more than eager to discuss why many of these titles were some of the best and worst films of 2022 so far. They also gave out their predictions from the TIFF audience awards, which hadn’t been announced yet at the time of recording. Listen to see if any of them got the top three correct.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h59m. A little on the longer side this week about there was a lot of great cinema to cover. So without further ado, let’s get into it.

On episode 152 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and TV Editor Tyler Doster to give their instant reactions to the winners and losers of the 74th Primetime Emmy Awards.

The 2022 Emmys have come to a close, with a three-hour telecast that left audiences mixed, though there were plenty of shocking moments, repeat winners, and a ton of history being made. Ryan, Erik, and Tyler break down the biggest winners of the night as well as the shows that underperformed, and what worked during the telecast and what didn’t. They also talk briefly about what could be in the running for next year’s Emmys, as well as their favorite moments and speeches of the show. Overall, a short conversation that put a bow on an Emmy season for the ages.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 39m. We will be back next week to discuss everything going on at TIFF and how things are looking for the upcoming Oscar race. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 151 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson for a special in-person episode over their reactions to the films they saw at the Telluride Film Festival.

The 2022 awards season has begun. Last week marked the start of the Venice International Film Festival, and this past Labor Day weekend was the annual Telluride Film Festival. Celebrating its 49^th year, Telluride has been the launching pad for many Oscar campaigns, and this year was no exception with movies like Women Talking, Empire of Light having their World Premieres at the festival, as well as the North American debuts of films like Bardo, TÁR, Bones and All, Broker, and more. Ryan and Erik covered the festival and had plenty of positive things to say about the titles they saw, as well as where they can see some of them playing out during the awards season.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h07m. We will be back next week with our Emmys reaction episode. Till then, let’s get into it.

On episode 150 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and TV Editor Tyler Doster as they give out their final predictions for the 2022 Emmy Awards.

Time has flown by quickly this summer, leading us to the final weeks before the Creative Arts Emmys on Saturday, September 3 and Sunday, September 4, then the Primetime Emmy Awards live on NBC on Monday, September 12, 2022. In previous episodes, Ryan, Erik, and Tyler have discussed all the possibilities of how things will play out within the Drama, Comedy, and Limited Series categories, and now it is the time to see who they think will take home the gold. With many shows never competing against one other, this is shaping to be a wild, unpredictable Emmys for many categories. Our hosts seemed to agree on most of the categories, but there were some disagreements that could very well lead to some shocking upsets if they come true.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h40m. We will be back next week with Ryan and Erik doing a live recording of the buzz from the Telluride Film Festival. Till then, let’s get into it.

On episode 149 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Sophia Ciminello to talk about their pre-fall festival Best Picture predictions and answer some listener questions.

The fall movie season is upon us, as the Venice Film Festival and the Telluride Film Festival are in less than two weeks and will kick off the new Oscar season. With this, Ryan, Erik, and Sophia dive deep into what they think the race for Best Picture will look like, and which films they think will make the line-up. This is a fun exercise in an evolving race that we will look back on and see if our group were right about their predictions, or if just how far off they were. Again, it is just August and most of these films haven’t been screened just yet, but it is also a good time to overview what will most likely be in competition for Hollywood’s biggest prize.

Before they leave, the trio answers some listener’s questions. They talk about the films that might end up on their Top Ten of the year list that have a zero percent, what films they are looking forward to at the Toronto International Film Festival, and name their favorite Oscar nominees that didn’t win or weren’t nominated for their best work.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h9m. We will be back next week with our final Emmy predictions. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 148 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, and AwardsWatch contributors Nicole Ackman and Josh Parham, who gather to talk about film festival news, answer listener questions, and discuss their thoughts on the HBO Max/Discovery + and the ongoing struggles within the streaming service landscape.

Before the main topic this week, the group talk about some positive news stories that were announced this week, like the Academy naming producer Janet Yang at the new President of the Academy, our first look of Colman Domingo as Bayard Rustin in Rustin, TIFF announcing more films to their slate including WEIRD: The Al Yankovic Story, and NYFF will screen James Gray’s Armageddon Time and Noah Baumbach’s White Noise.

But all of that news was overshadowed by the drama with the merger of HBO and Discovery and the cancellation of the Batgirl movie that was about to wrap and head to post production with a premiere on HBO Max. This promoted the gang to talk about the good, the bad, extreme discomforts, and even confusion of this topic of the moment and what it means for the streaming services and their competitors in the business going forward.  

Next up our weekly listener questions, where they are asked if they think Babylon will play at the fall festivals or just release in theaters, as well as The Fabelmans Oscar chances going in based on how West Side Story did for Steve Spielberg last year. They also talked about if Amsterdam will be a contender this award season, if this year’s acting nominations will be more diverse given the film landscape and choices become more diverse for consideration, and what their dream cast would be for a film.

Lastly, the AW podcast team played a new game simple titled ‘The Percentages Game,’ in which Ryan throws out a prompt and the group give him their percent chance that the prompt will happen. Topics include if Top Gun: Maverick will still be the highest grossing film of the year, if the Golden Globes will happen, if a female director will win Best Director for the third year in a row, and many more. It was a fun game and we would love if you sent in your own prompts for the next round by tweeting at either Ryan (@ryanmcquade77) or Erik (@awards_watch), and they will be answered on the next show.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h52m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 147 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor and Chief Erik Anderson, TV Editor Tyler Doster and AwardsWatch contributor Dan Bayer talk about their Top 5 favorite films in the Criterion Collection, Beyoncé’s new album, and the latest fall film festival announcements.

Ryan is back in the host chair, and right off the bat, the group discuss their thoughts on Beyoncé’s Renaissance, the long awaited follow up to her 2016 album Lemonade. They talk about their favorite songs on the album, and brief mention if it will have the momentum to get nominated for Album of the Year at next year’s Grammys.

Moving right along, the Venice Film Festival and the Toronto International Film Festival announcing a big chunk of their festival lineups, the table is set for a fun, chaotic fall festival slate. The group mention their observations between the two festivals and what they are looking forward to seeing the most, since Erik and Dan will be at TIFF in a little over a month from now.

On to the main topic of the show, which was supposed to be the main topic two weeks ago before Ryan got sick, which is a deep dive into their Top 5 films with the Criterion Collection. With thousands of films to choose from all around the world, the Criterion Collection has cemented itself as the go to place for film preservation and appreciation of physical media. And with the annual July Barnes and Noble sale ending, the group give out their 5 favorites within the collection, as well as a variety of stories to match each selection. Tons of great cinema was discussed, with even a running theme from Tyler that was absolutely delightful. 

Last up this week are our weekly listener questions, and continuing with the theme of the show, the panel was asked what was their favorite non-Criterion Collection piece of physical media, as well as what films they would like to see added to the collection. They also gave out recommendations for first timers seeking out their entry point into the Criterion Collection, as well as what Best Picture winners they would like to see join the other eleven that are already a part of the famous collection. Finally, they talk about actors they would like to see get a second Oscar nomination.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h43m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

The AwardsWatch Podcast returns this week, with episode 146, as executive editor and host Ryan McQuade fell ill but, the trooper that he is, and who called in from the hospital (!), is here on this week's show with me back in the host seat (just this once). We are joined by Nicole Ackman, Dan Bayer and Josh Parham.

After a brief check in with Ryan we dive into this year's Comic-Con, which unveiled Marvel's closure of Phase 4 of their worldwide domination and the entering of Phases 5 and 6. While the con itself was a little light on actual content, the one that stood out was the very first trailer (and look of any kind) of Black Panther: Wakanda Forever. Stunning visuals, a performance from Angela Bassett that looks immediately memorable and quotable (hello, Keke Palmer!), this epic teaser took San Diego and the world by storm, racking up 15M views on the Marvel YouTube and 32.6M on its Twitter in less than 24 hours.

Up next is fall festivals news about what's going to be playing where, highlighted by the big surprise news last week that Steven Spielberg's semi-autobiographical film The Fabelmans will have its world premiere at the Toronto International Film Festival, his first-ever appearance there. Could it be the stage for a return to Oscar glory? It certainly won't hurt.

We move into Emmy talk is with the group looking at how the notorious 'vote-splitting' believers could rear their ugly heads in categories were few shows dominated. The White Lotus, Succession, Ted Lasso and Hacks all find themselves with the lion's share of acting nominations in several categories but does that mean they'll cancel each other out? Not so fast, as history has shown that not to be the case, especially when there are built-in frontrunners in more than one.

Opening this weekend with high anticipation and expectation was the latest from Oscar winner Jordan Peele (Get Out) with his sci-fi/horror and homage to directing greats, Nope, starring Oscar winner Daniel Kaluuya and Keke Palmer. Thoughts are wildly mixed among the panel (Nicole sits this one out as she hasn't seen it yet) with Josh (who reviewed the film for the site) liking it better on his second viewing, Ryan being a full-fledged superfan of the film, and Dan and I, who both liked it but with reservations about its screenplay hobbling it from being great. This conversation, which runs from the 52:00 mark to 1:22:50, is spoiler-heavy so if you haven't seen the film, skip on over.

Listener questions are next from Bryan Sudfield, S2S Movie Reviews, JacobK2022 and TV Fontaine who want to know our thoughts our favorite Emmy nominations and biggest snub, what's to be done about shows dominating Emmy categories, career comebacks like Cameron Diaz and why certain Oscar narratives fail and others succeed.

Next week's show will revisit the listener questions that went unanswered from two weeks prior, plus the group reveals their favorite Criterion releases ever.

This podcast runs 1h47m. Without further ado, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) used by permission

On episode 145 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor and Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer, Josh Parham and Kevin Lee to give their takes on Thor: Love and Thunder, answer some listener questions, and play a brand new game.

Before they get into their thoughts on the latest film in the MCU, there have been a lot of recent classic film anniversaries this year, and with Ryan seeing The Godfather on the big screen this past weekend, the group got to talk about some of their favorite moments of seeing classic films at their local art house theaters. This was a fun, informative discussion on how important these films and theaters can be in the landscape of modern cinema.

Getting into their review of Thor: Love and Thunder, the crew talk about the film overall, the performances, and the general look of the film from director Taika Waititi. Within this conversation, they talk about the vision of the MCU going forward, as well as the grand plan for this franchise, since many of the complaints by members on the podcast, and fans of the MCU, have been that these movies aren’t being executed to the level of care and consistency as a couple of years ago. It is a fascinating conversation that goes many places, even leading into a little more praise for Top Gun: Maverick by the end.

Next up were the weekly listener questions, and continuing with the theme of talking about the MCU, they discuss if the franchise is becoming over-saturated and is becoming too much. They then talk about their feelings on the Penny Marshall film A League of their Own, which is celebrating its 30^th anniversary this year (check out our retrospective here). Then they reveal which fictional movie restaurant they would want to eat at, what movie they would like to see a documentary made about, and which superhero they would want Taron Egerton to play in the MCU.

Lastly, the group play a new game title, How to Name a Franchise and Get Away with It. The basic rules of the game are Ryan reads a name of a subtitle of a film and the other hosts name the franchise it is a part of. They play of round competitively till a winner is name, then a free for all with the final titles leads to some pretty hilarious, crazy film title reveals from the history of cinema.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h37m. Without further ado, let’s get into it.

Music: “Modern Fashion” used by permission from AShamaleuvmusic

On episode 144 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they give out their final Emmy nomination predictions before they are announced next week.

Over the course of the last three weeks, Ryan, Erik, and Tyler have discussed the 2022 Emmy landscape, talking about what they think is going to be nominated when it is all said and done. Well, this is the moment of truth, where all their prognosticating and lineup shifting of potential nominees in their respected categories comes to a halt. They break down who they think will be nominated in the Limited Series, Drama, and Comedy categories. While they do agree on a lot on this show, there are moments where they break from the group, which could lead to some fascinating surprised come nomination morning. They also give an update on who they think is the front runner still in the categories at this stage of the Emmy race. For a full rundown of Erik and Tyler’s Emmy nomination predictions, you can check them out on the website.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h17m. We will have a new podcast next Monday, as the AwardsWatch podcast team talks about Thor: Love and Thunder, answer some listener questions and plays some games. Till then, let’s get into it.

Music: “Modern Fashion” used by permission from AShamaleuvmusic

On episode 143 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Kevin Lee to give out their Top 5 most anticipated films remaining for 2022, answer some listener questions, and play a quick game.

A few weeks ago, the podcast crew talked about their favorite films of the year so far. As we cross over into July, we are starting the second half of 2022, where bigger budget spectacles release alongside all the films that will play apart within the awards season conversation. With this, Ryan, Nicole, and Kevin give out their top 5 most anticipated films remaining within the calendar year. From films like Blonde, Women Talking, Glass Onion: A Knives Out Mystery, Decision to Leave, Nope, Avatar: The Way of Water and many more are mentioned in this discussion, which shows a bountiful slate of films for all audiences to enjoy as well as provoke fascinating discussions.

Moving on from their top 5 lists, the group answers some wonderful listener questions, starting with if they would give Natalie Portman or Christian Bale a second Oscar from the work in their career (a question brought up because of the release of the upcoming Thor: Love and Thunder). Next, they talk about which non-English language performance from the last ten years they would give an Oscar nomination to. They also give out their top 3 Madonna songs, give an update on if The Whale will be released this year, and the Oscar chances for Nope. As things wrapped this segment up, they also talked about which actors they think will win a second acting Oscar, and what they think of the fourth season of Stranger Things.

Lastly, the three host play a quick round of Cinephile Filmography, competing over the films of the legendary Meryl Streep. It was a great reminder of just how many movies the three-time Oscar-winning actress has been in, including a lot of dramas and, more recently, musicals that provide a long, fascinating round. After they finish the game for the week, they each give a recommendation for readers and listeners to go watch right now

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h06m. So, without further ado, let’s get into it.

Music: "Modern Fashion" used by permission from AShamaleuvmusic

On episode 142 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer and Josh Parham to give deep with their thoughts about Elvis, give out their Top 3 music biopics, answer some listener questions and play a game.

Before they dive into Baz Luhrmann’s latest film, Ryan and Erik give a shout out to the AwardsWatch team, who have been working hard this entire Emmy season with reviews and interviews you can find on the website daily. Please continue to read everyone’s fantastic work weekly, as we will have more coming within the next couple of weeks.

Transitioning over to the conversation about Elvis, Erik and Dan speak to what work for them about in this film about the king of rock ‘n’ roll, while Ryan and Josh have some reservations about this film. Each host gave detailed, respectable opinions on a film that has divided some film critics and audiences, but has become a box office success this past weekend. After they speak on their thoughts about Elvis, the group breakdown their Top 3 music biopics and what makes them their favorites. Some of the films included were I’m Not There, Sid & Nancy, Coal Miner’s Daughter, Get On Up, Amadeus, and many more. Considering this is a bountiful sub-genre with plenty of films to select from, this was a conversation that covered a lot of ground.

In this week’s listener question segment, the hosts discuss Austin Butler’s Oscar chances for Elvis, as well as give out there ranking of Baz Luhrmann’s filmography. They then give their selections of which comedians they would like to see take their talents to the director’s chair, as well as which established they think will win an Oscar within the next ten years. Next, they answer which actors or actresses they think has way too many Oscar nominations, as well as which actor or actress they think is in need of getting there first Oscar. Lastly, in honor of TV Editor Tyler Doster, they choose which of Amy Adams nominated performances they would give her the Oscar for.

Then to wrap up the episode, they gang play another round of Part of the Ensemble, aka the SAG Ensemble game. While it is Dan and Josh’s first time playing the game, they picked up quickly, leaving to some good competition amongst the host, with even a couple of ensembles stumping them.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h01m. A little on the long side but another fun episode. So, without further ado, let’s get into it.

You know what’s better than two podcasts in one week…three! On episode 141 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson and TV Editor Tyler Doster as they breakdown the Drama Series categories for the 2022 Emmys.

Unlike the comedy series categories, which were discussed on episode 140,  the majority of the winners from last year’s categories are not in the race this year, given that The Crown has taken this year off to fill its final two seasons with a brand new cast. Many assume that this is the time for previous Best Drama Series winner Succession to come back and dominant the Emmy categories like it did two years ago. But a lot of great television has come out in that time, leaving a lot of uncertainty as to if the HBO drama has what it takes to take back its crown.

Ryan, Erik, and Tyler break down the directing, writing, acting, and series categories, and the various challengers like Ozark, Squid Game, Severance, Yellowjackets, Better Call Saul, Stranger Things, Yellowstone, and more that plan on taking on the Roy family come Emmy nomination morning and the night of the ceremony. While these predictions, like the previous Emmy episodes, aren’t set in stone, it was a fascinating conversation to see where the race is currently at, and what potential spoilers and dark horses lie in the weeds waiting to make their presence known.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h34m. The final predictions episode will land around a week ahead of the Emmy nominations announcing on July 12. Till then, let’s get into it.

"Modern Fashion" by AShamaluevMusic used with permission.

Two podcasts in one week, what a treat. On episode 140 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, TV Editor Tyler Doster, as well as AwardsWatch contributor, host of the And The Runner Up Is podcast, and the new Content Update Editor for Entertainment Weekly Kevin Jacobsen, as they break down the Comedy categories at this year’s Emmys.

On episode 137, it was alluded to how the Limited or Anthology Series or Movie portion of the Emmy race seemed to be a little lacking in competition. Well, have no fear because the Comedy Series races are chock full of recent winners, old favorites that are looking to come back strong, and new series looking to capitalize on their freshmen season success. Last year saw the Apple TV+ darling Ted Lasso and the HBO Max smash hit Hacks take home the majority of the awards, and with very strong second seasons, they look to continue their winning streaks.

But not so fast, as Barry season three has just wrapped up with one of the best season of television of the year, leading many to think it could be the one to beat when it comes to Emmy night. The Marvelous Mrs. Maisel, and Atlanta also returned with stellar efforts and have been previous winners in multiple categories. And there are newcomers in Only Murders in the Building, that led by a spectacular comedic trio, and Abbott Elementary, which could be stealing Lasso’s title as the most charming show on television, and showing one of the best ensembles of the year.

With also shows like What We Do in the Shadows, Russian Doll, The Flight Attendant, Reservation Dogs, Insecure, Julia, Curb Your Enthusiasm, black-ish, Our Flag Means Death, Peacemaker, and many more trying to compete for limited nomination spots, this is the most stacked Comedy Series categories we’ve had in years. Thus, Ryan, Erik, Tyler, and Kevin have tons to break down, with plenty of fantastic insight into how they see each category and show shaping out, and a lot of painful omissions from their new wave of predictions.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h40m. The Drama Series Categories episode will be released sometime soon, but in the meantime, please check out all of our Emmy nomination predictions and interviews on the website. Now, let’s get into it.

"Modern Fashion" courtesy of AShamaluevMusic and used by permission

On episode 139 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor in Chief Erik Anderson, TV Editor Tyler Doster, and AwardsWatch contributors Sophia Ciminello to discuss what they have been recently watching their Top 5 Pixar Movies, as well as some listener questions and a brand new game.

First up is an update within the 2022 AwardsWatch Summer Movie Draft. While it is early in the game, Ryan’s team has a wide margin ahead of Erik’s team, who still have plenty of time to catch up. Winner of this competition will be announced at the end of August. Since it has been a couple of episodes since everyone talked about movies, Ryan, Erik, Tyler and Sophia each give out some thoughts on some recent releases, including Jurassic World Dominion, Cha Cha Real Smooth, Lightyear, and so much more.

Speaking of Lightyear, it was a good transition for everyone to talk about their Top 5 Pixar Movies. Pixar is a staple not just within the world of animation but for each of our hosts, thus as they talk about their favorite films from the studio, they not only talk about their moments of joy in seeing these films, but they also talk about the moments that moved them to their core. It is a beautiful conversation you aren’t going to want to miss.

For this week’s listener questions, the crew talked about the Oscar chances for Dakota Johnson and her latest film, Cha Cha Real Smooth, as well as the Oscar prospects for international smash hit, RRR. They also answer a question about what films, actors, or directors that they think of when they think of each other. This lead to some pretty interesting choices for each host.

Finally, the gang play a brand new game called Part of the Ensemble. The game goes as so; Ryan reads a list of actor’s names from nominated casts for Best Ensemble in a Film at the SAG Awards. He starts with someone lesser known in the cast, one at a time, till one of the other hosts buzzes in with their guess. It is a lot of fun and something they plan on doing again, next time on the television side.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h09m. This is a little bit on the long side but we are really proud of this one. Without further ado, let’s get into it.

That was two-time Emmy winner Elisabeth Moss invoking the iconic Maggie Smith line from Downton Abbey as we began our chat on a Sunday morning. Reminding ourselves that we aren't in chosen industries where phrases like 'weekends' and 'business hours' are non-existent, it's a funny icebreaker before diving into talking about her work.

Moss may play some of film and television's most taunted and tormented characters but she as opposite of that in possible in real life. Jovial and effervescent (I don't think I've interviewed someone who laughs as much), our conversation digs into her new role and new show Shining Girls, which recently finished airing on AppleTV+. Moss plays Kirby Mazrachi, an archivist for a Chicago newspaper in the mid-90s who was savagely attacked six years prior. When a recent murder is discovered to have a similar calling card to her own assault, she forges a bond with a reporter (played by Wagner Moura) to find and nab the killer (Jamie Bell).

We jump right into the fact that the show throws the audience into this story, one of split personalities, time shifting and time travel, and gives them just enough information to stay afloat, much like Kirby herself. Often as an audience we're one step ahead of our protagonist but in Shining Girls, based on the novel by Lauren Beukes and from showrunner Silka Luisa, the viewer is a part of the unfolding mystery and sharing in the suspense.

Moss received the script back in 2018 ("I just thought it was the coolest thing") to act in and produce, but her time behind the camera on The Handmaid's Tale more than prepared her to helm this new project that features all women directors; Moss is joined by Michelle MacLaren (Game of Thrones, Breaking Bad) and Daina Reid (The Handmaid's Tale) as well as a crew largely comprised of women ("It was just the natural thing to do...and all the best people for the job were women") and talk about the ever-important penultimate episode, .

We of course dive into working with her co-stars Wagner Moura, aka "Wag," who Moss says is "so unbelievably alive, he's so facile. He has a presence that is absolutely electric." On Bell, playing heavily against type as the series bad guy, she remarks, "This is the best performance he has ever given. I think that man is going to be somebody who is going to win an Oscar."

This is AwardsWatch so I would be remiss if I didn't take a look at how Moss is poised to make Emmy history if she's nominated for her performance in Shining Girls. She is currently tied with 10 women who have earned Lead Actress in a Drama Series Emmy nominations for two different shows, including Glenn Close, Connie Britton and Barbara Stanwyck. Moss earned lead actress nominations for Mad Men and The Handmaid's Tale, winning for the latter. She would be in a place all her own if she can nab a nom this year for a third show.

Listen to our conversation below. Major spoilers of the series in the last third of the interview so if you haven't seen the show, I recommend it.

On episode 138 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson, as well as AwardsWatch contributors Dan Bayer and Nicole Ackman to break down all the winners and major moments within the 2022 Tony Awards.

Before the group gets to the Tony Awards, there was a major casting announcement this past week that made Erik lose his mind and that they had to talk about. Per reports from all major outlets, it was confirmed that two-time Emmy Award winner Julie Garner has accepted the role within the upcoming Madonna bio-pic, which will be directed by the pop icon. While the film is still in pre-production, this didn’t stop the gang (mostly Erik) from bragging about getting this casting correct, and what they would like to see covered within the film once it is release. Doesn’t have to be good, you all know we will be covering it when it comes out.

Beyond this piece of film news, the rest of the show is dedicated to the 75^th Annual Tony Awards, which took place at Radio City Music Hall just last night. The show was hosted by recent Academy Award winner Ariana DeBose, who the panel agreed was a fantastic choice as host and should return to host this show and any other award show. They went over who won the top prizes of the night, as well as the performances for the nominated revival and new musicals, which showcased the best that Broadway had to offer. On the musical side, A Strange Loop, MJ, and Company walked award with the most Tonys on the night, while on the stage play side of things, it was a big night for the Sam Mendes drama, The Lehman Trilogy.

Not only was every big moment of this show covered by the group, but they also talked about what this Tonys telecast could mean for the upcoming Oscars telecast, in terms of being a confident show that is willing to embrace what they are and who they are putting on a show for. It was a very knowledgeable, well rounded discussion on Broadways biggest night. For a full list of the winners, please read Erik’s piece on the show which includes all the winners on the night.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h12m. Movie and TV talk, as well as listener questions and games will be back next week. Till then, let’s get into it.

A change of pace for this special edition of the AwardsWatch Podcast as it's not only all about the Emmys, it's dropping on a Friday. Don't worry, we'll still have the Monday edition, too.

The first of many Emmy podcast to come this season, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and TV Editor Tyler Doster take on the top categories in the Limited or Anthology Series or Movie section, which has some very contentious and tough races as we enter the nomination voting period next week.

Hulu is a dominant factor in this year's races with Dopesick, The Dropout, Pam and Tommy, The Girl from Plainville, Candy, WeCrashed and Under the Banner of Heaven (FX on Hulu) all fighting several networks, streamers and programs, as well as with itself.

As is often the case, Lead Actress in a Limited or Anthology Series or Movie is proving to be the most competitive. While a few names feel locked in like Amanda Seyfried (The Dropout), Best Actress Oscar winner Jessica Chastain (Scenes from a Marriage) and Margaret Qualley (Maid), the rest of the field is packed with previous Emmy winners like Viola Davis (The First Lady), Gillian Anderson (The First Lady), Claire Foy (A Very British Scandal), Julia Garner (Inventing Anna) and Toni Collette (The Staircase) as well as Oscar winners (a category Davis also falls under) Anne Hathaway (WeCrashed) and Julia Roberts (Gaslit). But with only six spots, who's in and who's out?

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h 4m. Let's get into it.

On episode 136 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Nicole Ackman and Josh Parham, as they review talk about their favorite films of 2022 so far, answer listener questions, and play some games.

While everyone is catching up with Top Gun: Maverick in theaters right now, the AwardsWatch podcast crew decided to talk about some of the favorite films, performances, scenes and more of 2022, considering we are very close to the half way point of the film year. Between Everything Everywhere All at Once, The Batman, After Yang, Benediction, RRR, The Northman, Kimi and more, the year has given our team a lot to talk about that they agree on. But they also mentioned some out of the box picks, as well as talked about some films that will be coming out soon that they saw earlier this year at film festivals. It will be interesting to see if any of these selections remain in tack once everything is the fall is seen and they do their end of the year lists.

Moving over to this week’s listener questions, the group talk about their favorite LGBTQ+ films, in honor of Pride Month. They also decided who would win in a fight between AwardsWatch editors Erik Anderson and Ryan McQuade, as well as answer what their favorite interviews or reviews of their careers are, as well as their most memorable moments in their podcasting careers. Next, they talk about what their favorite, and least favorite, Best Picture and Director winners are, as well as look back at the last 25 years, and see if they would change any of the Best Picture winners with another film that was nominated within the same year. Lastly, they select which director has had the best three film run of all time.

And in the final segment of the show, the gang play two rounds of the renowned Cinephile game, in which they compete against each other in the Filmography game. This week’s actors were two time Oscar winners Denzel Washington and Cate Blanchett, whose extensive body of work lead to a lot of selections and fun amongst the group.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h02m. It’s a little on the longer side this week but it’s a good one. Let’s get into it.

On episode 135 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Dan Bayer, as they review Top Gun Maverick, and talk about the prize winners for the 2022 Cannes Film Festival.

As discussed on the last couple of episodes, the Cannes Film Festival is going on, and as of this past week, it wrapped up with the jury prize winners announced, with NEON landing their third straight Palme d’Or winner with Ruben Östlund’s Triangle of Sadness. Ryan, Erik, and Dan break down the full list of winners, as well as if they think any of these wins will translate over into an Oscar campaign for the respective films or performances that won.

Transitioning over to listener questions, the guys talk about their favorite moments they have experienced at a film festival, and what they watch to decompress after a rough last couple of weeks. They also choose who which musician they would like to see making the jump to the big screen. Diving into some more Oscar related questions, they breakdown some of their favorite VFX Oscar winners of all time, which network they thing the SAG Awards will end up on, and how they would fix the Best International Feature Film category qualifications. Lastly, they look at this year’s Best Animated Feature category and examine why there is so much genre bias within the Academy.

After that, Ryan and Dan review Top Gun: Maverick, which landed in theaters this past weekend. They talk about the film’s spectacle, smocking hot cast, and how it is exceeding all expectations, with both of them clearing expressing that it is better than the original in almost every way. They also give some thoughts on the first trailer for Mission: Impossible – Dead Reckoning Part One, which premiered online this past week. Basically, we live in Tom Cruises world right now, and they are okay with it as he seems to be the only one making these types of practical big-budget films that dare to go above and beyond with each outing.

And in the final segment of the show, the gang play the beloved AwardsWatch or Not Game, this time breaking down the filmography of Tom Cruise and pitting his films up against each other. They also give out recommendations for which shows or movies you should be watching right now.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h27m. Let’s get into it.

On episode 134 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Nicole Ackman, Sophia Ciminello, and Dan Bayer, as they discuss their first predictions of the Best Actor and Actress races of the 2023 Oscar season.

Starting off this week’s show, the group give their brief thoughts on the new Harry Styles album, and talk about their favorite concerts that they have ever gone to. Once done, they continued their conversation from last week about previewing this year’s Oscar season with a look at Best Actor. With his Erik’s first predictions just published, it looks like Leonardo DiCaprio is in the number one spot, with the hopes of landing his second Academy Award. But as they get to talking, everyone brings up their own actor who could challenge DiCaprio in these very early projections. As they wrapped up Best Actor, the conversation shifted to a bit on the Best Actress, which is just as chaotic as it usually is. Erik’s Best Actress predictions article should be releasing later this week.

Moving on to listener questions, the gang talk about their biggest pet peeves about the discourse surrounding award season and what they would change or get rid of if they could. They also share some brief thoughts on the first reactions out of the Cannes Film Festival, as well as what might win the screenplay prize given out by the Cannes jury. Lastly, they talk about the Emmy’s and the nomination chances for the shows Yellowjackets and Severance, as well as Better Call Saul actress Rhea Seehorn's chances in Best Supporting Actress in a Drama Series.

In the final segment of the show, the gang played two games. The first game is another round of Call Me by Your Tagline, this time with a Cannes related theme. The second game they play is a round of the beloved Cinephile game, in which they played the Filmography, in which each host takes a term in naming a film from an actor selected on the chosen card. The actor chosen was the beloved Julianne Moore, and it led to a lengthy battle between everyone that you won't want to miss.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h55m, and it was a lot of fun. Let’s get into it.

On episode 133 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Sophia Ciminello and Josh Parham, as they dive deep into the website’s first Oscar Predictions for the 2022-2023 season.

In the wake of the news that the 2023 Oscars will be held on Sunday, March 12, 2023, it was only right for the first predictions of the Oscar season to go live on the site this week. Ryan, Erik, Sophia, and Josh breakdown the Best Supporting Actor and Best Supporting Actress races, who the early contenders are, who they would like to see make it into the race, and which performances they are a little skeptical about already. It is a long way till the nominations on January 24, 2023, and with most of these performances as of yet unscreened, it will be fascinating to take a look back on this conversation to see how spot on everyone was, as well as how far off some of these predictions might be.

Then they transitioned over to listener questions, where they discussed what the Academy needs to do to attract younger viewers to the watch the Oscars next year, as well as which films from the beginning of the year can sustain their momentum into the fall. They also talked about the film from Cannes they are most interested in based on first reactions, as well as talk a little about if one or both of Hirokazu Kore-eda or Park Chan–Wook could be an international director to break into the Best Director lineup. Lastly, they mention what debut directional efforts they are looking forward to in 2022 and if they think Top Gun: Maverick has any chance in Best Picture. A wide range of listener questions, but we thank everyone who sent in their questions in.

In the final segment of the show, the gang played two games. The first game was another round of AwardsWatch or Not, this time pitting the top ten lists of 2020 and 2021 against each other to see which film year was better. The first round of lists consisted of Erik’s favorite films, while round two focused on Ryan’s taste in film. Then they played a new game titled Call Me by Your Tagline, in which Erik, Sophia and Josh had to match the poster tagline of an Oscar–winning or nominated film to its respected title. It got a little competitive but it was a lot of fun.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 1h47m, and it’s blast. Let’s get into it.

On episode 132 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman, Dan Bayer and Kevin L. Lee to talk about the latest film in the Marvel Cinematic Universe, Daytime Emmy Nominations, previewing Tony Nominations and playing a new game.

Starting off this week’s show are our listener questions, which consist of asking everyone if there is a 2023 Oscar nomination the panel is willing to lock in right now based on the films released in theaters. They then break down if there are any other films like Avatar: The Way of Water and Top Gun: Maverick that they would love to see get a long awaited sequel for. And speaking of Top Gun: Maverick, they also discuss which directors they would love to see the film’s star Tom Cruise work with in order to get out of his action movie phase of his career and go back to his most dramatic focused work that made him a star.

Moving right along, the group then break down the recently announced Daytime Emmy Nominations, and then dive into a Tony Nomination preview, with those nominations set to announce on Monday, May 9, 2022. This discussion was very insightful, and for more coverage of both these topics, we encourage you to take a look at Erik’s Daytime Emmy Nomination article as well as Dan’s two articles covering the Tony Awards (Musical & Plays) from last week.

Finishing out the episode is a brief conversation on the Avatar: The Way of Water trailer, which is being shown exclusively in theaters right now in front of Doctor Strange in the Multiverse of Madness. And speaking of Doctor Strange, the gang then give their full thoughts on the first blockbuster of the summer, going into extensive details as to why it works on some levels and doesn’t on others. It is a SPOILER FILLED review so if you haven’t seen the film, skip over to the last segment of the show, where Ryan, Nicole, Dan and Kevin play a new game called AwardsWatch…or Not, where two films are pitted against one another and they must decide what they want to keep while the other film is lost forever. They played two rounds, covering films in the MCU and Non-MCU movies featuring members of the extensive cast of Doctor Strange in the Multiverse of Madness.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs 2h16m, and it’s an absolute blast. Let’s get into it.

The AwardsWatch Podcast is back and better than ever. Kicking off this reboot, AwardsWatch Executive Editor Ryan McQuade hosts show #131 with Editor-In-Chief Erik Anderson, TV Editor Tyler Doster, with Sophia Ciminello, Dan Bayer, Kevin L. Lee, Nicole Ackman and Josh Parham joining the podcast family.

At the top we answer listener questions about the Oscars like should studios position more awards players in the summer and was last season's record numbers of stat breakers a fluke or a sign of a fundamentally changed landscape? We also talk about what limited series' we think would have been better off as singular films and a question about this year's Cannes Film Festival sparks a conversation about what our gut instinct tells us is winning the coveted Palme d'Or.

CinemaCon wrapped last week, giving us several first looks at some of this year's most highly anticipated films and even peeks at 2023. Top Gun: Maverick, Greta Gerwig's Barbie and the long, long-awaited sequels to Avatar from James Cameron whetted the appetites of attendees and onlookers alike.

We also introduce a new game feature to the AwardsWatch Podcast with a Summer Movie Draft where our group of eight were split into two teams - Team One: Ryan, Tyler, Nicole and Josh vs. Team Two: Erik, Sophia, Dan and Kevin. Each team built a strategy of what films we think will be the biggest summer hits of the year worldwide as well and factoring in what films will be the most critically lauded. As a knife-twisting bonus, each team presented the other with a 'bomb' pick; a film they think will tank and negatively impact the other team's score. Tell us in the comments and on Twitter what you think of each team's picks and who you think is going to win.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify and more.

This podcast runs a sleek 1h36m. Let's get into it.

The year was 2015. A year in cinema that saw one of the greatest actions films ever made delivered to cinemas with George Miller’s Mad Max: Fury Road. The fourth installment in Miller’s Mad Max franchise was an experience like no other. A two-hour bonanza filled with thrilling car chase sequences, memorable characters, and a cinematic world unlike anything we’ve ever seen. Layered into this spectacle were social and political messages on climate change, warmongering, hoarding nature resources, and the power of feminism, all the while sharing the screen with a guy playing an electric guitar on top of a moving vehicle with flames coming out.

With stars Tom Hardy and Charlize Theron leading the charge in front of the camera, Miller and company gave the world an entertaining achievement that was not only loved by audiences and critics around the world and the Academy of Motion Picture Arts and Sciences with ten nominations and six wins, but it is almost a film may consider one of the best films of the last decade, some even going as far as to say of all time.

But the journey to the big screen is a story within itself, as there were twenty years of obstacles in pre-production, on-set, and even leading up to the test screenings for the final cut of the film. This is all documented in the new book by Kyle Buchanan, Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road. Over the course of the book, we are told the history of this film struggles, leaving no stone unturned in terms of information about how hard it was for Miller to get this made, the monumental task of recasting the iconic Mad Max character, the extensive production that resulted into a behind the screen feud between the two leading stars of the picture, the constant fight to keep Miller’s version Fury Road his and only his, the legacy of this film and even a tease at the future of the franchise.

Buchanan, known for being a pop culture, awards season reporter (The Projectionist is his Oscar column) for The New York Times, former the senior editor at Vulture, makes an engrossing, stellar debut novel filled with loads of honesty and passion for Miller’s action epic. In taking in dozens of accounts from people involved with the project, along with mixing in talent within the industry, film historians, and journalists, he crafts a must read for any self-proclaimed cinephile.

In our audio conversation below, we talked about his first experience with seeing the film, when he knew he wanted to make this book, what he learned about director George Miller and actress Charlize Theron, why the Academy went for the film, and what the future of the Mad Max series looks like. We thank Kyle for his time and implore everyone, once they are done listening to the interview, to go purchase his book. You won’t regret it.

Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road is available in stores and online wherever books are sold.

Ariana DeBose is a triple threat force to be reckoned with. From the moment she arrives on the screen of Steven Spielberg’s adaptation of the classic musical West Side Story, it is clear we are in the presence of singular talent that expertly performs any task she is assigned. Since the film’s release, she has become an overnight sensation and the front-runner to take the Best Supporting Actress prize at this year’s Oscars, but if you have followed her career, it’s not surprising that she is in this position.

DeBose began her career in 2009 as a contestant on the dancing show So You Think You Can Dance, where she finished in the Top 20. She then landed roles in musical productions of Bring It On, Motown, and Pippin, where she landed the understudy role and eventually, for Pippin, was the star of the show. These projects led her to the part of “the bullet” in the ensemble of the Broadway phenomenon, Hamilton.

From her time on Hamilton, she moved on to playing Disco Donna in Summer: The Donna Summer Musical, where she landed a Tony nomination for Best Featured Actress in a Musical. With this, DeBose was able to make the transition to the big screen and small screen, with prominent roles in Ryan Murphy’s The Prom and Schmigadoon! from AppleTV+. 

But it’s with West Side Story, and her layered, energetic, passionate interpretation on Anita, a role made famous by the legendary Rita Moreno, that has brought Ariana DeBose the most praise and accolades of her career to this point. And with her Oscar nomination, she is the first Afro-Latinx actor to be nominated for an acting prize, as well as one of the few nominees in the history of the Academy Awards to be openly out as a member of the LGTBQ+ community. This brings enormous pressures and power being in this position, but after speaking with her, it is clear she is taking it all in as gracefully as one can be at this monumental moment in their career.

Within the first moments of speaking with her, I marveled at how down to earth and open she is. As the conversation started, DeBose arrived on the zoom humming a song with subtle lyrics about getting set up for our chat. About five minutes in, as she is answering a question, her Airpods went out, and as she responded, she quickly configured her settings, all the while staying focused, smiling the entire time. Midway through, her cat started to crawl right next to her and she grab it and put them on her lap as we finished out our time together. Completely comfortable and authentic, she spoke to me about her love of musicals, the important relationships with her West Side Story co-stars, what she is going to look for in future projects, and so much more.

By the end, as we parted and exchanged goodbyes, she struck me by the way she said goodbye, as if it was a friend saying goodbye to someone they know, someone they will see again down the road. In a world that is harsh to navigate through, DeBose shows in this interview, and the variety of others she has done throughout this awards season, that her kindness, relatability, and comfort within who she is is infectious and leaves you with a smile on your face and a warm heart.  Good things happen to good people, and Ariana DeBose is beyond good, she is phenomenal. I hope our paths do cross again; till then, here is my full conversation with the recent Oscar nominee.

Last week, when the Academy announced Oscar nominations, hair and makeup designer Donald Mowat was on set in Spain, hard at work on his next project. When he found out that his fantastic work for Dune was nominated, it was the culmination of over 35 years of incredible creations being celebrated for the first time by his peers. For Mowat, an Academy member who over 20 years, he couldn’t believe it happened, and still can’t we I spoke with him recently, but takes a lot of pride in this honor because it’s for a movie and team he truly loves.

Known for working with actors Mark Wahlberg, Daniel Craig, Ryan Gosling, and Jake Gyllenhaal as their make-up artist, and being the department head for movies like First Man, The Fighter, Skyfall, Prisoners, Sicario, and Blade Runner 2049, Mowat’s dedication to his craft has garnered praise by many in the industry, thus making him one of the most reliable artists working today in the business. On Dune, he and his team’s collaboration built upon their director’s vision to create unique looks for each character and the story they are telling. Between extensive research and detailed “vision boards,” they were able to successfully separate the work on this film from any of the previous versions of Dune we had seen before.

I sat down with Mowat back at the 2021 Middleburg Film Festival, right before the release of the film and before he and his team have gone on to win award after award for their work on Denis Villeneuve’s sci-fi spectacle. In this interview, I asked him about his reaction to being nominated for his first Oscar nomination, what Dune has meant to him, his team’s work on the villainous Baron Vladimir Harkonnen (Stellan Skarsgård), dealing with weather difficulties on shooting on location in Budapest, and his excitement for working on Dune: Part 2. And while he’s a little nervous about the outcome of the Oscars in late March, he is mostly excited to get back together with Denis and the team behind Dune one last time to celebrate their epic achievement.

This audio interview, which runs 51m, might contain spoilers, so if you have not seen Dune, go watch the film and come back to this conversation.

Dune is available to buy on Blur-ray and DVD, as well as to own or rent on all VOD platforms. It will return to HBO Max in March 2022.

Dave Karger is a host on Turner Classic Movies (TCM), including the network's annual 31 Days of Oscar, which kicks off on March 1 this season.

An award-winning host, interviewer, and entertainment expert, Karger began guest hosting on TCM in 2016 and was named an official host in 2018. He has made more than 200 live appearances on NBC’s Today show and also serves as a Special Correspondent for IMDb. In 2018 he co-hosted ABC’s Live from the Red Carpet on Oscar night.

In 2015, Karger received the Publicists Guild Press Award honoring the year’s outstanding entertainment journalist. In 2014, he was named one of OUT Magazine’s “OUT 100,” acknowledging the most influential people in the LGBT community.  

From 2012 to 2016, he served as Chief Correspondent at Fandango, creating and hosting the original video series “The Frontrunners,” which received a 2013 Webby Award nomination for Best Variety Series. Before that, Karger spent 17 years as a senior writer at Entertainment Weekly, where he wrote more than 50 cover stories on subjects including George Clooney, Angelina Jolie, Elton John, Taylor Swift, Johnny Depp, Denzel Washington and Carrie Underwood.

In 2012 and 2013, he was the Academy’s official red-carpet greeter on Oscar night and only the third person ever to hold that post. Dave graduated cum laude from Duke University.

I sat down with Karger to talk about 31 Days of Oscar, the look of this year's race, the changes in the Academy over time and his own Oscar origin story.

On this 88th podcast I am joined by Kenzie Vanunu to talk about the upcoming BAFTA nominations.

Kenzie and I break down the writing, acting, directing and Best Film categories as well as try and tackle the always difficult to predict Rising Star nominees. Throughout the podcast we detail the changes in BAFTA voting that were enacted last season (that also gave us wild snubs like Gary Oldman, Carey Mulligan and Olivia Colman), how those new rules will impact this year's results and who will be helped and hurt by BAFTAs choices.

Best Actress is one of this year's most contentious categories and at BAFTA we're very likely to see many of the top Oscar contenders missing - outside of the chapter-voted top two - in favor of more local-grown talent. But who's getting snubbed - Lady Gaga? Jessica Chastain? Kristen Stewart? ALL of them?

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s RESPECT. Jennifer Hudson is Aretha Franklin in the true story of the icon’s musical and spiritual journeys. She overcomes controlling men and inner demons and, empowered by family friend Dr. Martin Luther King, Jr., becomes a civil rights activist. With Forest Whitaker, Marlon Wayans, and Audra McDonald. Critics say this is “Another Oscar worthy performance from Jennifer Hudson” that has been hailed as “electrifying.”

For Your Consideration in all categories including Best Actress - Jennifer Hudson.

This podcast runs 1h 45m with intro and music.

On this 87th podcast I am joined by AwardsWatch staff writer Zach Gilbert to break down the big guild nominations - WGA, DGA and PGA - that are happening this week.

With the Writers Guild eligibility list omitted several top contenders, including Oscar frontrunners, Zach and I agree on most of our predictions with a few outliers seeking one of the final spots. Same goes for the Directors Guild, in both the main award and the First Time Feature award, where we are 4/5 in agreement in two very competitive categories.

The Producers Guild of America nominations is where things get tough as we align on 8/10 in a year where the Oscars return to a straight 10 nominees. Not even in the first two years of 10 nominees (2009 and 2010) did PGA and Oscar lineup exactly so the race is on between House of Gucci, No Time to Die, Spider-Man: No Way Home, Nightmare Alley, The Tragedy of Macbeth and more for those spots, both at PGA and Oscar.

Nominations for the Writers Guild, Directors Guild and Producers Guild are Thursday, January 27.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s No Time to Die, produced by Michael G. Wilson and Barbara Broccoli, and directed by Cary Joji Fukunaga. Daniel Craig concludes his five-film portrayal of James Bond in No Time to Die. ‎Joining forces with his MI6 team and a new generation of agents, Bond faces the highest stakes of his espionage career and emotionally explores the sacrifices of heroism.

Critics are hailing -  “No Time to Die will be remembered for its emotional impact above all.” You can watch it everywhere you rent movies. For Your Consideration in all categories including Best Picture of The Year.

This podcast runs 1h 1m 30s with intro and music.

For over to forty years, Nicolas Cage has given us one of the most diverse filmographies of all time. While being one of cinemas greatest action heroes with hits like The Rock, Gone in 60 Seconds, Con Air and Face Off, Cage also excels in prestige dramas about complex, emotionally rich characters in films like Leaving Las Vegas (for which he won the Oscar), Matchstick Men, Adaptation, and Joe. He can make you fall in love with him in films like Moonstruck and Raising Arizona, while discovering and protecting historical American secrets. Basically, the man can do anything and knock it out of the park, thus makes him one of, if not, the best actor of his generation.

But with his latest film, Pig, Cage takes his range and dramatic work to a whole new level as Rob, a reclusive chef who must confront his past after his beloved truffle hunting pig is kidnapped. Written and directed by Michael Sarnoski, and co-starring Alex Wolff and Adam Arkin, Cage is stunning in this film. When I reviewed Pig back July, I stated that “it’s not just one of the best performances of the year so far, but how it is the best work he has ever done,” and after seeing the film again, that statement firmly holds up. This sentiment was fleshed out a month later in an FYC piece for Cage to get a nomination for Best Actor at this year’s Oscars, noting that what the legendary actor was doing in this part was “an astonishing achievement” and that he delivers “a bloody, broken, delicious showcase that lingers well beyond the briskly efficient 92-minute runtime.”

After writing about this performance all year long, it only seemed fitting to go to the source and sit down to ask the actor about his incredible, career defining work in this movie. In the interview below, I spoke with Cage about his time making Pig, the bonds with Sarnoski and Wolff that grew on and off set, the lessons he learned in playing a chef, and his love of cinema. At the end, we concluded our chat with some interesting rapid-fire questions with answers lifelong fan of his movies have always wanted to know, as well as take a look at what he has coming in the not too distant future.

This interview runs 24m 31s.

Pig is available to rent or buy wherever you stream movies.

On podcast #86 I welcome, for the first time, Christina Jeurling Birro, from Pop Culture Confidential. You probably know Christina from her PCC podcast, which I've guest on several times but she's finally here and I couldn't be happier.

In just an hour, Christina and I break down the Golden Globes winners and non-ceremony last Sunday, and the one-two punch of BAFTA longlist and Screen Actors Guild nomination announcements announcements that happened within an hour of each in the early hours of Wednesday morning. We dive into the surprise SAG mentions for Bradley Cooper and Ben Affleck at the expense of the Belfast boys, the shocking snub of Kristen Stewart and who showed up at BAFTA and why it matters.

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s House of Gucci. Directed by Ridley Scott and starring Lady Gaga, Adam Jared Leto, Jeremy Irons, with Salma Hayek, and Al Pacino,House of Gucci is inspired by the true story of the family empire behind the Italian fashion house of Gucci.

Critics have hailedHouse of Gucci as “One of the best films of the year. A supremely entertaining and revealing drama from Ridley Scott.” and that the cast displays a “masterclass in acting” with “the best performances of the year.” Nominated for 4 Critics Choice Awards and 3 Screen Actors Guild Awards including Best Supporting Actor Jared Leto and Best Actress Lady Gaga, winner of the New York Film Critics Circle for Best Actress Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.

For Your Consideration in all categories including Best Picture of the Year.

This podcast runs 1h 5m with sponsorship, intro and music.

Stevie Martin and Lawrence Davis are two very well-established makeup and hair designers, having traversed the worlds of film and television with equal success and yes, respect.

Martin made her start in makeup designing when she started doing makeup for magazines before building her way to TV and film. She was one of the key makeup artists on projects such as The Hunger Games: Catching Fire, then returning for Mockingjay – Part 2, The Nice Guys and Sleepless, where she grew a reputation of her minimalist style and using no prosthetics.

Davis comes from a very ranged background of work, having even won an Emmy for his work on Hairspray Live! He went on to being one of the key hairstylists for daytime and primetime TV shows and specials like the Grammys, the Academy Awards, American Idol. From this he went onto movies and became a key hairstylist for projects such as In Time, Flight and Dumb and Dumber To. Through all of this he started working frequently with Jennifer Hudson, which is how he landed the role of Hair Designer Head for Respect.

We were curious how they both went about the daunting task of transforming Jennifer Hudson and Marlon Wayans into their respective roles as Aretha Franklin and Ted White, especially when the filmmakers asked for no prosthetics. Benji Bury had a sit-down discussion with them about how they climbed this high mountain.

Respect is currently available to rent or buy wherever you stream movies.

When Ridley Scott calls, Janty Yates answers. 2021 brought not one, but two Scott projects - The Last Duel and House of Gucci - and Yates was by his side on both. With The Last Duel, we are transported back into medieval France to meet Marguerite de Carrouges (Jodie Comer), Jacques Le Gris (Adam Driver) and Sir Jean de Carrouges (Matt Damon) as they fight for the truth. As for House of Gucci, we meet Patrizia Reggiani (Lady Gaga) in the late 1970s as she begins her relationship with Maurizio Gucci (Adam Driver). Yates’ costumes are standouts and she is receiving some of the best reviews of her career. 

Yates is no stranger to the awards attention. In 2001, she was the winner of Academy Award for Best Costume Design for Gladiator. She was also nominated for a Satellite Awards (where she is 4x nominee), a Saturn Award (where she is a 3x nominee) and a BAFTA. In addition to these accolades, she is also a 2x Costume Designers Guild Awards nominee (The Martian and De-Lovely). 

Yates has been racking up nominations left and right for critics prizes for both of her films of this year, including a Hollywood Critics Association nomination and a Broadcast Film Critics Association Awards nomination. 

Their collaboration continues with Kitbag, starring Joaquin Phoenix as Napoleon Bonaparte. Jodie Comer was originally cast as Joséphine Bonaparte but had to drop out due to COVID-influenced scheduling conflicts.

This audio interview runs 25m 19s.

To this day, 3x Oscar nominated production designer Arthur Max continues to transport us to his beautifully constructed worlds. In 2021, he took us to the castles of medieval France with The Last Duel and to the bustling streets of Italy in House of Gucci. Through tireless research and close collaboration, Max has been frequent go-to of Ridley Scott for over two decades. 

His three Oscars were for Best Achievement in Production Design (The Martian), Best Achievement in Art Direction (American Gangster) and Best Art Direction-Set Decoration (Gladiator). The accolades don’t stop there. He is also a 2x BAFTA nominee (1x winner for Gladiator), 7x ADG nominee (2x winner for The Martian and Gladiator), NBR Award winner for Gladiator, and many more. 

Their collaboration continues with Kitbag, starring Jodie Comer and Joaquin Phoenix as Joséphine Bonaparte and Napoleon Bonaparte. 

House of Gucci is out in theaters today and stars Lady Gaga, Adam Driver, Jared Leto, and Al Pacino. The Last Duel is on VOD today and stars Matt Damon, Adam Driver, Jodie Comer and Ben Affleck.

This audio interview runs 59m 27s.

On this episode, I am joined by the twin team of Cole and Justin, better known as The Oscar Expert and Brother Bro, who return to the AwardsWatch Oscar Podcast to talk about the Screen Actors Guild and offer our predictions.

We hit all categories and dive into both likely nominations, weird SAG-only possibilities (like Viola Davis and Sandra Bullock in The Unforgivable) and break down how many nominations Belfast and The Power of the Dog can score. Each stand a chance to to get in 3 or even 4 individual actors plus the SAG Cast category. The all-time record still stands at 5 nominations for a single film and we could see it happen once, or even twice, this year.

West Side Story is a big part of the conversation, which was recorded on December 26, because at the time no screeners, digital or physical, had been sent to the SAG nominating committee for voting. As of this writing, digital screeners have now reached the 2000-2500 voters but is it too late? Voting opened on December 6 ends on January 9 and many might have already submitted their picks, deciding not to wait on 20th Century/Disney to drop those screeners. Our predictions for WSS reflect that here.

Support for this podcast comes from Amazon Studios, presenting Being the Ricardos. Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) are threatened by shocking personal accusations, a political smear, and cultural taboos in Academy Award-winning writer and director Aaron Sorkin’s behind-the-scenes drama Being the Ricardos. 

A revealing glimpse of the couple’s complex romantic and professional relationship, the film takes audiences into the writers’ room, onto the soundstage, and behind closed doors with Ball and Arnaz during one critical production week of their groundbreaking sitcom I Love Lucy. 

Featuring J.K. Simmons, Nina Arianda, Alia Shawkat, Tony Hale, Jake Lacy, Linda Lavin, Ronny Cox, and John Rubinstein. Now nominated for three Critics Choice Awards for Best Original Screenplay Aaron Sorkin, Best Actress Nicole Kidman, and Best Supporting Actor J.K. Simmons. Variety raves the film is “intoxicating; a beautiful illustration of Lucille Ball and Desi Arnaz." Being the Ricardos is streaming now on Prime Video.

Support for this podcast also comes from Amazon Studios’ The Tender Bar, which tells the story of J.R. (Tye Sheridan), a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie (Ben Affleck), is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. 

As the boy’s determined mother (Lily Rabe) struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father (Christopher Lloyd) — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams — with one foot persistently placed in Uncle Charlie’s bar. 

The Tender Bar is based on the best-selling memoir of the same name by J.R. Moehringer. The Los Angeles Times calls the film “a nostalgic coming-of-age drama lovingly directed by George Clooney... Affleck has never been better." The Tender Bar is in theaters now and streaming January 7 on Prime Video.

This podcast runs 1h 20m with music and sponsorship content.

I’ve been a fan of Robin de Jesús since Camp, nearly 20 years ago. 

But de Jesús is more than Camp, he's built a stellar career with work in television, film and of course, theater where he's a three-time Tony nominee, earning nods as Featured Actor in a Musical twice (2008's In the Heights and 2010's La Cage aux Folles) and Featured Actor in a Play for the 2019 revival of The Boys in the Band.

Born in Norwalk, Connecticut, he always loved to sing and would join his family in the Parranda, the Puerto Rican version of caroling, during Christmas and go from house to house wherein that house's family would then join and go to the next house until the group grew into most of the neighborhood. It gave him the outlet for his voice and also a creative outlet for his family ("they sort of identified as factory workers but at that time of year they were musicians") and it pushed him through his school years to explore the possibility of making it a career.

After 2003's Camp, his first feature film, de Jesús landed a career breakthrough, the part of Sonny in Lin-Manuel Miranda's In the Heights, a relationship that would bear fruit once again with the theatrical feature version of Jonathan Larson's tick, tick...BOOM!, bringing him full circle back to Miranda, who directs. His performance has earned him Hollywood Critics Association and Satellite nominations for Best Supporting Actor.

Throughout our 30m conversation, we talk about the electrifying response to the film's world premiere at AFI FEST in November and the actor gets candid about his well being and mental health during the shooting of the film ("I wasn't choosing the healthiest thoughts") and how he broke through it to recognize love and blessings in his work and being present in his own life. We talk about his onscreen co-star Andrew Garfield, the depiction of the friendship between a straight man and a gay man on film and what that means on a larger scale.

We also take a look at the state of representation of queer and Latino actors and what representation means to him, the difference between who should play certain roles and who even gets a seat at the table from the ground floor of auditions and casting, what his dream role is and more.

tick, tick...BOOM! is now streaming exclusively on Netflix.

This interview runs 33m with intro and music.

2021 has been the year of the musical. Whether it was Encanto, Vivo, tick…tick…BOOM, Annette, Cyrano, West Side Story, and many more, audiences have experienced a resurgence of the once staple genre of Hollywood. But for many, including myself, the musical that still stands out over the rest this year came out during the summer, Warner Bros' In the Heights.

Based on the Broadway hit musical created by Lin-Manuel Miranda, the film is set over the course of a couple of days in the mostly Latinx based neighborhood of Washington Heights, where people are navigating the modern world and fight to obtain their sueñitos, their little dreams that will change their lives forever. With this, we many follow Usnavi, played by recent Golden Globe nominee Anthony Ramos, is saving enough money to go back to his home in the Dominican Republic and start fresh. But leaving isn’t easy when the community he is in, surrounded by family and friends, rely on him to move forward as much as he needs them.

With awe-inspiring choreography, impeccable performances by this talented ensemble, and lavish cinematography by Alice Brooks, In the Heights provides wonder not found in many modern musicals today. In large part, this has to do with the direction of Jon M. Chu, whose vibrant energy and passion for musicals comes through in almost every moment we see in the film. Chu, known for starting his career making dance movies with Step Up 2: The Streets and Step Up 3D, followed by blockbuster sequels with G.I Joe: Retaliation and Now You See Me 2, he found his biggest success in the 2018 worldwide smash hit, Crazy Rich Asians. With that film he not only made the highest grossing romantic comedy of the 2010s, but landed major awards nominations including a SAG Ensemble, thus making a commercial, celebrated film that all audiences can enjoy while given a vehicle for Asian actors to be seen by audiences in a light that they hadn’t been seen since The Joy Luck Club. Therefore, when it was announced he was attached to In the Heights, it made all sense in the world that he would carry his sincere, detailed approach over to this mostly Latinx, yet universal story.

In a recent conversation with Chu, I talked to him about his passion for the project, his love of the genre, what he carried from making the film’s extravagant musical numbers like "9600," and what he has learned, good and bad, from his experience post the film’s release. With his schedule getting bigger by the day as he starts preparations adaptation of the film version of the monumental musical sensation, Wicked, it was nice to sit down and speak with Mr. Chu about his process and passion to tell diverse stories. His affection for this world and time with Miranda, Ramos, the rest of the cast, and crew still shows in how he speaks, displaying the same feeling the audience has when watching his film, that of an unforgettable experience.

In the Heights is available to stream on HBO Max, as well as to own or rent on Blu-ray and all VOD platforms.

It's almost Christmas but the real gift for awards watchers is the Oscars shortlist announcement!

On this 84th podcast, I'm joined by Will Mavity of Next Best Picture to talk about Original Score, Original Song, Makeup and Hairstyling, Visual Effects, Sound, Documentary Feature and International Feature Film and who we think is getting in when the official list comes in on December 21.

Throughout the podcast we highlight how categories like Original Score and Song often nominate well known names and the challenges of being a new name here as well as break down one of the most competitive - and most Eurocentric - International Feature Film competition in years.

2022 Oscar Shortlist predictions: Expect love for ‘Dune,’ ‘Don’t Look Up,’ ‘The Harder They Fall’ and more

Support for this podcast and the following message comes from MGM Studios’ and United Artists Releasing’s LICORICE PIZZA – a film written and directed by Paul Thomas Anderson. LICORICE PIZZA tells the story of Alana Kane and Gary Valentine growing up, running around, and falling in love in the San Fernando Valley, 1973. Named Best Film of 2021 by the National Board of Review, and nominated for eight Critics Choice Awards including Best Picture. Now playing in select theaters in seventy millimeter. Everywhere Christmas day. For Your Consideration in all categories including Best Picture of the Year.

This podcast runs 1h 7m with music.