AwardsWatch Oscar and Emmy Podcasts
Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.
 
Costume designer Meghan Kasperlik has made a name for herself in the world of feature films after first cutting her teeth in the fashion industry and then television.
 
Out of college she jumped at the opportunity to work with the legendary Patricia Field (Emmy winner for Sex and the City, Oscar nominee for The Devil Wears Prada). Building her resume on shows like Hope & Faith, Cashmere Mafia and Royal Pains, Meghan made the jump to feature films, working as an assistant costume designer on The Dark Knight Rises, American Hustle, The Amazing Spider-Man 2Noah and Joy before being the head costume designer on Little Accidents, Crown Heights and It Comes at Night.
 
 
Her work on Ramin Bahrani’s 99 Homes brought her to the HBO movie that would earn her her first Emmy nomination, Bahrani's update of Fahrenheit 451 which made its world premiere at this year's Cannes Film Festival and stars Michael B. Jordan and Michael Shannon. 
 
In my interview with Meghan the Emmy-nominee talks about her approach to color and texture when she designs, how she's an expert second-hand shopper and some of her costume design inspirations and favorites of all time (including Keira Knightley's iconic green gown from Atonement).
 
You can see some of Meghan's most recent work on the upcoming second season of Netflix's The OA.

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

This interview runs 23m

Opening: "Fahrenheit 451" from Fahrenheit 451 music byMatteo Zingales and Antony Partos (Milan Music)

Closing: "Resurrection" from Fahrenheit 451 music by Matteo Zingales and Antony Partos (Milan Music)

Direct download: Meghan_Kasperlik_Emmy_interview_Fahrenheit_451.mp3
Category:Interview -- posted at: 3:35pm PDT

There are some major changes coming to the very next Oscars ceremony...and they're not good.

Yesterday, the Academy, in a bombshell announcement, revealed that they would be creating a new category: Outstanding Achievement in Popular Film. 

After yet another year of dropping ratings, this attempt to secure viewership from audiences that have shelled out their money to the year’s blockbusters like Black PantherMission: Impossible Fallout and Mamma Mia: Here We Go Again, can be assured that ‘popular’ will now equal ‘best.’ 

The Board of Governors have also committed to a 3-hour telecast. Even though ad rates for the Oscars are still among the highest in television, the length of the Academy Awards has always been the butt of jokes, often by the host themselves. One of the ways the show intends to shorten the running time won’t be asking winners to make quicker speeches but to move some categories to commercial breaks. Other awards shows implement this already, like the Tonys or the the MTV Movie Awards, and it’s likely that categories such as Live Action Short (and its kind) will be moved there. 

The third big change won’t involve next year’s Oscars but the 92nd Academy Awards. They’re moving up from their previously announced date of February 23rd to February 9th. That is going to result in a seismic shift in every other awards show, nomination date and give pause for every studio in how they dole out their fall and winter releases. 

In this podcast, I am joined by returning guest Daniel Joyaux, freelance film writer (The Verge, Vanity Fair, Moviemaker magazine and more) and publications editor for the Sundance Film Festival.

We discuss in enraged detail each of these changes (and the real reason behind them), whether they'll be able to withstand the barrage of hate they received on social media and I posit a way that maybe, just maybe this new category nonsense might actually work the way they want it to. 

This podcast runs 1h 29m

Direct download: Oscar_Podcast_67.mp3
Category:Oscars -- posted at: 10:00am PDT

Bill Groom is no stranger to the Emmys, he's a four-time winner for HBO's Boardwalk Empire. With its expansive sets and designs of Atlantic City, both the boardwalk and interiors, Groom was more than ready to take on the mid-century look of New York City for Amazon's The Marvelous Mrs. Maisel, which earned 14 Emmy nominations for its freshman season, including one for Groom's meticulously detailed production design. 

In my interview with Groom we discuss his incredible body of work which includes HBO's Vinyl, ABC's miniseries When We Rise and the feature films Eat Pray Love and Milk, the process of location vs sets and the leg work involved in recreating the period with accuracy and detail. 

Bill Groom is nominated in Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) for The Marvelous Mrs. Maisel episode "Ya Shivu v Bolshom Dome Na Kholme."

The next season of The Marvelous Mrs. Maisel will hit Amazon in late 2018 or early 2019.

This interview runs 34m with opening and closing music.

Opening music: "Egh-choh-choh" by The Barry Sisters

Closing song: "Rebel Rebel" by David Bowie

The Emmy voting period ends August 27th at 10pm PST.

The Creative Arts Emmys will be a two-night affair on Saturday, September 8th and Sunday, September 9th.

The 70th Primetime Emmy Awards will be Monday, September 17th.

Direct download: Bill_Groom_Emmy_interview_Marvelous_Mrs_Maisel.mp3
Category:Interview -- posted at: 9:40am PDT

1